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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47C6DC it is the complementary color #B83923. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47C6DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47C6DC shade: #4CC6D7, #5DD8EA, #6EEAFD, #7FFCFF and #90FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47C6DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47C6DC shade: #47C6DC, #36B4C9, #25A2B6, #1490A3 and #037E90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47C6DC shade: #47C6DC, #479EDC, #4775DC, #474DDC and #6947DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47C6DC shade: #47C6DC, #479EDC, #4775DC, #474DDC and #4747DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47C6DC shade matches the following richer shades: #47C6DC and #35D2EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47C6DC shade: #47C6DC, #59B9CA, #6AADB8, #7CA0A7 and #8E9495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47C6DC shade: #47DCA0, #47DCC8, #47C8DC, #47A0DC and #4778DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47C6DC shade: #219AAF, #28B8D2, #47C6DC, #69D1E3 and #8CDBE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47C6DC shade: #47C6DC, #7847DC and #DCB447

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47C6DC shade: #47C6DC, #DC47C8 and #C8DC47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47C6DC shade: #47C6DC, #7847DC, #DC5B47 and #AADC47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47C6DC shade: #47C6DC, #A547DC, #DC5B47 and #7DDC47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 10 / 0 / 14

HEX #47C6DC

RGB 71 198 220

HSL 188.86, 0.68%, 0.57%

LAB 74.12, -27.67, -21.15

 

Complementary color

CMYK 0 / 69 / 81 / 28

HEX #B83923

RGB 184 57 35

HSL 8.86, 0.68%, 0.43%

LAB 43.12, 49.98, 41.45

 

CMYK 65 / 8 / 0 / 16

HEX #4CC6D7

RGB 76 198 215

HSL 187.34, 0.63%, 0.57%

LAB 74.08, -28.4, -18.49

 

CMYK 60 / 8 / 0 / 8

HEX #5DD8EA

RGB 93 216 234

HSL 187.66, 0.77%, 0.64%

LAB 80.39, -28.93, -19.11

 

CMYK 57 / 8 / 0 / 1

HEX #6EEAFD

RGB 110 234 253

HSL 187.97, 0.97%, 0.71%

LAB 86.63, -29.32, -19.68

 

CMYK 50 / 1 / 0 / 0

HEX #7FFCFF

RGB 127 252 255

HSL 181.41, 1%, 0.75%

LAB 92.29, -34.03, -12.18

 

CMYK 44 / 0 / 0 / 0

HEX #90FFFF

RGB 144 255 255

HSL 180, 1%, 0.78%

LAB 93.74, -31.8, -9.95

 

CMYK 68 / 10 / 0 / 14

HEX #47C6DC

RGB 71 198 220

HSL 188.86, 0.68%, 0.57%

LAB 74.12, -27.67, -21.15

 

CMYK 73 / 10 / 0 / 21

HEX #36B4C9

RGB 54 180 201

HSL 188.57, 0.58%, 0.5%

LAB 67.76, -26.81, -20.49

 

CMYK 80 / 11 / 0 / 29

HEX #25A2B6

RGB 37 162 182

HSL 188.28, 0.66%, 0.43%

LAB 61.32, -25.68, -19.76

 

CMYK 88 / 12 / 0 / 36

HEX #1490A3

RGB 20 144 163

HSL 187.97, 0.78%, 0.36%

LAB 54.8, -24.18, -18.92

 

CMYK 98 / 13 / 0 / 44

HEX #037E90

RGB 3 126 144

HSL 187.66, 0.96%, 0.29%

LAB 48.2, -22.25, -17.98

 

CMYK 68 / 10 / 0 / 14

HEX #47C6DC

RGB 71 198 220

HSL 188.86, 0.68%, 0.57%

LAB 74.12, -27.67, -21.15

 

CMYK 68 / 28 / 0 / 14

HEX #479EDC

RGB 71 158 220

HSL 204.97, 0.68%, 0.57%

LAB 62.47, -6.58, -39.12

 

CMYK 68 / 47 / 0 / 14

HEX #4775DC

RGB 71 117 220

HSL 221.48, 0.68%, 0.57%

LAB 50.95, 17.83, -57.4

 

CMYK 68 / 65 / 0 / 14

HEX #474DDC

RGB 71 77 220

HSL 237.58, 0.68%, 0.57%

LAB 40.92, 42.69, -73.68

 

CMYK 52 / 68 / 0 / 14

HEX #6947DC

RGB 105 71 220

HSL 253.69, 0.68%, 0.57%

LAB 42.27, 51.08, -71.36

 

CMYK 68 / 10 / 0 / 14

HEX #47C6DC

RGB 71 198 220

HSL 188.86, 0.68%, 0.57%

LAB 74.12, -27.67, -21.15

 

CMYK 68 / 28 / 0 / 14

HEX #479EDC

RGB 71 158 220

HSL 204.97, 0.68%, 0.57%

LAB 62.47, -6.58, -39.12

 

CMYK 68 / 47 / 0 / 14

HEX #4775DC

RGB 71 117 220

HSL 221.48, 0.68%, 0.57%

LAB 50.95, 17.83, -57.4

 

CMYK 68 / 65 / 0 / 14

HEX #474DDC

RGB 71 77 220

HSL 237.58, 0.68%, 0.57%

LAB 40.92, 42.69, -73.68

 

CMYK 68 / 68 / 0 / 14

HEX #4747DC

RGB 71 71 220

HSL 240, 0.68%, 0.57%

LAB 39.6, 46.24, -75.84

 

CMYK 68 / 10 / 0 / 14

HEX #47C6DC

RGB 71 198 220

HSL 188.86, 0.68%, 0.57%

LAB 74.12, -27.67, -21.15

 

CMYK 78 / 12 / 0 / 7

HEX #35D2EE

RGB 53 210 238

HSL 189.08, 0.84%, 0.57%

LAB 77.89, -30.16, -25.13

 

CMYK 68 / 10 / 0 / 14

HEX #47C6DC

RGB 71 198 220

HSL 188.86, 0.68%, 0.57%

LAB 74.12, -27.67, -21.15

 

CMYK 56 / 8 / 0 / 21

HEX #59B9CA

RGB 89 185 202

HSL 189.03, 0.52%, 0.57%

LAB 70.24, -23.4, -17.19

 

CMYK 42 / 6 / 0 / 28

HEX #6AADB8

RGB 106 173 184

HSL 188.46, 0.35%, 0.57%

LAB 66.83, -18.36, -12.32

 

CMYK 26 / 4 / 0 / 35

HEX #7CA0A7

RGB 124 160 167

HSL 189.77, 0.2%, 0.57%

LAB 63.52, -10.64, -7.68

 

CMYK 5 / 1 / 0 / 42

HEX #8E9495

RGB 142 148 149

HSL 188.57, 0.03%, 0.57%

LAB 60.87, -1.96, -1.29

 

CMYK 68 / 0 / 27 / 14

HEX #47DCA0

RGB 71 220 160

HSL 155.84, 0.68%, 0.57%

LAB 79.08, -53.02, 18.26

 

CMYK 68 / 0 / 9 / 14

HEX #47DCC8

RGB 71 220 200

HSL 171.95, 0.68%, 0.57%

LAB 80.01, -43.5, -1.61

 

CMYK 68 / 9 / 0 / 14

HEX #47C8DC

RGB 71 200 220

HSL 188.05, 0.68%, 0.57%

LAB 74.71, -28.65, -20.26

 

CMYK 68 / 27 / 0 / 14

HEX #47A0DC

RGB 71 160 220

HSL 204.16, 0.68%, 0.57%

LAB 63.05, -7.7, -38.22

 

CMYK 68 / 45 / 0 / 14

HEX #4778DC

RGB 71 120 220

HSL 220.27, 0.68%, 0.57%

LAB 51.77, 15.97, -56.09

 

CMYK 81 / 12 / 0 / 31

HEX #219AAF

RGB 33 154 175

HSL 188.87, 0.68%, 0.41%

LAB 58.54, -24.28, -20.05

 

CMYK 81 / 12 / 0 / 18

HEX #28B8D2

RGB 40 184 210

HSL 189.18, 0.68%, 0.49%

LAB 69.03, -27.41, -23.52

 

CMYK 68 / 10 / 0 / 14

HEX #47C6DC

RGB 71 198 220

HSL 188.86, 0.68%, 0.57%

LAB 74.12, -27.67, -21.15

 

CMYK 54 / 8 / 0 / 11

HEX #69D1E3

RGB 105 209 227

HSL 188.85, 0.69%, 0.65%

LAB 78.55, -25.22, -18.12

 

CMYK 40 / 6 / 0 / 9

HEX #8CDBE9

RGB 140 219 233

HSL 189.03, 0.68%, 0.73%

LAB 82.98, -20.72, -14.51

 

CMYK 68 / 10 / 0 / 14

HEX #47C6DC

RGB 71 198 220

HSL 188.86, 0.68%, 0.57%

LAB 74.12, -27.67, -21.15

 

CMYK 45 / 68 / 0 / 14

HEX #7847DC

RGB 120 71 220

HSL 259.73, 0.68%, 0.57%

LAB 43.75, 53.65, -68.88

 

CMYK 0 / 18 / 68 / 14

HEX #DCB447

RGB 220 180 71

HSL 43.89, 0.68%, 0.57%

LAB 75.02, 2.98, 58.93

 

CMYK 68 / 10 / 0 / 14

HEX #47C6DC

RGB 71 198 220

HSL 188.86, 0.68%, 0.57%

LAB 74.12, -27.67, -21.15

 

CMYK 0 / 68 / 9 / 14

HEX #DC47C8

RGB 220 71 200

HSL 308.05, 0.68%, 0.57%

LAB 55.98, 71.17, -37.12

 

CMYK 9 / 0 / 68 / 14

HEX #C8DC47

RGB 200 220 71

HSL 68.05, 0.68%, 0.57%

LAB 83.92, -25.61, 67.55

 

CMYK 68 / 10 / 0 / 14

HEX #47C6DC

RGB 71 198 220

HSL 188.86, 0.68%, 0.57%

LAB 74.12, -27.67, -21.15

 

CMYK 45 / 68 / 0 / 14

HEX #7847DC

RGB 120 71 220

HSL 259.73, 0.68%, 0.57%

LAB 43.75, 53.65, -68.88

 

CMYK 0 / 59 / 68 / 14

HEX #DC5B47

RGB 220 91 71

HSL 8.05, 0.68%, 0.57%

LAB 55.23, 49.28, 36.94

 

CMYK 23 / 0 / 68 / 14

HEX #AADC47

RGB 170 220 71

HSL 80.13, 0.68%, 0.57%

LAB 81.94, -37.4, 64.89

 

CMYK 68 / 10 / 0 / 14

HEX #47C6DC

RGB 71 198 220

HSL 188.86, 0.68%, 0.57%

LAB 74.12, -27.67, -21.15

 

CMYK 25 / 68 / 0 / 14

HEX #A547DC

RGB 165 71 220

HSL 277.85, 0.68%, 0.57%

LAB 49.1, 62.43, -59.97

 

CMYK 0 / 59 / 68 / 14

HEX #DC5B47

RGB 220 91 71

HSL 8.05, 0.68%, 0.57%

LAB 55.23, 49.28, 36.94

 

CMYK 43 / 0 / 68 / 14

HEX #7DDC47

RGB 125 220 71

HSL 98.26, 0.68%, 0.57%

LAB 79.61, -53.11, 61.75

 

Description

Color code: HEX #47C6DC | qconv.com Color code: HEX #47C6DC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 198 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 198 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 10 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 10% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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