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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 55 / 41 / 0 / 75 it is the complementary color CMYK 0 / 4 / 15 / 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 55 / 41 / 0 / 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 55 / 41 / 0 / 75: CMYK 42 / 36 / 0 / 77, CMYK 35 / 28 / 0 / 69, CMYK 30 / 24 / 0 / 62, CMYK 27 / 21 / 0 / 55 and CMYK 24 / 19 / 0 / 47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 55 / 41 / 0 / 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 55 / 41 / 0 / 75: CMYK 55 / 41 / 0 / 75, CMYK 73 / 56 / 0 / 82, CMYK 100 / 92 / 0 / 90, CMYK 100 / 100 / 0 / 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 41 / 0 / 75

HEX #1D2640

RGB 29 38 64

HSL 224.57, 0.38%, 0.18%

LAB 15.58, 4.74, -17.78

 

Complementary color

CMYK 0 / 4 / 15 / 11

HEX #E2D9BF

RGB 226 217 191

HSL 44.57, 0.38%, 0.82%

LAB 86.78, -1.19, 13.91

 

CMYK 42 / 36 / 0 / 77

HEX #22263B

RGB 34 38 59

HSL 230.4, 0.27%, 0.18%

LAB 15.71, 4.57, -14.06

 

CMYK 35 / 28 / 0 / 69

HEX #33384E

RGB 51 56 78

HSL 228.89, 0.21%, 0.25%

LAB 23.94, 3.97, -14.12

 

CMYK 30 / 24 / 0 / 62

HEX #444A61

RGB 68 74 97

HSL 227.59, 0.18%, 0.32%

LAB 31.78, 3.52, -14.27

 

CMYK 27 / 21 / 0 / 55

HEX #555C74

RGB 85 92 116

HSL 226.45, 0.15%, 0.39%

LAB 39.32, 3.17, -14.49

 

CMYK 24 / 19 / 0 / 47

HEX #666E87

RGB 102 110 135

HSL 225.45, 0.14%, 0.46%

LAB 46.61, 2.87, -14.75

 

CMYK 55 / 41 / 0 / 75

HEX #1D2640

RGB 29 38 64

HSL 224.57, 0.38%, 0.18%

LAB 15.58, 4.74, -17.78

 

CMYK 73 / 56 / 0 / 82

HEX #0C142D

RGB 12 20 45

HSL 225.45, 0.58%, 0.11%

LAB 6.94, 5.94, -17.93

 

CMYK 100 / 92 / 0 / 90

HEX #00021A

RGB 0 2 26

HSL 235.38, 1%, 0.05%

LAB 1.07, 3.93, -12.31

 

CMYK 100 / 100 / 0 / 97

HEX #000007

RGB 0 0 7

HSL 240, 1%, 0.01%

LAB 0.14, 0.97, -2.65

 

CMYK 55 / 41 / 0 / 75

HEX #1D2640

RGB 29 38 64

HSL 224.57, 0.38%, 0.18%

LAB 15.58, 4.74, -17.78

 

CMYK 56 / 51 / 0 / 75

HEX #1C1F3F

RGB 28 31 63

HSL 234.86, 0.38%, 0.18%

LAB 13.14, 9.27, -20.94

 

CMYK 52 / 56 / 0 / 75

HEX #1E1C3F

RGB 30 28 63

HSL 243.43, 0.38%, 0.18%

LAB 12.39, 12.09, -22.14

 

CMYK 43 / 56 / 0 / 75

HEX #241C3F

RGB 36 28 63

HSL 253.71, 0.38%, 0.18%

LAB 13.01, 13.9, -21.1

 

CMYK 33 / 56 / 0 / 75

HEX #2A1C3F

RGB 42 28 63

HSL 264, 0.38%, 0.18%

LAB 13.72, 15.83, -19.94

 

CMYK 55 / 41 / 0 / 75

HEX #1D2640

RGB 29 38 64

HSL 224.57, 0.38%, 0.18%

LAB 15.58, 4.74, -17.78

 

CMYK 55 / 41 / 0 / 55

HEX #344473

RGB 52 68 115

HSL 224.76, 0.38%, 0.33%

LAB 29.67, 8.43, -29.06

 

CMYK 55 / 40 / 0 / 35

HEX #4B63A6

RGB 75 99 166

HSL 224.18, 0.38%, 0.47%

LAB 43.02, 11.19, -38.89

 

CMYK 55 / 41 / 0 / 15

HEX #6281D9

RGB 98 129 217

HSL 224.37, 0.61%, 0.62%

LAB 55.39, 14.4, -48.54

 

CMYK 54 / 38 / 0 / 95

HEX #06080D

RGB 6 8 13

HSL 222.86, 0.37%, 0.04%

LAB 2.18, 0.21, -2.18

 

CMYK 55 / 41 / 0 / 75

HEX #1D2640

RGB 29 38 64

HSL 224.57, 0.38%, 0.18%

LAB 15.58, 4.74, -17.78

 

CMYK 3 / 56 / 0 / 75

HEX #3D1C3F

RGB 61 28 63

HSL 296.57, 0.38%, 0.18%

LAB 16.41, 22.36, -15.51

 

CMYK 19 / 0 / 56 / 75

HEX #333F1C

RGB 51 63 28

HSL 80.57, 0.38%, 0.18%

LAB 24.77, -11.77, 19.73

 

CMYK 55 / 41 / 0 / 75

HEX #1D2640

RGB 29 38 64

HSL 224.57, 0.38%, 0.18%

LAB 15.58, 4.74, -17.78

 

CMYK 0 / 56 / 41 / 75

HEX #3F1C25

RGB 63 28 37

HSL 344.57, 0.38%, 0.18%

LAB 15.6, 18.21, 1.77

 

CMYK 41 / 0 / 56 / 75

HEX #253F1C

RGB 37 63 28

HSL 104.57, 0.38%, 0.18%

LAB 23.78, -17.96, 18.28

 

CMYK 55 / 41 / 0 / 75

HEX #1D2640

RGB 29 38 64

HSL 224.57, 0.38%, 0.18%

LAB 15.58, 4.74, -17.78

 

CMYK 3 / 56 / 0 / 75

HEX #3D1C3F

RGB 61 28 63

HSL 296.57, 0.38%, 0.18%

LAB 16.41, 22.36, -15.51

 

CMYK 0 / 14 / 56 / 75

HEX #3F361C

RGB 63 54 28

HSL 44.57, 0.38%, 0.18%

LAB 22.93, -0.2, 17.73

 

CMYK 52 / 0 / 56 / 75

HEX #1E3F1C

RGB 30 63 28

HSL 116.57, 0.38%, 0.18%

LAB 23.39, -20.63, 17.72

 

CMYK 55 / 41 / 0 / 75

HEX #1D2640

RGB 29 38 64

HSL 224.57, 0.38%, 0.18%

LAB 15.58, 4.74, -17.78

 

CMYK 0 / 56 / 13 / 75

HEX #3F1C37

RGB 63 28 55

HSL 313.71, 0.38%, 0.18%

LAB 16.32, 21.37, -10.01

 

CMYK 0 / 14 / 56 / 75

HEX #3F361C

RGB 63 54 28

HSL 44.57, 0.38%, 0.18%

LAB 22.93, -0.2, 17.73

 

CMYK 56 / 0 / 43 / 75

HEX #1C3F24

RGB 28 63 36

HSL 133.71, 0.38%, 0.18%

LAB 23.44, -19.82, 12.77

 

Description

Color code: CMYK 55 / 41 / 0 / 75 | qconv.com Color code: CMYK 55 / 41 / 0 / 75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 38 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 38 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 41 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 41% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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