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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 56 / 77 / 0 / 7 it is the complementary color CMYK 25 / 0 / 91 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 56 / 77 / 0 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 56 / 77 / 0 / 7: CMYK 53 / 76 / 0 / 9, CMYK 50 / 71 / 0 / 2, CMYK 44 / 64 / 0 / 0, CMYK 37 / 57 / 0 / 0 and CMYK 31 / 50 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 56 / 77 / 0 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 56 / 77 / 0 / 7: CMYK 56 / 77 / 0 / 7, CMYK 60 / 83 / 0 / 15, CMYK 65 / 90 / 0 / 22, CMYK 71 / 99 / 0 / 29 and CMYK 78 / 100 / 0 / 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 77 / 0 / 7

HEX #6837ED

RGB 104 55 237

HSL 256.15, 0.83%, 0.57%

LAB 40.88, 63.49, -83.31

 

Complementary color

CMYK 25 / 0 / 91 / 22

HEX #97C812

RGB 151 200 18

HSL 76.15, 0.83%, 0.43%

LAB 74.78, -38.02, 72.55

 

CMYK 53 / 76 / 0 / 9

HEX #6D37E8

RGB 109 55 232

HSL 258.31, 0.79%, 0.56%

LAB 40.91, 62.79, -80.41

 

CMYK 50 / 71 / 0 / 2

HEX #7E49FB

RGB 126 73 251

HSL 257.87, 0.96%, 0.64%

LAB 47.19, 61.89, -80.73

 

CMYK 44 / 64 / 0 / 0

HEX #8F5BFF

RGB 143 91 255

HSL 259.02, 1%, 0.68%

LAB 52.44, 56.82, -74.32

 

CMYK 37 / 57 / 0 / 0

HEX #A06DFF

RGB 160 109 255

HSL 260.96, 1%, 0.71%

LAB 57.68, 50.79, -65.76

 

CMYK 31 / 50 / 0 / 0

HEX #B17FFF

RGB 177 127 255

HSL 263.44, 1%, 0.75%

LAB 63.13, 45.03, -56.95

 

CMYK 56 / 77 / 0 / 7

HEX #6837ED

RGB 104 55 237

HSL 256.15, 0.83%, 0.57%

LAB 40.88, 63.49, -83.31

 

CMYK 60 / 83 / 0 / 15

HEX #5725DA

RGB 87 37 218

HSL 256.57, 0.71%, 0.5%

LAB 34.83, 64, -82.52

 

CMYK 65 / 90 / 0 / 22

HEX #4613C7

RGB 70 19 199

HSL 257, 0.83%, 0.43%

LAB 29.14, 63.51, -80.96

 

CMYK 71 / 99 / 0 / 29

HEX #3501B4

RGB 53 1 180

HSL 257.43, 0.99%, 0.35%

LAB 23.91, 61.75, -78.43

 

CMYK 78 / 100 / 0 / 37

HEX #2400A1

RGB 36 0 161

HSL 253.42, 1%, 0.32%

LAB 19.84, 56.71, -73.78

 

CMYK 56 / 77 / 0 / 7

HEX #6837ED

RGB 104 55 237

HSL 256.15, 0.83%, 0.57%

LAB 40.88, 63.49, -83.31

 

CMYK 44 / 77 / 0 / 7

HEX #8536EC

RGB 133 54 236

HSL 266.04, 0.83%, 0.57%

LAB 43.77, 67.49, -77.88

 

CMYK 31 / 77 / 0 / 7

HEX #A336EC

RGB 163 54 236

HSL 275.93, 0.83%, 0.57%

LAB 47.6, 72.11, -71.47

 

CMYK 18 / 77 / 0 / 7

HEX #C136EC

RGB 193 54 236

HSL 285.82, 0.83%, 0.57%

LAB 51.87, 77.24, -64.34

 

CMYK 5 / 77 / 0 / 7

HEX #E036EC

RGB 224 54 236

HSL 296.04, 0.83%, 0.57%

LAB 56.63, 82.9, -56.45

 

CMYK 56 / 77 / 0 / 7

HEX #6837ED

RGB 104 55 237

HSL 256.15, 0.83%, 0.57%

LAB 40.88, 63.49, -83.31

 

CMYK 58 / 76 / 0 / 87

HEX #0E0821

RGB 14 8 33

HSL 254.4, 0.61%, 0.08%

LAB 3.4, 7.55, -14.31

 

CMYK 56 / 77 / 0 / 67

HEX #251354

RGB 37 19 84

HSL 256.62, 0.63%, 0.2%

LAB 12.6, 27.29, -36.3

 

CMYK 56 / 77 / 0 / 47

HEX #3B1F87

RGB 59 31 135

HSL 256.15, 0.63%, 0.33%

LAB 22.51, 40.21, -53.19

 

CMYK 56 / 77 / 0 / 27

HEX #522BBA

RGB 82 43 186

HSL 256.36, 0.62%, 0.45%

LAB 31.96, 52.25, -68.59

 

CMYK 56 / 77 / 0 / 7

HEX #6837ED

RGB 104 55 237

HSL 256.15, 0.83%, 0.57%

LAB 40.88, 63.49, -83.31

 

CMYK 0 / 77 / 36 / 7

HEX #EC3697

RGB 236 54 151

HSL 328.02, 0.83%, 0.57%

LAB 54.77, 74.28, -10.23

 

CMYK 67 / 0 / 77 / 7

HEX #4EEC36

RGB 78 236 54

HSL 112.09, 0.83%, 0.57%

LAB 82.85, -71.82, 70.33

 

CMYK 56 / 77 / 0 / 7

HEX #6837ED

RGB 104 55 237

HSL 256.15, 0.83%, 0.57%

LAB 40.88, 63.49, -83.31

 

CMYK 0 / 57 / 77 / 7

HEX #EC6636

RGB 236 102 54

HSL 15.82, 0.83%, 0.57%

LAB 59.53, 49.17, 51.23

 

CMYK 77 / 0 / 57 / 7

HEX #36EC66

RGB 54 236 102

HSL 135.82, 0.83%, 0.57%

LAB 82.77, -71.1, 51.71

 

CMYK 56 / 77 / 0 / 7

HEX #6837ED

RGB 104 55 237

HSL 256.15, 0.83%, 0.57%

LAB 40.88, 63.49, -83.31

 

CMYK 0 / 77 / 36 / 7

HEX #EC3697

RGB 236 54 151

HSL 328.02, 0.83%, 0.57%

LAB 54.77, 74.28, -10.23

 

CMYK 21 / 0 / 77 / 7

HEX #BBEC36

RGB 187 236 54

HSL 76.15, 0.83%, 0.57%

LAB 87.4, -38.97, 76.23

 

CMYK 77 / 0 / 41 / 7

HEX #36EC8B

RGB 54 236 139

HSL 148.02, 0.83%, 0.57%

LAB 83.25, -65.46, 34.63

 

CMYK 56 / 77 / 0 / 7

HEX #6837ED

RGB 104 55 237

HSL 256.15, 0.83%, 0.57%

LAB 40.88, 63.49, -83.31

 

CMYK 0 / 77 / 59 / 7

HEX #EC3660

RGB 236 54 96

HSL 346.15, 0.83%, 0.57%

LAB 53.29, 69.74, 20.54

 

CMYK 21 / 0 / 77 / 7

HEX #BBEC36

RGB 187 236 54

HSL 76.15, 0.83%, 0.57%

LAB 87.4, -38.97, 76.23

 

CMYK 77 / 0 / 18 / 7

HEX #36ECC1

RGB 54 236 193

HSL 165.82, 0.83%, 0.57%

LAB 84.29, -54.06, 8.26

 

Description

Color code: CMYK 56 / 77 / 0 / 7 | qconv.com Color code: CMYK 56 / 77 / 0 / 7 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 55 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 55 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 77 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 77% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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