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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 57 / 100 / 0 / 2 it is the complementary color CMYK 42 / 0 / 98 / 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 57 / 100 / 0 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 57 / 100 / 0 / 2: CMYK 54 / 100 / 0 / 4, CMYK 49 / 93 / 0 / 0, CMYK 43 / 86 / 0 / 0, CMYK 36 / 79 / 0 / 0 and CMYK 29 / 72 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 57 / 100 / 0 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 57 / 100 / 0 / 2: CMYK 57 / 100 / 0 / 2, CMYK 61 / 100 / 0 / 9, CMYK 66 / 100 / 0 / 17, CMYK 71 / 100 / 0 / 24 and CMYK 78 / 100 / 0 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 100 / 0 / 2

HEX #6B00FA

RGB 107 0 250

HSL 265.68, 1%, 0.49%

LAB 37.89, 80.72, -95.57

 

Complementary color

CMYK 42 / 0 / 98 / 0

HEX #94FF05

RGB 148 255 5

HSL 85.68, 1%, 0.51%

LAB 90.7, -61.74, 86.41

 

CMYK 54 / 100 / 0 / 4

HEX #7000F5

RGB 112 0 245

HSL 267.43, 1%, 0.48%

LAB 37.91, 79.95, -92.71

 

CMYK 49 / 93 / 0 / 0

HEX #8112FF

RGB 129 18 255

HSL 268.1, 1%, 0.54%

LAB 41.72, 81.18, -91.96

 

CMYK 43 / 86 / 0 / 0

HEX #9224FF

RGB 146 36 255

HSL 270.14, 1%, 0.57%

LAB 45.07, 79.21, -86.36

 

CMYK 36 / 79 / 0 / 0

HEX #A336FF

RGB 163 54 255

HSL 272.54, 1%, 0.61%

LAB 49.06, 76.13, -79.73

 

CMYK 29 / 72 / 0 / 0

HEX #B448FF

RGB 180 72 255

HSL 275.41, 1%, 0.64%

LAB 53.55, 72.34, -72.32

 

CMYK 57 / 100 / 0 / 2

HEX #6B00FA

RGB 107 0 250

HSL 265.68, 1%, 0.49%

LAB 37.89, 80.72, -95.57

 

CMYK 61 / 100 / 0 / 9

HEX #5A00E7

RGB 90 0 231

HSL 263.38, 1%, 0.45%

LAB 33.86, 75.56, -91.56

 

CMYK 66 / 100 / 0 / 17

HEX #4900D4

RGB 73 0 212

HSL 260.66, 1%, 0.42%

LAB 29.84, 70.4, -87.37

 

CMYK 71 / 100 / 0 / 24

HEX #3800C1

RGB 56 0 193

HSL 257.41, 1%, 0.38%

LAB 25.84, 65.22, -82.95

 

CMYK 78 / 100 / 0 / 32

HEX #2700AE

RGB 39 0 174

HSL 253.45, 1%, 0.34%

LAB 21.9, 60.04, -78.22

 

CMYK 57 / 100 / 0 / 2

HEX #6B00FA

RGB 107 0 250

HSL 265.68, 1%, 0.49%

LAB 37.89, 80.72, -95.57

 

CMYK 42 / 100 / 0 / 2

HEX #9100F9

RGB 145 0 249

HSL 274.94, 1%, 0.49%

LAB 42.55, 83.37, -87.16

 

CMYK 25 / 100 / 0 / 2

HEX #BB00F9

RGB 187 0 249

HSL 285.06, 1%, 0.49%

LAB 48.77, 87.86, -76.73

 

CMYK 8 / 100 / 0 / 2

HEX #E500F9

RGB 229 0 249

HSL 295.18, 1%, 0.49%

LAB 55.58, 93.5, -65.36

 

CMYK 0 / 100 / 8 / 2

HEX #F900E5

RGB 249 0 229

HSL 304.82, 1%, 0.49%

LAB 57.84, 93.79, -50.33

 

CMYK 57 / 100 / 0 / 2

HEX #6B00FA

RGB 107 0 250

HSL 265.68, 1%, 0.49%

LAB 37.89, 80.72, -95.57

 

CMYK 57 / 100 / 0 / 82

HEX #14002E

RGB 20 0 46

HSL 266.09, 1%, 0.09%

LAB 3.13, 18.55, -24.69

 

CMYK 57 / 100 / 0 / 62

HEX #2A0061

RGB 42 0 97

HSL 265.98, 1%, 0.19%

LAB 11.66, 40.76, -46.6

 

CMYK 57 / 100 / 0 / 42

HEX #3F0094

RGB 63 0 148

HSL 265.54, 1%, 0.29%

LAB 20.81, 54.8, -64.09

 

CMYK 57 / 100 / 0 / 22

HEX #5500C7

RGB 85 0 199

HSL 265.63, 1%, 0.39%

LAB 29.55, 68.07, -80.22

 

CMYK 57 / 100 / 0 / 2

HEX #6B00FA

RGB 107 0 250

HSL 265.68, 1%, 0.49%

LAB 37.89, 80.72, -95.57

 

CMYK 0 / 100 / 62 / 2

HEX #F9005F

RGB 249 0 95

HSL 337.11, 1%, 0.49%

LAB 52.91, 81.16, 21.08

 

CMYK 100 / 0 / 98 / 2

HEX #00F904

RGB 0 249 4

HSL 120.96, 1%, 0.49%

LAB 85.89, -84.59, 81.38

 

CMYK 57 / 100 / 0 / 2

HEX #6B00FA

RGB 107 0 250

HSL 265.68, 1%, 0.49%

LAB 37.89, 80.72, -95.57

 

CMYK 0 / 58 / 100 / 2

HEX #F96800

RGB 249 104 0

HSL 25.06, 1%, 0.49%

LAB 61.69, 51.97, 70.49

 

CMYK 100 / 0 / 58 / 2

HEX #00F968

RGB 0 249 104

HSL 145.06, 1%, 0.49%

LAB 86.38, -78.28, 54.96

 

CMYK 57 / 100 / 0 / 2

HEX #6B00FA

RGB 107 0 250

HSL 265.68, 1%, 0.49%

LAB 37.89, 80.72, -95.57

 

CMYK 0 / 100 / 62 / 2

HEX #F9005F

RGB 249 0 95

HSL 337.11, 1%, 0.49%

LAB 52.91, 81.16, 21.08

 

CMYK 42 / 0 / 100 / 2

HEX #91F900

RGB 145 249 0

HSL 85.06, 1%, 0.49%

LAB 88.81, -60.5, 85.26

 

CMYK 100 / 0 / 38 / 2

HEX #00F99A

RGB 0 249 154

HSL 157.11, 1%, 0.49%

LAB 87.04, -70.35, 32.06

 

CMYK 57 / 100 / 0 / 2

HEX #6B00FA

RGB 107 0 250

HSL 265.68, 1%, 0.49%

LAB 37.89, 80.72, -95.57

 

CMYK 0 / 100 / 92 / 2

HEX #F90014

RGB 249 0 20

HSL 355.18, 1%, 0.49%

LAB 52.05, 78.83, 60.54

 

CMYK 42 / 0 / 100 / 2

HEX #91F900

RGB 145 249 0

HSL 85.06, 1%, 0.49%

LAB 88.81, -60.5, 85.26

 

CMYK 100 / 0 / 8 / 2

HEX #00F9E5

RGB 0 249 229

HSL 175.18, 1%, 0.49%

LAB 88.64, -52.82, -4.29

 

Description

Color code: CMYK 57 / 100 / 0 / 2 | qconv.com Color code: CMYK 57 / 100 / 0 / 2 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, none green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 0 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 100 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 100% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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