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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 58 / 49 / 0 / 24 it is the complementary color CMYK 0 / 10 / 65 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 58 / 49 / 0 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 58 / 49 / 0 / 24: CMYK 54 / 48 / 0 / 26, CMYK 50 / 44 / 0 / 18, CMYK 47 / 41 / 0 / 11, CMYK 44 / 38 / 0 / 4 and CMYK 40 / 33 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 58 / 49 / 0 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 58 / 49 / 0 / 24: CMYK 58 / 49 / 0 / 24, CMYK 63 / 54 / 0 / 31, CMYK 70 / 60 / 0 / 39, CMYK 78 / 67 / 0 / 46 and CMYK 89 / 77 / 0 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 49 / 0 / 24

HEX #5163C2

RGB 81 99 194

HSL 230.44, 0.48%, 0.54%

LAB 45.04, 21.86, -52.02

 

Complementary color

CMYK 0 / 10 / 65 / 32

HEX #AE9C3D

RGB 174 156 61

HSL 50.44, 0.48%, 0.46%

LAB 64.25, -4.78, 50.56

 

CMYK 54 / 48 / 0 / 26

HEX #5663BD

RGB 86 99 189

HSL 232.43, 0.44%, 0.54%

LAB 45.05, 21.23, -49.08

 

CMYK 50 / 44 / 0 / 18

HEX #6775D0

RGB 103 117 208

HSL 232, 0.53%, 0.61%

LAB 52.02, 19.93, -48.8

 

CMYK 47 / 41 / 0 / 11

HEX #7887E3

RGB 120 135 227

HSL 231.59, 0.66%, 0.68%

LAB 58.85, 18.83, -48.56

 

CMYK 44 / 38 / 0 / 4

HEX #8999F6

RGB 137 153 246

HSL 231.19, 0.86%, 0.75%

LAB 65.56, 17.91, -48.38

 

CMYK 40 / 33 / 0 / 0

HEX #9AABFF

RGB 154 171 255

HSL 229.9, 1%, 0.8%

LAB 71.7, 14.37, -43.54

 

CMYK 58 / 49 / 0 / 24

HEX #5163C2

RGB 81 99 194

HSL 230.44, 0.48%, 0.54%

LAB 45.04, 21.86, -52.02

 

CMYK 63 / 54 / 0 / 31

HEX #4051AF

RGB 64 81 175

HSL 230.81, 0.46%, 0.47%

LAB 37.97, 23.63, -52.34

 

CMYK 70 / 60 / 0 / 39

HEX #2F3F9C

RGB 47 63 156

HSL 231.19, 0.54%, 0.4%

LAB 30.78, 25.83, -52.65

 

CMYK 78 / 67 / 0 / 46

HEX #1E2D89

RGB 30 45 137

HSL 231.59, 0.64%, 0.33%

LAB 23.54, 28.56, -52.84

 

CMYK 89 / 77 / 0 / 54

HEX #0D1B76

RGB 13 27 118

HSL 232, 0.8%, 0.26%

LAB 16.39, 31.77, -52.6

 

CMYK 58 / 49 / 0 / 24

HEX #5163C2

RGB 81 99 194

HSL 230.44, 0.48%, 0.54%

LAB 45.04, 21.86, -52.02

 

CMYK 58 / 58 / 0 / 24

HEX #5151C2

RGB 81 81 194

HSL 240, 0.48%, 0.54%

LAB 40.46, 33.15, -59.41

 

CMYK 48 / 58 / 0 / 24

HEX #6451C2

RGB 100 81 194

HSL 250.09, 0.48%, 0.54%

LAB 41.98, 36.86, -56.86

 

CMYK 39 / 58 / 0 / 24

HEX #7651C2

RGB 118 81 194

HSL 259.65, 0.48%, 0.54%

LAB 43.7, 40.82, -54.01

 

CMYK 29 / 58 / 0 / 24

HEX #8951C2

RGB 137 81 194

HSL 269.73, 0.48%, 0.54%

LAB 45.77, 45.32, -50.57

 

CMYK 58 / 49 / 0 / 24

HEX #5163C2

RGB 81 99 194

HSL 230.44, 0.48%, 0.54%

LAB 45.04, 21.86, -52.02

 

CMYK 58 / 49 / 0 / 4

HEX #667DF5

RGB 102 125 245

HSL 230.35, 0.88%, 0.68%

LAB 56.17, 26.65, -62.91

 

CMYK 59 / 49 / 0 / 84

HEX #111529

RGB 17 21 41

HSL 230, 0.41%, 0.11%

LAB 7.37, 5.04, -14.25

 

CMYK 59 / 49 / 0 / 64

HEX #262F5C

RGB 38 47 92

HSL 230, 0.42%, 0.25%

LAB 20.9, 11.15, -28.24

 

CMYK 58 / 49 / 0 / 44

HEX #3C498F

RGB 60 73 143

HSL 230.6, 0.41%, 0.4%

LAB 33.37, 16.81, -40.52

 

CMYK 58 / 49 / 0 / 24

HEX #5163C2

RGB 81 99 194

HSL 230.44, 0.48%, 0.54%

LAB 45.04, 21.86, -52.02

 

CMYK 0 / 58 / 2 / 24

HEX #C251BE

RGB 194 81 190

HSL 302.12, 0.48%, 0.54%

LAB 53.03, 59.08, -36.27

 

CMYK 25 / 0 / 58 / 24

HEX #91C251

RGB 145 194 81

HSL 86.02, 0.48%, 0.54%

LAB 73.02, -34.24, 50.66

 

CMYK 58 / 49 / 0 / 24

HEX #5163C2

RGB 81 99 194

HSL 230.44, 0.48%, 0.54%

LAB 45.04, 21.86, -52.02

 

CMYK 0 / 58 / 48 / 24

HEX #C25164

RGB 194 81 100

HSL 349.91, 0.48%, 0.54%

LAB 49.83, 46.93, 12.23

 

CMYK 48 / 0 / 58 / 24

HEX #64C251

RGB 100 194 81

HSL 109.91, 0.48%, 0.54%

LAB 70.79, -49.4, 47.52

 

CMYK 58 / 49 / 0 / 24

HEX #5163C2

RGB 81 99 194

HSL 230.44, 0.48%, 0.54%

LAB 45.04, 21.86, -52.02

 

CMYK 0 / 58 / 2 / 24

HEX #C251BE

RGB 194 81 190

HSL 302.12, 0.48%, 0.54%

LAB 53.03, 59.08, -36.27

 

CMYK 0 / 10 / 58 / 24

HEX #C2AF51

RGB 194 175 81

HSL 49.91, 0.48%, 0.54%

LAB 71.37, -4.83, 49.75

 

CMYK 58 / 0 / 56 / 24

HEX #51C255

RGB 81 194 85

HSL 122.12, 0.48%, 0.54%

LAB 70.17, -53.97, 44.76

 

CMYK 58 / 49 / 0 / 24

HEX #5163C2

RGB 81 99 194

HSL 230.44, 0.48%, 0.54%

LAB 45.04, 21.86, -52.02

 

CMYK 0 / 58 / 20 / 24

HEX #C2519C

RGB 194 81 156

HSL 320.18, 0.48%, 0.54%

LAB 51.56, 53.68, -18.7

 

CMYK 0 / 10 / 58 / 24

HEX #C2AF51

RGB 194 175 81

HSL 49.91, 0.48%, 0.54%

LAB 71.37, -4.83, 49.75

 

CMYK 58 / 0 / 39 / 24

HEX #51C276

RGB 81 194 118

HSL 139.65, 0.48%, 0.54%

LAB 70.62, -48.99, 28.86

 

Description

Color code: CMYK 58 / 49 / 0 / 24 | qconv.com Color code: CMYK 58 / 49 / 0 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 99 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 99 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 49 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 49% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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