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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 55 / 0 / 43 / 25 it is the complementary color CMYK 0 / 62 / 14 / 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 55 / 0 / 43 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 55 / 0 / 43 / 25: CMYK 52 / 0 / 46 / 25, CMYK 48 / 0 / 41 / 18, CMYK 45 / 0 / 37 / 11, CMYK 42 / 0 / 34 / 4 and CMYK 38 / 0 / 29 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 55 / 0 / 43 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 55 / 0 / 43 / 25: CMYK 55 / 0 / 43 / 25, CMYK 60 / 0 / 48 / 32, CMYK 66 / 0 / 54 / 39, CMYK 74 / 0 / 62 / 46 and CMYK 85 / 0 / 72 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 43 / 25

HEX #56BF6D

RGB 86 191 109

HSL 133.14, 0.45%, 0.54%

LAB 69.71, -48.12, 32.37

 

Complementary color

CMYK 0 / 62 / 14 / 34

HEX #A94092

RGB 169 64 146

HSL 313.14, 0.45%, 0.46%

LAB 44.49, 52.59, -23.95

 

CMYK 52 / 0 / 46 / 25

HEX #5BBF68

RGB 91 191 104

HSL 127.8, 0.44%, 0.55%

LAB 69.81, -47.64, 35.09

 

CMYK 48 / 0 / 41 / 18

HEX #6CD17B

RGB 108 209 123

HSL 128.91, 0.52%, 0.62%

LAB 76.2, -47.58, 33.76

 

CMYK 45 / 0 / 37 / 11

HEX #7DE38E

RGB 125 227 142

HSL 130, 0.65%, 0.69%

LAB 82.51, -47.42, 32.5

 

CMYK 42 / 0 / 34 / 4

HEX #8EF5A1

RGB 142 245 161

HSL 131.07, 0.84%, 0.76%

LAB 88.75, -47.22, 31.31

 

CMYK 38 / 0 / 29 / 0

HEX #9FFFB4

RGB 159 255 180

HSL 133.13, 1%, 0.81%

LAB 92.66, -43.53, 27.13

 

CMYK 55 / 0 / 43 / 25

HEX #56BF6D

RGB 86 191 109

HSL 133.14, 0.45%, 0.54%

LAB 69.71, -48.12, 32.37

 

CMYK 60 / 0 / 48 / 32

HEX #45AD5A

RGB 69 173 90

HSL 132.12, 0.43%, 0.47%

LAB 63.25, -48.01, 33.78

 

CMYK 66 / 0 / 54 / 39

HEX #349B47

RGB 52 155 71

HSL 131.07, 0.5%, 0.41%

LAB 56.71, -47.63, 35.24

 

CMYK 74 / 0 / 62 / 46

HEX #238934

RGB 35 137 52

HSL 130, 0.59%, 0.34%

LAB 50.09, -46.82, 36.69

 

CMYK 85 / 0 / 72 / 53

HEX #127721

RGB 18 119 33

HSL 128.91, 0.74%, 0.27%

LAB 43.41, -45.28, 37.9

 

CMYK 55 / 0 / 43 / 25

HEX #56BF6D

RGB 86 191 109

HSL 133.14, 0.45%, 0.54%

LAB 69.71, -48.12, 32.37

 

CMYK 56 / 0 / 34 / 25

HEX #54BE7D

RGB 84 190 125

HSL 143.21, 0.45%, 0.54%

LAB 69.61, -45.37, 23.83

 

CMYK 56 / 0 / 25 / 25

HEX #54BE8E

RGB 84 190 142

HSL 152.83, 0.45%, 0.54%

LAB 69.94, -41.94, 15.17

 

CMYK 56 / 0 / 16 / 25

HEX #54BEA0

RGB 84 190 160

HSL 163.02, 0.45%, 0.54%

LAB 70.35, -37.87, 5.97

 

CMYK 56 / 0 / 6 / 25

HEX #54BEB2

RGB 84 190 178

HSL 173.21, 0.45%, 0.54%

LAB 70.82, -33.39, -3.18

 

CMYK 55 / 0 / 43 / 25

HEX #56BF6D

RGB 86 191 109

HSL 133.14, 0.45%, 0.54%

LAB 69.71, -48.12, 32.37

 

CMYK 55 / 0 / 43 / 5

HEX #6DF28A

RGB 109 242 138

HSL 133.08, 0.84%, 0.69%

LAB 86.3, -58.17, 39.33

 

CMYK 55 / 0 / 42 / 85

HEX #112616

RGB 17 38 22

HSL 134.29, 0.38%, 0.11%

LAB 13.01, -12.99, 8.06

 

CMYK 55 / 0 / 43 / 65

HEX #285933

RGB 40 89 51

HSL 133.47, 0.38%, 0.25%

LAB 33.64, -26.04, 17.06

 

CMYK 55 / 0 / 43 / 45

HEX #3F8C50

RGB 63 140 80

HSL 133.25, 0.38%, 0.4%

LAB 52.28, -37.51, 25.01

 

CMYK 55 / 0 / 43 / 25

HEX #56BF6D

RGB 86 191 109

HSL 133.14, 0.45%, 0.54%

LAB 69.71, -48.12, 32.37

 

CMYK 56 / 23 / 0 / 25

HEX #5492BE

RGB 84 146 190

HSL 204.91, 0.45%, 0.54%

LAB 58.19, -7.17, -28.96

 

CMYK 0 / 56 / 45 / 25

HEX #BE5468

RGB 190 84 104

HSL 348.68, 0.45%, 0.54%

LAB 49.84, 44.49, 9.75

 

CMYK 55 / 0 / 43 / 25

HEX #56BF6D

RGB 86 191 109

HSL 133.14, 0.45%, 0.54%

LAB 69.71, -48.12, 32.37

 

CMYK 44 / 56 / 0 / 25

HEX #6B54BE

RGB 107 84 190

HSL 253.02, 0.45%, 0.54%

LAB 43.04, 35.43, -52.8

 

CMYK 0 / 44 / 56 / 25

HEX #BE6B54

RGB 190 107 84

HSL 13.02, 0.45%, 0.54%

LAB 54.14, 30.75, 27.29

 

CMYK 55 / 0 / 43 / 25

HEX #56BF6D

RGB 86 191 109

HSL 133.14, 0.45%, 0.54%

LAB 69.71, -48.12, 32.37

 

CMYK 56 / 23 / 0 / 25

HEX #5492BE

RGB 84 146 190

HSL 204.91, 0.45%, 0.54%

LAB 58.19, -7.17, -28.96

 

CMYK 0 / 56 / 12 / 25

HEX #BE54A7

RGB 190 84 167

HSL 313.02, 0.45%, 0.54%

LAB 51.93, 52.8, -24.66

 

CMYK 0 / 33 / 56 / 25

HEX #BE8054

RGB 190 128 84

HSL 24.91, 0.45%, 0.54%

LAB 59, 19.25, 33.43

 

CMYK 55 / 0 / 43 / 25

HEX #56BF6D

RGB 86 191 109

HSL 133.14, 0.45%, 0.54%

LAB 69.71, -48.12, 32.37

 

CMYK 56 / 40 / 0 / 25

HEX #5472BE

RGB 84 114 190

HSL 223.02, 0.45%, 0.54%

LAB 49.05, 11.79, -43.28

 

CMYK 0 / 56 / 12 / 25

HEX #BE54A7

RGB 190 84 167

HSL 313.02, 0.45%, 0.54%

LAB 51.93, 52.8, -24.66

 

CMYK 0 / 16 / 56 / 25

HEX #BEA054

RGB 190 160 84

HSL 43.02, 0.45%, 0.54%

LAB 67.07, 1.69, 43.23

 

Description

Color code: CMYK 55 / 0 / 43 / 25 | qconv.com Color code: CMYK 55 / 0 / 43 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 191 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 191 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 43 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 43% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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