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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 57 / 72 / 0 / 35 it is the complementary color CMYK 12 / 0 / 57 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 57 / 72 / 0 / 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 57 / 72 / 0 / 35: CMYK 53 / 71 / 0 / 37, CMYK 48 / 64 / 0 / 29, CMYK 45 / 59 / 0 / 22, CMYK 42 / 54 / 0 / 15 and CMYK 39 / 50 / 0 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 57 / 72 / 0 / 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 57 / 72 / 0 / 35: CMYK 57 / 72 / 0 / 35, CMYK 63 / 81 / 0 / 42, CMYK 71 / 92 / 0 / 50, CMYK 82 / 100 / 0 / 57 and CMYK 97 / 100 / 0 / 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 72 / 0 / 35

HEX #472EA6

RGB 71 46 166

HSL 252.5, 0.57%, 0.42%

LAB 29.53, 43.35, -60.68

 

Complementary color

CMYK 12 / 0 / 57 / 18

HEX #B8D159

RGB 184 209 89

HSL 72.5, 0.57%, 0.58%

LAB 79.9, -25.51, 55.55

 

CMYK 53 / 71 / 0 / 37

HEX #4C2EA1

RGB 76 46 161

HSL 255.65, 0.56%, 0.41%

LAB 29.57, 42.64, -57.57

 

CMYK 48 / 64 / 0 / 29

HEX #5D40B4

RGB 93 64 180

HSL 255, 0.48%, 0.48%

LAB 36.54, 41.25, -57.51

 

CMYK 45 / 59 / 0 / 22

HEX #6E52C7

RGB 110 82 199

HSL 254.36, 0.51%, 0.55%

LAB 43.47, 39.86, -57.32

 

CMYK 42 / 54 / 0 / 15

HEX #7F64DA

RGB 127 100 218

HSL 253.73, 0.61%, 0.62%

LAB 50.32, 38.56, -57.08

 

CMYK 39 / 50 / 0 / 7

HEX #9076ED

RGB 144 118 237

HSL 253.11, 0.77%, 0.7%

LAB 57.08, 37.38, -56.85

 

CMYK 57 / 72 / 0 / 35

HEX #472EA6

RGB 71 46 166

HSL 252.5, 0.57%, 0.42%

LAB 29.53, 43.35, -60.68

 

CMYK 63 / 81 / 0 / 42

HEX #361C93

RGB 54 28 147

HSL 253.11, 0.68%, 0.34%

LAB 22.73, 44.66, -60.32

 

CMYK 71 / 92 / 0 / 50

HEX #250A80

RGB 37 10 128

HSL 253.73, 0.86%, 0.27%

LAB 16.35, 44.96, -59.02

 

CMYK 82 / 100 / 0 / 57

HEX #14006D

RGB 20 0 109

HSL 251.01, 1%, 0.21%

LAB 10.94, 42.74, -55.8

 

CMYK 97 / 100 / 0 / 65

HEX #03005A

RGB 3 0 90

HSL 242, 1%, 0.18%

LAB 6.84, 36.83, -50

 

CMYK 57 / 72 / 0 / 35

HEX #472EA6

RGB 71 46 166

HSL 252.5, 0.57%, 0.42%

LAB 29.53, 43.35, -60.68

 

CMYK 46 / 73 / 0 / 34

HEX #5A2EA8

RGB 90 46 168

HSL 261.64, 0.57%, 0.42%

LAB 31.7, 47.02, -58.24

 

CMYK 34 / 73 / 0 / 34

HEX #6F2EA8

RGB 111 46 168

HSL 271.97, 0.57%, 0.42%

LAB 34.32, 50.9, -53.88

 

CMYK 22 / 73 / 0 / 34

HEX #832EA8

RGB 131 46 168

HSL 281.8, 0.57%, 0.42%

LAB 37.13, 54.94, -49.19

 

CMYK 10 / 73 / 0 / 34

HEX #972EA8

RGB 151 46 168

HSL 291.64, 0.57%, 0.42%

LAB 40.18, 59.18, -44.12

 

CMYK 57 / 72 / 0 / 35

HEX #472EA6

RGB 71 46 166

HSL 252.5, 0.57%, 0.42%

LAB 29.53, 43.35, -60.68

 

CMYK 57 / 72 / 0 / 15

HEX #5D3CD9

RGB 93 60 217

HSL 252.61, 0.67%, 0.54%

LAB 38.84, 54.17, -75.3

 

CMYK 54 / 69 / 0 / 95

HEX #06040D

RGB 6 4 13

HSL 253.33, 0.53%, 0.03%

LAB 1.4, 1.81, -3.32

 

CMYK 58 / 72 / 0 / 75

HEX #1B1240

RGB 27 18 64

HSL 251.74, 0.56%, 0.16%

LAB 9.29, 18.98, -27.86

 

CMYK 57 / 72 / 0 / 55

HEX #312073

RGB 49 32 115

HSL 252.29, 0.56%, 0.29%

LAB 19.74, 31.77, -45.07

 

CMYK 57 / 72 / 0 / 35

HEX #472EA6

RGB 71 46 166

HSL 252.5, 0.57%, 0.42%

LAB 29.53, 43.35, -60.68

 

CMYK 0 / 73 / 29 / 34

HEX #A82E77

RGB 168 46 119

HSL 324.1, 0.57%, 0.42%

LAB 40.59, 55.71, -13.43

 

CMYK 58 / 0 / 73 / 34

HEX #46A82E

RGB 70 168 46

HSL 108.2, 0.57%, 0.42%

LAB 61.22, -51.03, 51.59

 

CMYK 57 / 72 / 0 / 35

HEX #472EA6

RGB 71 46 166

HSL 252.5, 0.57%, 0.42%

LAB 29.53, 43.35, -60.68

 

CMYK 0 / 58 / 73 / 34

HEX #A8462E

RGB 168 70 46

HSL 11.8, 0.57%, 0.42%

LAB 42.62, 38.83, 34.12

 

CMYK 73 / 0 / 58 / 34

HEX #2EA846

RGB 46 168 70

HSL 131.8, 0.57%, 0.42%

LAB 60.81, -53.64, 40.59

 

CMYK 57 / 72 / 0 / 35

HEX #472EA6

RGB 71 46 166

HSL 252.5, 0.57%, 0.42%

LAB 29.53, 43.35, -60.68

 

CMYK 0 / 73 / 29 / 34

HEX #A82E77

RGB 168 46 119

HSL 324.1, 0.57%, 0.42%

LAB 40.59, 55.71, -13.43

 

CMYK 15 / 0 / 73 / 34

HEX #8FA82E

RGB 143 168 46

HSL 72.3, 0.57%, 0.42%

LAB 65, -25.28, 56.6

 

CMYK 73 / 0 / 44 / 34

HEX #2EA85E

RGB 46 168 94

HSL 143.61, 0.57%, 0.42%

LAB 61.13, -49.91, 28.87

 

CMYK 57 / 72 / 0 / 35

HEX #472EA6

RGB 71 46 166

HSL 252.5, 0.57%, 0.42%

LAB 29.53, 43.35, -60.68

 

CMYK 0 / 73 / 51 / 34

HEX #A82E52

RGB 168 46 82

HSL 342.3, 0.57%, 0.42%

LAB 39.39, 51.78, 8.06

 

CMYK 15 / 0 / 73 / 34

HEX #8FA82E

RGB 143 168 46

HSL 72.3, 0.57%, 0.42%

LAB 65, -25.28, 56.6

 

CMYK 73 / 0 / 22 / 34

HEX #2EA883

RGB 46 168 131

HSL 161.8, 0.57%, 0.42%

LAB 61.85, -42.04, 9.68

 

Description

Color code: CMYK 57 / 72 / 0 / 35 | qconv.com Color code: CMYK 57 / 72 / 0 / 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 46 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 46 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 72 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 72% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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