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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 58 / 29 / 0 / 40 it is the complementary color CMYK 0 / 24 / 47 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 58 / 29 / 0 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 58 / 29 / 0 / 40: CMYK 53 / 26 / 0 / 42, CMYK 49 / 24 / 0 / 35, CMYK 45 / 22 / 0 / 27, CMYK 41 / 20 / 0 / 20 and CMYK 39 / 19 / 0 / 12

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 58 / 29 / 0 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 58 / 29 / 0 / 40: CMYK 58 / 29 / 0 / 40, CMYK 65 / 32 / 0 / 47, CMYK 74 / 37 / 0 / 55, CMYK 86 / 43 / 0 / 62 and CMYK 100 / 52 / 0 / 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 29 / 0 / 40

HEX #406D99

RGB 64 109 153

HSL 209.66, 0.41%, 0.43%

LAB 44.7, -1.84, -28.6

 

Complementary color

CMYK 0 / 24 / 47 / 25

HEX #BF9266

RGB 191 146 102

HSL 29.66, 0.41%, 0.57%

LAB 63.83, 11.41, 29.82

 

CMYK 53 / 26 / 0 / 42

HEX #456D94

RGB 69 109 148

HSL 209.62, 0.36%, 0.43%

LAB 44.72, -2.34, -25.58

 

CMYK 49 / 24 / 0 / 35

HEX #567FA7

RGB 86 127 167

HSL 209.63, 0.32%, 0.5%

LAB 51.78, -2.89, -25.71

 

CMYK 45 / 22 / 0 / 27

HEX #6791BA

RGB 103 145 186

HSL 209.64, 0.38%, 0.57%

LAB 58.68, -3.32, -25.86

 

CMYK 41 / 20 / 0 / 20

HEX #78A3CD

RGB 120 163 205

HSL 209.65, 0.46%, 0.64%

LAB 65.43, -3.67, -26.04

 

CMYK 39 / 19 / 0 / 12

HEX #89B5E0

RGB 137 181 224

HSL 209.66, 0.58%, 0.71%

LAB 72.06, -3.95, -26.24

 

CMYK 58 / 29 / 0 / 40

HEX #406D99

RGB 64 109 153

HSL 209.66, 0.41%, 0.43%

LAB 44.7, -1.84, -28.6

 

CMYK 65 / 32 / 0 / 47

HEX #2F5B86

RGB 47 91 134

HSL 209.66, 0.48%, 0.35%

LAB 37.5, -0.87, -28.52

 

CMYK 74 / 37 / 0 / 55

HEX #1E4973

RGB 30 73 115

HSL 209.65, 0.59%, 0.28%

LAB 30.11, 0.49, -28.44

 

CMYK 86 / 43 / 0 / 62

HEX #0D3760

RGB 13 55 96

HSL 209.64, 0.76%, 0.21%

LAB 22.52, 2.54, -28.34

 

CMYK 100 / 52 / 0 / 70

HEX #00254D

RGB 0 37 77

HSL 211.17, 1%, 0.15%

LAB 14.73, 5.61, -28.17

 

CMYK 58 / 29 / 0 / 40

HEX #406D99

RGB 64 109 153

HSL 209.66, 0.41%, 0.43%

LAB 44.7, -1.84, -28.6

 

CMYK 58 / 38 / 0 / 40

HEX #40609A

RGB 64 96 154

HSL 218.67, 0.41%, 0.43%

LAB 40.88, 6.57, -35.19

 

CMYK 58 / 47 / 0 / 40

HEX #40519A

RGB 64 81 154

HSL 228.67, 0.41%, 0.43%

LAB 36.57, 16.25, -42.05

 

CMYK 58 / 57 / 0 / 40

HEX #40429A

RGB 64 66 154

HSL 238.67, 0.41%, 0.43%

LAB 32.52, 26.06, -48.56

 

CMYK 49 / 58 / 0 / 40

HEX #4E409A

RGB 78 64 154

HSL 249.33, 0.41%, 0.43%

LAB 33.18, 30.26, -47.45

 

CMYK 58 / 29 / 0 / 40

HEX #406D99

RGB 64 109 153

HSL 209.66, 0.41%, 0.43%

LAB 44.7, -1.84, -28.6

 

CMYK 58 / 29 / 0 / 20

HEX #5591CC

RGB 85 145 204

HSL 209.75, 0.54%, 0.57%

LAB 58.55, -1.95, -36.29

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 59 / 29 / 0 / 80

HEX #152433

RGB 21 36 51

HSL 210, 0.42%, 0.14%

LAB 13.59, -1.1, -11.78

 

CMYK 58 / 28 / 0 / 60

HEX #2B4966

RGB 43 73 102

HSL 209.49, 0.41%, 0.28%

LAB 30.01, -1.71, -20.34

 

CMYK 58 / 29 / 0 / 40

HEX #406D99

RGB 64 109 153

HSL 209.66, 0.41%, 0.43%

LAB 44.7, -1.84, -28.6

 

CMYK 18 / 58 / 0 / 40

HEX #7E409A

RGB 126 64 154

HSL 281.33, 0.41%, 0.43%

LAB 38.61, 42.22, -38.43

 

CMYK 5 / 0 / 58 / 40

HEX #939A40

RGB 147 154 64

HSL 64.67, 0.41%, 0.43%

LAB 61.38, -15.27, 45.37

 

CMYK 58 / 29 / 0 / 40

HEX #406D99

RGB 64 109 153

HSL 209.66, 0.41%, 0.43%

LAB 44.7, -1.84, -28.6

 

CMYK 0 / 58 / 28 / 40

HEX #9A406F

RGB 154 64 111

HSL 328.67, 0.41%, 0.43%

LAB 40.71, 42.85, -8.51

 

CMYK 28 / 0 / 58 / 40

HEX #6F9A40

RGB 111 154 64

HSL 88.67, 0.41%, 0.43%

LAB 58.85, -30.07, 41.82

 

CMYK 58 / 29 / 0 / 40

HEX #406D99

RGB 64 109 153

HSL 209.66, 0.41%, 0.43%

LAB 44.7, -1.84, -28.6

 

CMYK 18 / 58 / 0 / 40

HEX #7E409A

RGB 126 64 154

HSL 281.33, 0.41%, 0.43%

LAB 38.61, 42.22, -38.43

 

CMYK 0 / 30 / 58 / 40

HEX #9A6C40

RGB 154 108 64

HSL 29.33, 0.41%, 0.43%

LAB 49.45, 13.34, 31.66

 

CMYK 40 / 0 / 58 / 40

HEX #5D9A40

RGB 93 154 64

HSL 100.67, 0.41%, 0.43%

LAB 57.85, -36.65, 40.42

 

CMYK 58 / 29 / 0 / 40

HEX #406D99

RGB 64 109 153

HSL 209.66, 0.41%, 0.43%

LAB 44.7, -1.84, -28.6

 

CMYK 1 / 58 / 0 / 40

HEX #99409A

RGB 153 64 154

HSL 299.33, 0.41%, 0.43%

LAB 42.42, 49.52, -32.17

 

CMYK 0 / 30 / 58 / 40

HEX #9A6C40

RGB 154 108 64

HSL 29.33, 0.41%, 0.43%

LAB 49.45, 13.34, 31.66

 

CMYK 57 / 0 / 58 / 40

HEX #429A40

RGB 66 154 64

HSL 118.67, 0.41%, 0.43%

LAB 56.72, -44.9, 38.81

 

Description

Color code: CMYK 58 / 29 / 0 / 40 | qconv.com Color code: CMYK 58 / 29 / 0 / 40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 109 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 109 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 29 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 29% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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