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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 56 / 0 / 39 / 67 it is the complementary color CMYK 0 / 22 / 6 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 56 / 0 / 39 / 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 56 / 0 / 39 / 67: CMYK 50 / 0 / 45 / 67, CMYK 42 / 0 / 36 / 60, CMYK 37 / 0 / 30 / 53, CMYK 33 / 0 / 25 / 46 and CMYK 29 / 0 / 22 / 39

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 56 / 0 / 39 / 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 56 / 0 / 39 / 67: CMYK 56 / 0 / 39 / 67, CMYK 70 / 0 / 52 / 74, CMYK 94 / 0 / 73 / 81, CMYK 100 / 0 / 100 / 88 and CMYK 100 / 0 / 100 / 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 39 / 67

HEX #255433

RGB 37 84 51

HSL 137.87, 0.39%, 0.24%

LAB 31.75, -24.51, 14.53

 

Complementary color

CMYK 0 / 22 / 6 / 15

HEX #DAABCC

RGB 218 171 204

HSL 317.87, 0.39%, 0.76%

LAB 75.07, 22.53, -10.17

 

CMYK 50 / 0 / 45 / 67

HEX #2A542E

RGB 42 84 46

HSL 125.71, 0.33%, 0.25%

LAB 31.88, -23.91, 17.77

 

CMYK 42 / 0 / 36 / 60

HEX #3B6641

RGB 59 102 65

HSL 128.37, 0.27%, 0.32%

LAB 39.27, -23.67, 16.36

 

CMYK 37 / 0 / 30 / 53

HEX #4C7854

RGB 76 120 84

HSL 130.91, 0.22%, 0.38%

LAB 46.46, -23.38, 15.09

 

CMYK 33 / 0 / 25 / 46

HEX #5D8A67

RGB 93 138 103

HSL 133.33, 0.19%, 0.45%

LAB 53.47, -23.09, 13.95

 

CMYK 29 / 0 / 22 / 39

HEX #6E9C7A

RGB 110 156 122

HSL 135.65, 0.19%, 0.52%

LAB 60.34, -22.82, 12.91

 

CMYK 56 / 0 / 39 / 67

HEX #255433

RGB 37 84 51

HSL 137.87, 0.39%, 0.24%

LAB 31.75, -24.51, 14.53

 

CMYK 70 / 0 / 52 / 74

HEX #144220

RGB 20 66 32

HSL 135.65, 0.53%, 0.17%

LAB 24.16, -24.45, 16.16

 

CMYK 94 / 0 / 73 / 81

HEX #03300D

RGB 3 48 13

HSL 133.33, 0.88%, 0.1%

LAB 16.32, -23.94, 17.6

 

CMYK 100 / 0 / 100 / 88

HEX #001E00

RGB 0 30 0

HSL 120, 1%, 0.06%

LAB 8.38, -17.11, 12.24

 

CMYK 100 / 0 / 100 / 95

HEX #000C00

RGB 0 12 0

HSL 120, 1%, 0.02%

LAB 2.38, -4.85, 3.47

 

CMYK 56 / 0 / 39 / 67

HEX #255433

RGB 37 84 51

HSL 137.87, 0.39%, 0.24%

LAB 31.75, -24.51, 14.53

 

CMYK 56 / 0 / 32 / 67

HEX #25553A

RGB 37 85 58

HSL 146.25, 0.39%, 0.24%

LAB 32.25, -23.47, 10.9

 

CMYK 56 / 0 / 22 / 67

HEX #255542

RGB 37 85 66

HSL 156.25, 0.39%, 0.24%

LAB 32.44, -21.53, 6.18

 

CMYK 56 / 0 / 13 / 67

HEX #25554A

RGB 37 85 74

HSL 166.25, 0.39%, 0.24%

LAB 32.67, -19.38, 1.46

 

CMYK 56 / 0 / 4 / 67

HEX #255552

RGB 37 85 82

HSL 176.25, 0.39%, 0.24%

LAB 32.92, -17.06, -3.22

 

CMYK 56 / 0 / 39 / 67

HEX #255433

RGB 37 84 51

HSL 137.87, 0.39%, 0.24%

LAB 31.75, -24.51, 14.53

 

CMYK 56 / 0 / 39 / 47

HEX #3B8752

RGB 59 135 82

HSL 138.16, 0.39%, 0.38%

LAB 50.53, -36.01, 21.58

 

CMYK 56 / 0 / 39 / 27

HEX #52BA71

RGB 82 186 113

HSL 137.88, 0.43%, 0.53%

LAB 68.1, -46.37, 28.15

 

CMYK 56 / 0 / 39 / 7

HEX #68ED90

RGB 104 237 144

HSL 138.05, 0.79%, 0.67%

LAB 84.75, -56.41, 34.31

 

CMYK 55 / 0 / 39 / 87

HEX #0F2114

RGB 15 33 20

HSL 136.67, 0.38%, 0.09%

LAB 10.85, -11.25, 6.47

 

CMYK 56 / 0 / 39 / 67

HEX #255433

RGB 37 84 51

HSL 137.87, 0.39%, 0.24%

LAB 31.75, -24.51, 14.53

 

CMYK 56 / 28 / 0 / 67

HEX #253D55

RGB 37 61 85

HSL 210, 0.39%, 0.24%

LAB 24.91, -1.39, -17.31

 

CMYK 0 / 56 / 51 / 67

HEX #55252A

RGB 85 37 42

HSL 353.75, 0.39%, 0.24%

LAB 21.66, 22.82, 7.36

 

CMYK 56 / 0 / 39 / 67

HEX #255433

RGB 37 84 51

HSL 137.87, 0.39%, 0.24%

LAB 31.75, -24.51, 14.53

 

CMYK 41 / 56 / 0 / 67

HEX #322555

RGB 50 37 85

HSL 256.25, 0.39%, 0.24%

LAB 18.61, 18.97, -27.17

 

CMYK 0 / 41 / 56 / 67

HEX #553225

RGB 85 50 37

HSL 16.25, 0.39%, 0.24%

LAB 24.78, 14.27, 14.92

 

CMYK 56 / 0 / 39 / 67

HEX #255433

RGB 37 84 51

HSL 137.87, 0.39%, 0.24%

LAB 31.75, -24.51, 14.53

 

CMYK 56 / 28 / 0 / 67

HEX #253D55

RGB 37 61 85

HSL 210, 0.39%, 0.24%

LAB 24.91, -1.39, -17.31

 

CMYK 0 / 56 / 16 / 67

HEX #552547

RGB 85 37 71

HSL 317.5, 0.39%, 0.24%

LAB 22.69, 27.17, -11

 

CMYK 0 / 29 / 56 / 67

HEX #553C25

RGB 85 60 37

HSL 28.75, 0.39%, 0.24%

LAB 27.56, 7.89, 18.47

 

CMYK 56 / 0 / 39 / 67

HEX #255433

RGB 37 84 51

HSL 137.87, 0.39%, 0.24%

LAB 31.75, -24.51, 14.53

 

CMYK 56 / 45 / 0 / 67

HEX #252F55

RGB 37 47 85

HSL 227.5, 0.39%, 0.24%

LAB 20.37, 8.29, -24.44

 

CMYK 0 / 56 / 16 / 67

HEX #552547

RGB 85 37 71

HSL 317.5, 0.39%, 0.24%

LAB 22.69, 27.17, -11

 

CMYK 0 / 13 / 56 / 67

HEX #554A25

RGB 85 74 37

HSL 46.25, 0.39%, 0.24%

LAB 31.72, -0.92, 23.6

 

Description

Color code: CMYK 56 / 0 / 39 / 67 | qconv.com Color code: CMYK 56 / 0 / 39 / 67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 84 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 84 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 39 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 39% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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