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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 58 / 61 / 0 / 21 it is the complementary color CMYK 3 / 0 / 69 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 58 / 61 / 0 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 58 / 61 / 0 / 21: CMYK 54 / 60 / 0 / 23, CMYK 50 / 55 / 0 / 16, CMYK 47 / 51 / 0 / 8, CMYK 44 / 47 / 0 / 1 and CMYK 38 / 41 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 58 / 61 / 0 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 58 / 61 / 0 / 21: CMYK 58 / 61 / 0 / 21, CMYK 63 / 66 / 0 / 29, CMYK 69 / 74 / 0 / 36, CMYK 76 / 83 / 0 / 44 and CMYK 86 / 94 / 0 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 61 / 0 / 21

HEX #554FC9

RGB 85 79 201

HSL 242.95, 0.53%, 0.55%

LAB 40.8, 37.35, -62.9

 

Complementary color

CMYK 3 / 0 / 69 / 31

HEX #AAB036

RGB 170 176 54

HSL 62.95, 0.53%, 0.45%

LAB 69.37, -17.38, 58.62

 

CMYK 54 / 60 / 0 / 23

HEX #5A4FC4

RGB 90 79 196

HSL 245.64, 0.5%, 0.54%

LAB 40.82, 36.68, -59.95

 

CMYK 50 / 55 / 0 / 16

HEX #6B61D7

RGB 107 97 215

HSL 245.08, 0.6%, 0.61%

LAB 47.73, 35.09, -59.64

 

CMYK 47 / 51 / 0 / 8

HEX #7C73EA

RGB 124 115 234

HSL 244.54, 0.74%, 0.68%

LAB 54.54, 33.69, -59.33

 

CMYK 44 / 47 / 0 / 1

HEX #8D85FD

RGB 141 133 253

HSL 244, 0.97%, 0.76%

LAB 61.25, 32.46, -59.04

 

CMYK 38 / 41 / 0 / 0

HEX #9E97FF

RGB 158 151 255

HSL 244.04, 1%, 0.8%

LAB 66.99, 26.75, -50.92

 

CMYK 58 / 61 / 0 / 21

HEX #554FC9

RGB 85 79 201

HSL 242.95, 0.53%, 0.55%

LAB 40.8, 37.35, -62.9

 

CMYK 63 / 66 / 0 / 29

HEX #443DB6

RGB 68 61 182

HSL 243.47, 0.5%, 0.48%

LAB 33.87, 39.31, -63.14

 

CMYK 69 / 74 / 0 / 36

HEX #332BA3

RGB 51 43 163

HSL 244, 0.58%, 0.4%

LAB 26.95, 41.41, -63.17

 

CMYK 76 / 83 / 0 / 44

HEX #221990

RGB 34 25 144

HSL 244.54, 0.7%, 0.33%

LAB 20.24, 43.34, -62.63

 

CMYK 86 / 94 / 0 / 51

HEX #11077D

RGB 17 7 125

HSL 245.08, 0.89%, 0.26%

LAB 14.13, 44.19, -60.85

 

CMYK 58 / 61 / 0 / 21

HEX #554FC9

RGB 85 79 201

HSL 242.95, 0.53%, 0.55%

LAB 40.8, 37.35, -62.9

 

CMYK 49 / 61 / 0 / 21

HEX #674FC9

RGB 103 79 201

HSL 251.8, 0.53%, 0.55%

LAB 42.3, 40.73, -60.4

 

CMYK 38 / 61 / 0 / 21

HEX #7C4FC9

RGB 124 79 201

HSL 262.13, 0.53%, 0.55%

LAB 44.37, 45.16, -56.95

 

CMYK 28 / 61 / 0 / 21

HEX #904FC9

RGB 144 79 201

HSL 271.97, 0.53%, 0.55%

LAB 46.63, 49.72, -53.2

 

CMYK 18 / 61 / 0 / 21

HEX #A44FC9

RGB 164 79 201

HSL 281.8, 0.53%, 0.55%

LAB 49.13, 54.5, -49.05

 

CMYK 58 / 61 / 0 / 21

HEX #554FC9

RGB 85 79 201

HSL 242.95, 0.53%, 0.55%

LAB 40.8, 37.35, -62.9

 

CMYK 58 / 61 / 0 / 1

HEX #6B63FC

RGB 107 99 252

HSL 243.14, 0.96%, 0.69%

LAB 50.78, 45.24, -75.5

 

CMYK 58 / 60 / 0 / 81

HEX #141330

RGB 20 19 48

HSL 242.07, 0.43%, 0.13%

LAB 7.48, 10.33, -19.25

 

CMYK 58 / 61 / 0 / 61

HEX #2A2763

RGB 42 39 99

HSL 243, 0.43%, 0.27%

LAB 19.41, 20.31, -35.23

 

CMYK 58 / 61 / 0 / 41

HEX #3F3B96

RGB 63 59 150

HSL 242.64, 0.44%, 0.41%

LAB 30.37, 29.03, -49.63

 

CMYK 58 / 61 / 0 / 21

HEX #554FC9

RGB 85 79 201

HSL 242.95, 0.53%, 0.55%

LAB 40.8, 37.35, -62.9

 

CMYK 0 / 61 / 14 / 21

HEX #C94FAC

RGB 201 79 172

HSL 314.26, 0.53%, 0.55%

LAB 52.94, 58.94, -25.89

 

CMYK 38 / 0 / 61 / 21

HEX #7CC94F

RGB 124 201 79

HSL 97.87, 0.53%, 0.55%

LAB 73.95, -44.98, 52.29

 

CMYK 58 / 61 / 0 / 21

HEX #554FC9

RGB 85 79 201

HSL 242.95, 0.53%, 0.55%

LAB 40.8, 37.35, -62.9

 

CMYK 0 / 59 / 61 / 21

HEX #C9534F

RGB 201 83 79

HSL 1.97, 0.53%, 0.55%

LAB 50.88, 46.73, 26.33

 

CMYK 61 / 0 / 59 / 21

HEX #4FC953

RGB 79 201 83

HSL 121.97, 0.53%, 0.55%

LAB 72.27, -57.26, 48.13

 

CMYK 58 / 61 / 0 / 21

HEX #554FC9

RGB 85 79 201

HSL 242.95, 0.53%, 0.55%

LAB 40.8, 37.35, -62.9

 

CMYK 0 / 61 / 14 / 21

HEX #C94FAC

RGB 201 79 172

HSL 314.26, 0.53%, 0.55%

LAB 52.94, 58.94, -25.89

 

CMYK 2 / 0 / 61 / 21

HEX #C5C94F

RGB 197 201 79

HSL 61.97, 0.53%, 0.55%

LAB 78.58, -17.05, 58.71

 

CMYK 61 / 0 / 47 / 21

HEX #4FC96B

RGB 79 201 107

HSL 133.77, 0.53%, 0.55%

LAB 72.56, -53.99, 36.97

 

CMYK 58 / 61 / 0 / 21

HEX #554FC9

RGB 85 79 201

HSL 242.95, 0.53%, 0.55%

LAB 40.8, 37.35, -62.9

 

CMYK 0 / 61 / 32 / 21

HEX #C94F88

RGB 201 79 136

HSL 331.97, 0.53%, 0.55%

LAB 51.6, 54.02, -6.67

 

CMYK 2 / 0 / 61 / 21

HEX #C5C94F

RGB 197 201 79

HSL 61.97, 0.53%, 0.55%

LAB 78.58, -17.05, 58.71

 

CMYK 61 / 0 / 28 / 21

HEX #4FC990

RGB 79 201 144

HSL 151.97, 0.53%, 0.55%

LAB 73.19, -47.26, 18.59

 

Description

Color code: CMYK 58 / 61 / 0 / 21 | qconv.com Color code: CMYK 58 / 61 / 0 / 21 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 79 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 79 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 61 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 61% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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