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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 56 / 0 / 83 / 22 it is the complementary color CMYK 24 / 75 / 0 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 56 / 0 / 83 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 56 / 0 / 83 / 22: CMYK 53 / 0 / 85 / 22, CMYK 49 / 0 / 78 / 15, CMYK 46 / 0 / 71 / 8, CMYK 43 / 0 / 66 / 1 and CMYK 37 / 0 / 59 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 56 / 0 / 83 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 56 / 0 / 83 / 22: CMYK 56 / 0 / 83 / 22, CMYK 61 / 0 / 92 / 29, CMYK 67 / 0 / 100 / 36, CMYK 74 / 0 / 100 / 43 and CMYK 84 / 0 / 100 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 83 / 22

HEX #58C722

RGB 88 199 34

HSL 100.36, 0.71%, 0.46%

LAB 71.58, -58.27, 65.47

 

Complementary color

CMYK 24 / 75 / 0 / 13

HEX #A738DD

RGB 167 56 221

HSL 280.36, 0.71%, 0.54%

LAB 47.32, 69.02, -63.4

 

CMYK 53 / 0 / 85 / 22

HEX #5DC71D

RGB 93 199 29

HSL 97.41, 0.75%, 0.45%

LAB 71.73, -57.12, 66.85

 

CMYK 49 / 0 / 78 / 15

HEX #6ED930

RGB 110 217 48

HSL 97.99, 0.69%, 0.52%

LAB 77.97, -58, 67.8

 

CMYK 46 / 0 / 71 / 8

HEX #7FEB43

RGB 127 235 67

HSL 98.57, 0.81%, 0.59%

LAB 84.14, -58.59, 67.9

 

CMYK 43 / 0 / 66 / 1

HEX #90FD56

RGB 144 253 86

HSL 99.16, 0.98%, 0.66%

LAB 90.25, -58.97, 67.47

 

CMYK 37 / 0 / 59 / 0

HEX #A1FF69

RGB 161 255 105

HSL 97.6, 1%, 0.71%

LAB 91.74, -52.82, 61.62

 

CMYK 56 / 0 / 83 / 22

HEX #58C722

RGB 88 199 34

HSL 100.36, 0.71%, 0.46%

LAB 71.58, -58.27, 65.47

 

CMYK 61 / 0 / 92 / 29

HEX #47B50F

RGB 71 181 15

HSL 99.76, 0.85%, 0.38%

LAB 65.3, -56.99, 63.71

 

CMYK 67 / 0 / 100 / 36

HEX #36A300

RGB 54 163 0

HSL 100.12, 1%, 0.32%

LAB 58.95, -55.19, 60.41

 

CMYK 74 / 0 / 100 / 43

HEX #259100

RGB 37 145 0

HSL 104.69, 1%, 0.28%

LAB 52.56, -52.67, 55.16

 

CMYK 84 / 0 / 100 / 50

HEX #147F00

RGB 20 127 0

HSL 110.55, 1%, 0.25%

LAB 46.08, -49.58, 49.86

 

CMYK 56 / 0 / 83 / 22

HEX #58C722

RGB 88 199 34

HSL 100.36, 0.71%, 0.46%

LAB 71.58, -58.27, 65.47

 

CMYK 70 / 0 / 83 / 22

HEX #3DC822

RGB 61 200 34

HSL 110.24, 0.71%, 0.46%

LAB 71.16, -64.7, 64.81

 

CMYK 83 / 0 / 83 / 22

HEX #22C822

RGB 34 200 34

HSL 120, 0.71%, 0.46%

LAB 70.71, -68.61, 64.23

 

CMYK 83 / 0 / 70 / 22

HEX #22C83D

RGB 34 200 61

HSL 129.76, 0.71%, 0.46%

LAB 70.86, -66.68, 55.63

 

CMYK 83 / 0 / 56 / 22

HEX #22C859

RGB 34 200 89

HSL 139.88, 0.71%, 0.46%

LAB 71.13, -63.43, 43.78

 

CMYK 56 / 0 / 83 / 22

HEX #58C722

RGB 88 199 34

HSL 100.36, 0.71%, 0.46%

LAB 71.58, -58.27, 65.47

 

CMYK 56 / 0 / 83 / 2

HEX #6FFA2B

RGB 111 250 43

HSL 100.29, 0.95%, 0.57%

LAB 87.93, -69.65, 78.25

 

CMYK 57 / 0 / 83 / 82

HEX #142E08

RGB 20 46 8

HSL 101.05, 0.7%, 0.11%

LAB 16.11, -18.53, 19.62

 

CMYK 56 / 0 / 82 / 62

HEX #2B6111

RGB 43 97 17

HSL 100.5, 0.7%, 0.22%

LAB 36.18, -33.04, 37.16

 

CMYK 56 / 0 / 83 / 42

HEX #419419

RGB 65 148 25

HSL 100.49, 0.71%, 0.34%

LAB 54.42, -46.29, 51.98

 

CMYK 56 / 0 / 83 / 22

HEX #58C722

RGB 88 199 34

HSL 100.36, 0.71%, 0.46%

LAB 71.58, -58.27, 65.47

 

CMYK 83 / 0 / 11 / 22

HEX #22C8B2

RGB 34 200 178

HSL 172.05, 0.71%, 0.46%

LAB 72.8, -44.81, -0.4

 

CMYK 0 / 83 / 22 / 22

HEX #C8229C

RGB 200 34 156

HSL 315.9, 0.71%, 0.46%

LAB 46.74, 71.47, -26.04

 

CMYK 56 / 0 / 83 / 22

HEX #58C722

RGB 88 199 34

HSL 100.36, 0.71%, 0.46%

LAB 71.58, -58.27, 65.47

 

CMYK 83 / 56 / 0 / 22

HEX #2259C8

RGB 34 89 200

HSL 220.12, 0.71%, 0.46%

LAB 40.66, 23.89, -62.66

 

CMYK 0 / 83 / 56 / 22

HEX #C82259

RGB 200 34 89

HSL 340.12, 0.71%, 0.46%

LAB 44.44, 64.87, 11.62

 

CMYK 56 / 0 / 83 / 22

HEX #58C722

RGB 88 199 34

HSL 100.36, 0.71%, 0.46%

LAB 71.58, -58.27, 65.47

 

CMYK 83 / 0 / 11 / 22

HEX #22C8B2

RGB 34 200 178

HSL 172.05, 0.71%, 0.46%

LAB 72.8, -44.81, -0.4

 

CMYK 28 / 83 / 0 / 22

HEX #9122C8

RGB 145 34 200

HSL 280.12, 0.71%, 0.46%

LAB 40.14, 68.13, -63.1

 

CMYK 0 / 83 / 72 / 22

HEX #C82238

RGB 200 34 56

HSL 352.05, 0.71%, 0.46%

LAB 43.81, 63, 31.2

 

CMYK 56 / 0 / 83 / 22

HEX #58C722

RGB 88 199 34

HSL 100.36, 0.71%, 0.46%

LAB 71.58, -58.27, 65.47

 

CMYK 83 / 14 / 0 / 22

HEX #22ACC8

RGB 34 172 200

HSL 190.12, 0.71%, 0.46%

LAB 64.97, -25.13, -24.22

 

CMYK 28 / 83 / 0 / 22

HEX #9122C8

RGB 145 34 200

HSL 280.12, 0.71%, 0.46%

LAB 40.14, 68.13, -63.1

 

CMYK 0 / 70 / 83 / 22

HEX #C83D22

RGB 200 61 34

HSL 9.76, 0.71%, 0.46%

LAB 46.62, 53.72, 46.3

 

Description

Color code: CMYK 56 / 0 / 83 / 22 | qconv.com Color code: CMYK 56 / 0 / 83 / 22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 199 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 199 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 83 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 83% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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