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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 55 / 47 / 0 / 49 it is the complementary color CMYK 0 / 5 / 36 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 55 / 47 / 0 / 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 55 / 47 / 0 / 49: CMYK 49 / 45 / 0 / 51, CMYK 44 / 40 / 0 / 44, CMYK 40 / 36 / 0 / 36, CMYK 37 / 32 / 0 / 29 and CMYK 34 / 30 / 0 / 21

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 55 / 47 / 0 / 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 55 / 47 / 0 / 49: CMYK 55 / 47 / 0 / 49, CMYK 62 / 54 / 0 / 56, CMYK 73 / 64 / 0 / 64, CMYK 89 / 79 / 0 / 71 and CMYK 100 / 100 / 0 / 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 47 / 0 / 49

HEX #3B4582

RGB 59 69 130

HSL 231.55, 0.38%, 0.37%

LAB 31.34, 14.71, -35.76

 

Complementary color

CMYK 0 / 5 / 36 / 23

HEX #C4BA7D

RGB 196 186 125

HSL 51.55, 0.38%, 0.63%

LAB 75.04, -5.53, 32.23

 

CMYK 49 / 45 / 0 / 51

HEX #40457D

RGB 64 69 125

HSL 235.08, 0.32%, 0.37%

LAB 31.41, 14.26, -32.52

 

CMYK 44 / 40 / 0 / 44

HEX #515790

RGB 81 87 144

HSL 234.29, 0.28%, 0.44%

LAB 38.86, 13.2, -32.29

 

CMYK 40 / 36 / 0 / 36

HEX #6269A3

RGB 98 105 163

HSL 233.54, 0.26%, 0.51%

LAB 46.1, 12.36, -32.15

 

CMYK 37 / 32 / 0 / 29

HEX #737BB6

RGB 115 123 182

HSL 232.84, 0.31%, 0.58%

LAB 53.15, 11.66, -32.08

 

CMYK 34 / 30 / 0 / 21

HEX #848DC9

RGB 132 141 201

HSL 232.17, 0.39%, 0.65%

LAB 60.04, 11.07, -32.07

 

CMYK 55 / 47 / 0 / 49

HEX #3B4582

RGB 59 69 130

HSL 231.55, 0.38%, 0.37%

LAB 31.34, 14.71, -35.76

 

CMYK 62 / 54 / 0 / 56

HEX #2A336F

RGB 42 51 111

HSL 232.17, 0.45%, 0.3%

LAB 23.7, 16.34, -36.1

 

CMYK 73 / 64 / 0 / 64

HEX #19215C

RGB 25 33 92

HSL 232.84, 0.57%, 0.23%

LAB 15.84, 18.59, -36.45

 

CMYK 89 / 79 / 0 / 71

HEX #080F49

RGB 8 15 73

HSL 233.54, 0.8%, 0.16%

LAB 7.9, 21.67, -36.54

 

CMYK 100 / 100 / 0 / 79

HEX #000036

RGB 0 0 54

HSL 240, 1%, 0.11%

LAB 2.41, 16.91, -31.9

 

CMYK 55 / 47 / 0 / 49

HEX #3B4582

RGB 59 69 130

HSL 231.55, 0.38%, 0.37%

LAB 31.34, 14.71, -35.76

 

CMYK 55 / 55 / 0 / 49

HEX #3B3A82

RGB 59 58 130

HSL 240.83, 0.38%, 0.37%

LAB 28.29, 22.06, -40.64

 

CMYK 45 / 55 / 0 / 49

HEX #473A82

RGB 71 58 130

HSL 250.83, 0.38%, 0.37%

LAB 29.36, 24.9, -38.88

 

CMYK 36 / 55 / 0 / 49

HEX #533A82

RGB 83 58 130

HSL 260.83, 0.38%, 0.37%

LAB 30.58, 28.02, -36.84

 

CMYK 27 / 55 / 0 / 49

HEX #5F3A82

RGB 95 58 130

HSL 270.83, 0.38%, 0.37%

LAB 31.97, 31.33, -34.56

 

CMYK 55 / 47 / 0 / 49

HEX #3B4582

RGB 59 69 130

HSL 231.55, 0.38%, 0.37%

LAB 31.34, 14.71, -35.76

 

CMYK 55 / 47 / 0 / 29

HEX #5260B5

RGB 82 96 181

HSL 231.52, 0.4%, 0.52%

LAB 43.5, 19.63, -46.91

 

CMYK 55 / 47 / 0 / 9

HEX #697BE8

RGB 105 123 232

HSL 231.5, 0.73%, 0.66%

LAB 55.07, 24.27, -57.44

 

CMYK 54 / 46 / 0 / 89

HEX #0D0F1C

RGB 13 15 28

HSL 232, 0.37%, 0.08%

LAB 4.62, 2.48, -8.57

 

CMYK 54 / 47 / 0 / 69

HEX #242A4F

RGB 36 42 79

HSL 231.63, 0.37%, 0.23%

LAB 18.35, 9.39, -23.64

 

CMYK 55 / 47 / 0 / 49

HEX #3B4582

RGB 59 69 130

HSL 231.55, 0.38%, 0.37%

LAB 31.34, 14.71, -35.76

 

CMYK 0 / 55 / 3 / 49

HEX #823A7E

RGB 130 58 126

HSL 303.33, 0.38%, 0.37%

LAB 36.51, 40.72, -24.58

 

CMYK 25 / 0 / 55 / 49

HEX #61823A

RGB 97 130 58

HSL 87.5, 0.38%, 0.37%

LAB 50.47, -24.49, 34.81

 

CMYK 55 / 47 / 0 / 49

HEX #3B4582

RGB 59 69 130

HSL 231.55, 0.38%, 0.37%

LAB 31.34, 14.71, -35.76

 

CMYK 0 / 55 / 47 / 49

HEX #823A45

RGB 130 58 69

HSL 350.83, 0.38%, 0.37%

LAB 34.4, 32.14, 8.36

 

CMYK 47 / 0 / 55 / 49

HEX #45823A

RGB 69 130 58

HSL 110.83, 0.38%, 0.37%

LAB 48.93, -34.73, 32.61

 

CMYK 55 / 47 / 0 / 49

HEX #3B4582

RGB 59 69 130

HSL 231.55, 0.38%, 0.37%

LAB 31.34, 14.71, -35.76

 

CMYK 0 / 55 / 3 / 49

HEX #823A7E

RGB 130 58 126

HSL 303.33, 0.38%, 0.37%

LAB 36.51, 40.72, -24.58

 

CMYK 0 / 8 / 55 / 49

HEX #82773A

RGB 130 119 58

HSL 50.83, 0.38%, 0.37%

LAB 49.79, -4.29, 34.67

 

CMYK 55 / 0 / 52 / 49

HEX #3A823E

RGB 58 130 62

HSL 123.33, 0.38%, 0.37%

LAB 48.53, -37.48, 29.93

 

CMYK 55 / 47 / 0 / 49

HEX #3B4582

RGB 59 69 130

HSL 231.55, 0.38%, 0.37%

LAB 31.34, 14.71, -35.76

 

CMYK 0 / 55 / 19 / 49

HEX #823A69

RGB 130 58 105

HSL 320.83, 0.38%, 0.37%

LAB 35.58, 37.05, -12.88

 

CMYK 0 / 8 / 55 / 49

HEX #82773A

RGB 130 119 58

HSL 50.83, 0.38%, 0.37%

LAB 49.79, -4.29, 34.67

 

CMYK 55 / 0 / 36 / 49

HEX #3A8253

RGB 58 130 83

HSL 140.83, 0.38%, 0.37%

LAB 48.87, -33.84, 18.8

 

Description

Color code: CMYK 55 / 47 / 0 / 49 | qconv.com Color code: CMYK 55 / 47 / 0 / 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 69 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 69 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 47 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 47% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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