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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 57 / 58 / 0 / 21 it is the complementary color CMYK 1 / 0 / 68 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 57 / 58 / 0 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 57 / 58 / 0 / 21: CMYK 53 / 57 / 0 / 23, CMYK 49 / 52 / 0 / 16, CMYK 46 / 48 / 0 / 8, CMYK 43 / 45 / 0 / 1 and CMYK 37 / 38 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 57 / 58 / 0 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 57 / 58 / 0 / 21: CMYK 57 / 58 / 0 / 21, CMYK 62 / 63 / 0 / 29, CMYK 67 / 70 / 0 / 36, CMYK 75 / 78 / 0 / 44 and CMYK 85 / 90 / 0 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 58 / 0 / 21

HEX #5755C9

RGB 87 85 201

HSL 241.03, 0.52%, 0.56%

LAB 42.37, 34.05, -60.35

 

Complementary color

CMYK 1 / 0 / 68 / 33

HEX #A8AA36

RGB 168 170 54

HSL 61.03, 0.52%, 0.44%

LAB 67.53, -15.18, 56.73

 

CMYK 53 / 57 / 0 / 23

HEX #5C55C4

RGB 92 85 196

HSL 243.78, 0.48%, 0.55%

LAB 42.4, 33.42, -57.39

 

CMYK 49 / 52 / 0 / 16

HEX #6D67D7

RGB 109 103 215

HSL 243.21, 0.58%, 0.62%

LAB 49.32, 31.91, -57.06

 

CMYK 46 / 48 / 0 / 8

HEX #7E79EA

RGB 126 121 234

HSL 242.65, 0.73%, 0.7%

LAB 56.14, 30.59, -56.76

 

CMYK 43 / 45 / 0 / 1

HEX #8F8BFD

RGB 143 139 253

HSL 242.11, 0.97%, 0.77%

LAB 62.84, 29.44, -56.49

 

CMYK 37 / 38 / 0 / 0

HEX #A09DFF

RGB 160 157 255

HSL 241.84, 1%, 0.81%

LAB 68.61, 23.85, -48.36

 

CMYK 57 / 58 / 0 / 21

HEX #5755C9

RGB 87 85 201

HSL 241.03, 0.52%, 0.56%

LAB 42.37, 34.05, -60.35

 

CMYK 62 / 63 / 0 / 29

HEX #4643B6

RGB 70 67 182

HSL 241.57, 0.46%, 0.49%

LAB 35.39, 35.96, -60.65

 

CMYK 67 / 70 / 0 / 36

HEX #3531A3

RGB 53 49 163

HSL 242.11, 0.54%, 0.42%

LAB 28.37, 38.12, -60.82

 

CMYK 75 / 78 / 0 / 44

HEX #241F90

RGB 36 31 144

HSL 242.65, 0.65%, 0.34%

LAB 21.46, 40.35, -60.6

 

CMYK 85 / 90 / 0 / 51

HEX #130D7D

RGB 19 13 125

HSL 243.21, 0.81%, 0.27%

LAB 14.99, 41.97, -59.4

 

CMYK 57 / 58 / 0 / 21

HEX #5755C9

RGB 87 85 201

HSL 241.03, 0.52%, 0.56%

LAB 42.37, 34.05, -60.35

 

CMYK 48 / 58 / 0 / 21

HEX #6954C9

RGB 105 84 201

HSL 250.77, 0.52%, 0.56%

LAB 43.6, 38.21, -58.29

 

CMYK 38 / 58 / 0 / 21

HEX #7D54C9

RGB 125 84 201

HSL 261.03, 0.52%, 0.56%

LAB 45.52, 42.61, -55.09

 

CMYK 28 / 58 / 0 / 21

HEX #9054C9

RGB 144 84 201

HSL 270.77, 0.52%, 0.56%

LAB 47.61, 47.1, -51.63

 

CMYK 18 / 58 / 0 / 21

HEX #A454C9

RGB 164 84 201

HSL 281.03, 0.52%, 0.56%

LAB 50.04, 52.05, -47.6

 

CMYK 57 / 58 / 0 / 21

HEX #5755C9

RGB 87 85 201

HSL 241.03, 0.52%, 0.56%

LAB 42.37, 34.05, -60.35

 

CMYK 57 / 58 / 0 / 1

HEX #6D6BFC

RGB 109 107 252

HSL 240.83, 0.96%, 0.7%

LAB 52.72, 40.9, -72.33

 

CMYK 56 / 58 / 0 / 81

HEX #151430

RGB 21 20 48

HSL 242.14, 0.41%, 0.13%

LAB 7.89, 9.89, -18.59

 

CMYK 57 / 58 / 0 / 61

HEX #2B2A63

RGB 43 42 99

HSL 241.05, 0.4%, 0.28%

LAB 20.32, 18.45, -33.75

 

CMYK 57 / 58 / 0 / 41

HEX #413F96

RGB 65 63 150

HSL 241.38, 0.41%, 0.42%

LAB 31.53, 26.85, -47.73

 

CMYK 57 / 58 / 0 / 21

HEX #5755C9

RGB 87 85 201

HSL 241.03, 0.52%, 0.56%

LAB 42.37, 34.05, -60.35

 

CMYK 0 / 58 / 13 / 21

HEX #C954AF

RGB 201 84 175

HSL 313.33, 0.52%, 0.56%

LAB 53.87, 57.2, -26.19

 

CMYK 36 / 0 / 58 / 21

HEX #81C954

RGB 129 201 84

HSL 96.92, 0.52%, 0.56%

LAB 74.24, -42.81, 50.46

 

CMYK 57 / 58 / 0 / 21

HEX #5755C9

RGB 87 85 201

HSL 241.03, 0.52%, 0.56%

LAB 42.37, 34.05, -60.35

 

CMYK 0 / 57 / 58 / 21

HEX #C95654

RGB 201 86 84

HSL 1.03, 0.52%, 0.56%

LAB 51.51, 45.67, 24.21

 

CMYK 58 / 0 / 57 / 21

HEX #54C956

RGB 84 201 86

HSL 121.03, 0.52%, 0.56%

LAB 72.45, -55.75, 47

 

CMYK 57 / 58 / 0 / 21

HEX #5755C9

RGB 87 85 201

HSL 241.03, 0.52%, 0.56%

LAB 42.37, 34.05, -60.35

 

CMYK 0 / 58 / 13 / 21

HEX #C954AF

RGB 201 84 175

HSL 313.33, 0.52%, 0.56%

LAB 53.87, 57.2, -26.19

 

CMYK 1 / 0 / 58 / 21

HEX #C7C954

RGB 199 201 84

HSL 61.03, 0.52%, 0.56%

LAB 78.78, -15.88, 56.81

 

CMYK 58 / 0 / 46 / 21

HEX #54C96D

RGB 84 201 109

HSL 132.82, 0.52%, 0.56%

LAB 72.74, -52.57, 36.22

 

CMYK 57 / 58 / 0 / 21

HEX #5755C9

RGB 87 85 201

HSL 241.03, 0.52%, 0.56%

LAB 42.37, 34.05, -60.35

 

CMYK 0 / 58 / 30 / 21

HEX #C9548C

RGB 201 84 140

HSL 331.28, 0.52%, 0.56%

LAB 52.57, 52.26, -7.61

 

CMYK 1 / 0 / 58 / 21

HEX #C7C954

RGB 199 201 84

HSL 61.03, 0.52%, 0.56%

LAB 78.78, -15.88, 56.81

 

CMYK 58 / 0 / 28 / 21

HEX #54C990

RGB 84 201 144

HSL 150.77, 0.52%, 0.56%

LAB 73.33, -46.23, 18.81

 

Description

Color code: CMYK 57 / 58 / 0 / 21 | qconv.com Color code: CMYK 57 / 58 / 0 / 21 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 85 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 85 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 58 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 58% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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