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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 58 / 9 / 0 / 23 it is the complementary color CMYK 0 / 56 / 66 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 58 / 9 / 0 / 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 58 / 9 / 0 / 23: CMYK 54 / 6 / 0 / 25, CMYK 50 / 6 / 0 / 18, CMYK 47 / 6 / 0 / 10, CMYK 44 / 6 / 0 / 3 and CMYK 39 / 2 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 58 / 9 / 0 / 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 58 / 9 / 0 / 23: CMYK 58 / 9 / 0 / 23, CMYK 63 / 9 / 0 / 31, CMYK 70 / 9 / 0 / 38, CMYK 78 / 10 / 0 / 45 and CMYK 88 / 11 / 0 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 9 / 0 / 23

HEX #52B3C4

RGB 82 179 196

HSL 188.95, 0.49%, 0.55%

LAB 68.04, -23.45, -17.24

 

Complementary color

CMYK 0 / 56 / 66 / 32

HEX #AD4C3B

RGB 173 76 59

HSL 8.95, 0.49%, 0.45%

LAB 44.76, 38.49, 29.39

 

CMYK 54 / 6 / 0 / 25

HEX #57B3BF

RGB 87 179 191

HSL 186.92, 0.45%, 0.55%

LAB 68.04, -23.89, -14.46

 

CMYK 50 / 6 / 0 / 18

HEX #68C5D2

RGB 104 197 210

HSL 187.36, 0.54%, 0.62%

LAB 74.53, -24.11, -15.02

 

CMYK 47 / 6 / 0 / 10

HEX #79D7E5

RGB 121 215 229

HSL 187.78, 0.68%, 0.69%

LAB 80.92, -24.25, -15.56

 

CMYK 44 / 6 / 0 / 3

HEX #8AE9F8

RGB 138 233 248

HSL 188.18, 0.89%, 0.76%

LAB 87.22, -24.35, -16.07

 

CMYK 39 / 2 / 0 / 0

HEX #9BFBFF

RGB 155 251 255

HSL 182.4, 1%, 0.8%

LAB 93.09, -27.33, -10.86

 

CMYK 58 / 9 / 0 / 23

HEX #52B3C4

RGB 82 179 196

HSL 188.95, 0.49%, 0.55%

LAB 68.04, -23.45, -17.24

 

CMYK 63 / 9 / 0 / 31

HEX #41A1B1

RGB 65 161 177

HSL 188.57, 0.46%, 0.47%

LAB 61.47, -22.98, -16.65

 

CMYK 70 / 9 / 0 / 38

HEX #308F9E

RGB 48 143 158

HSL 188.18, 0.53%, 0.4%

LAB 54.81, -22.31, -16

 

CMYK 78 / 10 / 0 / 45

HEX #1F7D8B

RGB 31 125 139

HSL 187.78, 0.64%, 0.33%

LAB 48.04, -21.35, -15.26

 

CMYK 88 / 11 / 0 / 53

HEX #0E6B78

RGB 14 107 120

HSL 187.36, 0.79%, 0.26%

LAB 41.16, -19.94, -14.4

 

CMYK 58 / 9 / 0 / 23

HEX #52B3C4

RGB 82 179 196

HSL 188.95, 0.49%, 0.55%

LAB 68.04, -23.45, -17.24

 

CMYK 57 / 17 / 0 / 23

HEX #54A2C4

RGB 84 162 196

HSL 198.21, 0.49%, 0.55%

LAB 63.1, -14.15, -24.75

 

CMYK 57 / 27 / 0 / 23

HEX #548FC4

RGB 84 143 196

HSL 208.39, 0.49%, 0.55%

LAB 57.57, -3.57, -33.31

 

CMYK 57 / 36 / 0 / 23

HEX #547DC4

RGB 84 125 196

HSL 218.04, 0.49%, 0.55%

LAB 52.44, 7.05, -41.36

 

CMYK 57 / 46 / 0 / 23

HEX #546AC4

RGB 84 106 196

HSL 228.21, 0.49%, 0.55%

LAB 47.21, 18.74, -49.68

 

CMYK 58 / 9 / 0 / 23

HEX #52B3C4

RGB 82 179 196

HSL 188.95, 0.49%, 0.55%

LAB 68.04, -23.45, -17.24

 

CMYK 58 / 9 / 0 / 3

HEX #67E2F7

RGB 103 226 247

HSL 188.75, 0.9%, 0.69%

LAB 83.96, -28.38, -20.58

 

CMYK 58 / 9 / 0 / 83

HEX #12272B

RGB 18 39 43

HSL 189.6, 0.41%, 0.12%

LAB 14.14, -7.03, -5.25

 

CMYK 59 / 9 / 0 / 63

HEX #27565E

RGB 39 86 94

HSL 188.73, 0.41%, 0.26%

LAB 33.76, -13.39, -9.52

 

CMYK 58 / 9 / 0 / 43

HEX #3D8491

RGB 61 132 145

HSL 189.29, 0.41%, 0.4%

LAB 51.31, -18.23, -13.73

 

CMYK 58 / 9 / 0 / 23

HEX #52B3C4

RGB 82 179 196

HSL 188.95, 0.49%, 0.55%

LAB 68.04, -23.45, -17.24

 

CMYK 38 / 57 / 0 / 23

HEX #7954C4

RGB 121 84 196

HSL 259.82, 0.49%, 0.55%

LAB 44.79, 40.34, -53.4

 

CMYK 0 / 15 / 57 / 23

HEX #C4A654

RGB 196 166 84

HSL 43.93, 0.49%, 0.55%

LAB 69.22, 1.03, 45.89

 

CMYK 58 / 9 / 0 / 23

HEX #52B3C4

RGB 82 179 196

HSL 188.95, 0.49%, 0.55%

LAB 68.04, -23.45, -17.24

 

CMYK 0 / 57 / 8 / 23

HEX #C454B5

RGB 196 84 181

HSL 308.04, 0.49%, 0.55%

LAB 53.4, 56.76, -30.47

 

CMYK 8 / 0 / 57 / 23

HEX #B5C454

RGB 181 196 84

HSL 68.04, 0.49%, 0.55%

LAB 76.03, -20.77, 53.36

 

CMYK 58 / 9 / 0 / 23

HEX #52B3C4

RGB 82 179 196

HSL 188.95, 0.49%, 0.55%

LAB 68.04, -23.45, -17.24

 

CMYK 38 / 57 / 0 / 23

HEX #7954C4

RGB 121 84 196

HSL 259.82, 0.49%, 0.55%

LAB 44.79, 40.34, -53.4

 

CMYK 0 / 49 / 57 / 23

HEX #C46354

RGB 196 99 84

HSL 8.04, 0.49%, 0.55%

LAB 53.28, 37.33, 26.35

 

CMYK 19 / 0 / 57 / 23

HEX #9EC454

RGB 158 196 84

HSL 80.36, 0.49%, 0.55%

LAB 74.44, -29.94, 51.13

 

CMYK 58 / 9 / 0 / 23

HEX #52B3C4

RGB 82 179 196

HSL 188.95, 0.49%, 0.55%

LAB 68.04, -23.45, -17.24

 

CMYK 21 / 57 / 0 / 23

HEX #9B54C4

RGB 155 84 196

HSL 278.04, 0.49%, 0.55%

LAB 48.63, 48.69, -47.03

 

CMYK 0 / 49 / 57 / 23

HEX #C46354

RGB 196 99 84

HSL 8.04, 0.49%, 0.55%

LAB 53.28, 37.33, 26.35

 

CMYK 36 / 0 / 57 / 23

HEX #7DC454

RGB 125 196 84

HSL 98.04, 0.49%, 0.55%

LAB 72.55, -42.01, 48.46

 

Description

Color code: CMYK 58 / 9 / 0 / 23 | qconv.com Color code: CMYK 58 / 9 / 0 / 23 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 179 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 179 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 9 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 9% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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