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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 57 / 0 / 92 / 43 it is the complementary color CMYK 21 / 55 / 0 / 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 57 / 0 / 92 / 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 57 / 0 / 92 / 43: CMYK 53 / 0 / 95 / 43, CMYK 48 / 0 / 84 / 36, CMYK 44 / 0 / 75 / 29, CMYK 40 / 0 / 68 / 22 and CMYK 37 / 0 / 62 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 57 / 0 / 92 / 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 57 / 0 / 92 / 43: CMYK 57 / 0 / 92 / 43, CMYK 64 / 0 / 100 / 50, CMYK 73 / 0 / 100 / 57, CMYK 87 / 0 / 100 / 64 and CMYK 100 / 0 / 100 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 92 / 43

HEX #3F910C

RGB 63 145 12

HSL 96.99, 0.85%, 0.31%

LAB 53.31, -46.26, 54.03

 

Complementary color

CMYK 21 / 55 / 0 / 5

HEX #C06EF3

RGB 192 110 243

HSL 276.99, 0.85%, 0.69%

LAB 60.63, 54.99, -54.22

 

CMYK 53 / 0 / 95 / 43

HEX #449107

RGB 68 145 7

HSL 93.48, 0.91%, 0.3%

LAB 53.49, -44.92, 55.09

 

CMYK 48 / 0 / 84 / 36

HEX #55A31A

RGB 85 163 26

HSL 94.16, 0.72%, 0.37%

LAB 60.07, -46.01, 57.12

 

CMYK 44 / 0 / 75 / 29

HEX #66B52D

RGB 102 181 45

HSL 94.85, 0.6%, 0.44%

LAB 66.57, -46.7, 57.7

 

CMYK 40 / 0 / 68 / 22

HEX #77C740

RGB 119 199 64

HSL 95.56, 0.55%, 0.52%

LAB 72.98, -47.11, 57.43

 

CMYK 37 / 0 / 62 / 15

HEX #88D953

RGB 136 217 83

HSL 96.27, 0.64%, 0.59%

LAB 79.32, -47.34, 56.72

 

CMYK 57 / 0 / 92 / 43

HEX #3F910C

RGB 63 145 12

HSL 96.99, 0.85%, 0.31%

LAB 53.31, -46.26, 54.03

 

CMYK 64 / 0 / 100 / 50

HEX #2E7F00

RGB 46 127 0

HSL 98.27, 1%, 0.25%

LAB 46.66, -44.6, 50.57

 

CMYK 73 / 0 / 100 / 57

HEX #1D6D00

RGB 29 109 0

HSL 104.04, 1%, 0.21%

LAB 39.91, -42.19, 45.02

 

CMYK 87 / 0 / 100 / 64

HEX #0C5B00

RGB 12 91 0

HSL 112.09, 1%, 0.18%

LAB 33.05, -39.07, 39.4

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 57 / 0 / 92 / 43

HEX #3F910C

RGB 63 145 12

HSL 96.99, 0.85%, 0.31%

LAB 53.31, -46.26, 54.03

 

CMYK 71 / 0 / 92 / 43

HEX #2B920B

RGB 43 146 11

HSL 105.78, 0.86%, 0.31%

LAB 53.05, -51.53, 53.75

 

CMYK 86 / 0 / 92 / 43

HEX #14920B

RGB 20 146 11

HSL 116, 0.86%, 0.31%

LAB 52.65, -55.04, 53.25

 

CMYK 92 / 0 / 83 / 43

HEX #0B9219

RGB 11 146 25

HSL 126.22, 0.86%, 0.31%

LAB 52.62, -55.16, 49.9

 

CMYK 92 / 0 / 68 / 43

HEX #0B922F

RGB 11 146 47

HSL 136, 0.86%, 0.31%

LAB 52.77, -53.27, 41.89

 

CMYK 57 / 0 / 92 / 43

HEX #3F910C

RGB 63 145 12

HSL 96.99, 0.85%, 0.31%

LAB 53.31, -46.26, 54.03

 

CMYK 57 / 0 / 92 / 23

HEX #55C410

RGB 85 196 16

HSL 97, 0.85%, 0.42%

LAB 70.49, -58.62, 68.06

 

CMYK 57 / 0 / 92 / 3

HEX #6BF714

RGB 107 247 20

HSL 97, 0.93%, 0.52%

LAB 86.85, -70.34, 81.34

 

CMYK 56 / 0 / 91 / 83

HEX #132B04

RGB 19 43 4

HSL 96.92, 0.83%, 0.09%

LAB 14.82, -17.9, 19.6

 

CMYK 56 / 0 / 91 / 63

HEX #295E08

RGB 41 94 8

HSL 96.98, 0.84%, 0.2%

LAB 34.99, -32.93, 38.85

 

CMYK 57 / 0 / 92 / 43

HEX #3F910C

RGB 63 145 12

HSL 96.99, 0.85%, 0.31%

LAB 53.31, -46.26, 54.03

 

CMYK 92 / 0 / 18 / 43

HEX #0B9277

RGB 11 146 119

HSL 168, 0.86%, 0.31%

LAB 53.99, -39.21, 5.17

 

CMYK 0 / 92 / 18 / 43

HEX #920B77

RGB 146 11 119

HSL 312, 0.86%, 0.31%

LAB 33.31, 59.46, -25.01

 

CMYK 57 / 0 / 92 / 43

HEX #3F910C

RGB 63 145 12

HSL 96.99, 0.85%, 0.31%

LAB 53.31, -46.26, 54.03

 

CMYK 92 / 55 / 0 / 43

HEX #0B4192

RGB 11 65 146

HSL 216, 0.86%, 0.31%

LAB 29.23, 16.78, -49.14

 

CMYK 0 / 92 / 55 / 43

HEX #920B41

RGB 146 11 65

HSL 336, 0.86%, 0.31%

LAB 31.19, 53.74, 6.9

 

CMYK 57 / 0 / 92 / 43

HEX #3F910C

RGB 63 145 12

HSL 96.99, 0.85%, 0.31%

LAB 53.31, -46.26, 54.03

 

CMYK 92 / 0 / 18 / 43

HEX #0B9277

RGB 11 146 119

HSL 168, 0.86%, 0.31%

LAB 53.99, -39.21, 5.17

 

CMYK 37 / 92 / 0 / 43

HEX #5C0B92

RGB 92 11 146

HSL 276, 0.86%, 0.31%

LAB 25.53, 54.81, -54.92

 

CMYK 0 / 92 / 74 / 43

HEX #920B26

RGB 146 11 38

HSL 348, 0.86%, 0.31%

LAB 30.62, 52.13, 24.01

 

CMYK 57 / 0 / 92 / 43

HEX #3F910C

RGB 63 145 12

HSL 96.99, 0.85%, 0.31%

LAB 53.31, -46.26, 54.03

 

CMYK 92 / 10 / 0 / 43

HEX #0B8492

RGB 11 132 146

HSL 186.22, 0.86%, 0.31%

LAB 50.27, -24.29, -15.99

 

CMYK 37 / 92 / 0 / 43

HEX #5C0B92

RGB 92 11 146

HSL 276, 0.86%, 0.31%

LAB 25.53, 54.81, -54.92

 

CMYK 0 / 83 / 92 / 43

HEX #92190B

RGB 146 25 11

HSL 6.22, 0.86%, 0.31%

LAB 31.42, 48.26, 40.03

 

Description

Color code: CMYK 57 / 0 / 92 / 43 | qconv.com Color code: CMYK 57 / 0 / 92 / 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 145 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 145 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 92 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 92% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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