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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 58 / 0 / 60 / 3 it is the complementary color CMYK 3 / 95 / 0 / 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 58 / 0 / 60 / 3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 58 / 0 / 60 / 3: CMYK 56 / 0 / 62 / 3, CMYK 51 / 0 / 56 / 0, CMYK 44 / 0 / 48 / 0, CMYK 37 / 0 / 41 / 0 and CMYK 31 / 0 / 33 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 58 / 0 / 60 / 3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 58 / 0 / 60 / 3: CMYK 58 / 0 / 60 / 3, CMYK 62 / 0 / 65 / 10, CMYK 67 / 0 / 71 / 17, CMYK 73 / 0 / 78 / 24 and CMYK 79 / 0 / 87 / 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 60 / 3

HEX #68F763

RGB 104 247 99

HSL 117.97, 0.9%, 0.68%

LAB 87.18, -66.25, 58.41

 

Complementary color

CMYK 3 / 95 / 0 / 39

HEX #97089C

RGB 151 8 156

HSL 297.97, 0.9%, 0.32%

LAB 36.28, 66.25, -43.15

 

CMYK 56 / 0 / 62 / 3

HEX #6DF75E

RGB 109 247 94

HSL 114.12, 0.91%, 0.67%

LAB 87.28, -65.59, 60.67

 

CMYK 51 / 0 / 56 / 0

HEX #7EFF71

RGB 126 255 113

HSL 114.51, 1%, 0.72%

LAB 90.39, -62.22, 56.22

 

CMYK 44 / 0 / 48 / 0

HEX #8FFF84

RGB 143 255 132

HSL 114.63, 1%, 0.76%

LAB 91.25, -55.3, 48.71

 

CMYK 37 / 0 / 41 / 0

HEX #A0FF97

RGB 160 255 151

HSL 114.81, 1%, 0.8%

LAB 92.23, -47.75, 41

 

CMYK 31 / 0 / 33 / 0

HEX #B1FFAA

RGB 177 255 170

HSL 115.06, 1%, 0.83%

LAB 93.35, -39.7, 33.24

 

CMYK 58 / 0 / 60 / 3

HEX #68F763

RGB 104 247 99

HSL 117.97, 0.9%, 0.68%

LAB 87.18, -66.25, 58.41

 

CMYK 62 / 0 / 65 / 10

HEX #57E550

RGB 87 229 80

HSL 117.18, 0.74%, 0.61%

LAB 81.1, -65.69, 59.4

 

CMYK 67 / 0 / 71 / 17

HEX #46D33D

RGB 70 211 61

HSL 116.4, 0.63%, 0.53%

LAB 74.97, -64.8, 60.11

 

CMYK 73 / 0 / 78 / 24

HEX #35C12A

RGB 53 193 42

HSL 115.63, 0.64%, 0.46%

LAB 68.8, -63.45, 60.31

 

CMYK 79 / 0 / 87 / 31

HEX #24AF17

RGB 36 175 23

HSL 114.87, 0.77%, 0.39%

LAB 62.59, -61.45, 59.57

 

CMYK 58 / 0 / 60 / 3

HEX #68F763

RGB 104 247 99

HSL 117.97, 0.9%, 0.68%

LAB 87.18, -66.25, 58.41

 

CMYK 60 / 0 / 52 / 4

HEX #63F675

RGB 99 246 117

HSL 127.35, 0.89%, 0.68%

LAB 86.92, -64.88, 50.07

 

CMYK 60 / 0 / 43 / 4

HEX #63F68D

RGB 99 246 141

HSL 137.14, 0.89%, 0.68%

LAB 87.24, -61.41, 39

 

CMYK 60 / 0 / 33 / 4

HEX #63F6A6

RGB 99 246 166

HSL 147.35, 0.89%, 0.68%

LAB 87.64, -57.07, 27.03

 

CMYK 60 / 0 / 23 / 4

HEX #63F6BE

RGB 99 246 190

HSL 157.14, 0.89%, 0.68%

LAB 88.1, -52.23, 15.37

 

CMYK 58 / 0 / 60 / 3

HEX #68F763

RGB 104 247 99

HSL 117.97, 0.9%, 0.68%

LAB 87.18, -66.25, 58.41

 

CMYK 58 / 0 / 60 / 83

HEX #122B11

RGB 18 43 17

HSL 117.69, 0.43%, 0.12%

LAB 14.94, -16.45, 13.85

 

CMYK 57 / 0 / 60 / 63

HEX #285E26

RGB 40 94 38

HSL 117.86, 0.42%, 0.26%

LAB 35.2, -30.52, 26.44

 

CMYK 58 / 0 / 60 / 43

HEX #3D913A

RGB 61 145 58

HSL 117.93, 0.43%, 0.4%

LAB 53.54, -43.38, 37.97

 

CMYK 58 / 0 / 60 / 23

HEX #53C44F

RGB 83 196 79

HSL 117.95, 0.5%, 0.54%

LAB 70.79, -54.94, 48.27

 

CMYK 58 / 0 / 60 / 3

HEX #68F763

RGB 104 247 99

HSL 117.97, 0.9%, 0.68%

LAB 87.18, -66.25, 58.41

 

CMYK 60 / 9 / 0 / 4

HEX #63E0F6

RGB 99 224 246

HSL 188.98, 0.89%, 0.68%

LAB 83.24, -28.39, -21.15

 

CMYK 0 / 60 / 33 / 4

HEX #F663A6

RGB 246 99 166

HSL 332.65, 0.89%, 0.68%

LAB 62.73, 62.5, -6.9

 

CMYK 58 / 0 / 60 / 3

HEX #68F763

RGB 104 247 99

HSL 117.97, 0.9%, 0.68%

LAB 87.18, -66.25, 58.41

 

CMYK 60 / 57 / 0 / 4

HEX #636BF6

RGB 99 107 246

HSL 236.73, 0.89%, 0.68%

LAB 51.64, 37.31, -70.8

 

CMYK 0 / 60 / 57 / 4

HEX #F6636B

RGB 246 99 107

HSL 356.73, 0.89%, 0.68%

LAB 61.29, 56.91, 25.06

 

CMYK 58 / 0 / 60 / 3

HEX #68F763

RGB 104 247 99

HSL 117.97, 0.9%, 0.68%

LAB 87.18, -66.25, 58.41

 

CMYK 60 / 9 / 0 / 4

HEX #63E0F6

RGB 99 224 246

HSL 188.98, 0.89%, 0.68%

LAB 83.24, -28.39, -21.15

 

CMYK 3 / 60 / 0 / 4

HEX #EF63F6

RGB 239 99 246

HSL 297.14, 0.89%, 0.68%

LAB 64.91, 72.16, -48.72

 

CMYK 0 / 51 / 60 / 4

HEX #F67963

RGB 246 121 99

HSL 8.98, 0.89%, 0.68%

LAB 65.1, 46.1, 34.46

 

CMYK 58 / 0 / 60 / 3

HEX #68F763

RGB 104 247 99

HSL 117.97, 0.9%, 0.68%

LAB 87.18, -66.25, 58.41

 

CMYK 60 / 27 / 0 / 4

HEX #63B4F6

RGB 99 180 246

HSL 206.94, 0.89%, 0.68%

LAB 70.84, -5.62, -40.23

 

CMYK 3 / 60 / 0 / 4

HEX #EF63F6

RGB 239 99 246

HSL 297.14, 0.89%, 0.68%

LAB 64.91, 72.16, -48.72

 

CMYK 0 / 33 / 60 / 4

HEX #F6A663

RGB 246 166 99

HSL 27.35, 0.89%, 0.68%

LAB 74.68, 23, 46.2

 

Description

Color code: CMYK 58 / 0 / 60 / 3 | qconv.com Color code: CMYK 58 / 0 / 60 / 3 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 247 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 247 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 60 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 60% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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