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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 54 / 40 / 0 / 6 it is the complementary color CMYK 0 / 23 / 90 / 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 54 / 40 / 0 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 54 / 40 / 0 / 6: CMYK 51 / 39 / 0 / 8, CMYK 48 / 36 / 0 / 0, CMYK 42 / 29 / 0 / 0, CMYK 35 / 22 / 0 / 0 and CMYK 28 / 15 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 54 / 40 / 0 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 54 / 40 / 0 / 6: CMYK 54 / 40 / 0 / 6, CMYK 58 / 43 / 0 / 13, CMYK 62 / 47 / 0 / 21, CMYK 68 / 51 / 0 / 28 and CMYK 74 / 56 / 0 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 40 / 0 / 6

HEX #6E90F0

RGB 110 144 240

HSL 224.31, 0.81%, 0.69%

LAB 61.27, 15.27, -51.98

 

Complementary color

CMYK 0 / 23 / 90 / 43

HEX #916F0F

RGB 145 111 15

HSL 44.31, 0.81%, 0.31%

LAB 48.79, 4.9, 52.01

 

CMYK 51 / 39 / 0 / 8

HEX #7390EB

RGB 115 144 235

HSL 225.5, 0.75%, 0.69%

LAB 61.3, 14.79, -49.15

 

CMYK 48 / 36 / 0 / 0

HEX #84A2FE

RGB 132 162 254

HSL 225.25, 0.98%, 0.76%

LAB 67.95, 13.86, -48.99

 

CMYK 42 / 29 / 0 / 0

HEX #95B4FF

RGB 149 180 255

HSL 222.45, 1%, 0.79%

LAB 73.71, 8.05, -40.43

 

CMYK 35 / 22 / 0 / 0

HEX #A6C6FF

RGB 166 198 255

HSL 218.43, 1%, 0.83%

LAB 79.45, 2.61, -31.45

 

CMYK 28 / 15 / 0 / 0

HEX #B7D8FF

RGB 183 216 255

HSL 212.5, 1%, 0.86%

LAB 85.2, -2.26, -22.58

 

CMYK 54 / 40 / 0 / 6

HEX #6E90F0

RGB 110 144 240

HSL 224.31, 0.81%, 0.69%

LAB 61.27, 15.27, -51.98

 

CMYK 58 / 43 / 0 / 13

HEX #5D7EDD

RGB 93 126 221

HSL 224.53, 0.65%, 0.62%

LAB 54.52, 16.5, -52.19

 

CMYK 62 / 47 / 0 / 21

HEX #4C6CCA

RGB 76 108 202

HSL 224.76, 0.54%, 0.55%

LAB 47.66, 17.99, -52.43

 

CMYK 68 / 51 / 0 / 28

HEX #3B5AB7

RGB 59 90 183

HSL 225, 0.51%, 0.47%

LAB 40.67, 19.83, -52.7

 

CMYK 74 / 56 / 0 / 36

HEX #2A48A4

RGB 42 72 164

HSL 225.25, 0.59%, 0.4%

LAB 33.58, 22.13, -52.95

 

CMYK 54 / 40 / 0 / 6

HEX #6E90F0

RGB 110 144 240

HSL 224.31, 0.81%, 0.69%

LAB 61.27, 15.27, -51.98

 

CMYK 54 / 48 / 0 / 6

HEX #6F7CEF

RGB 111 124 239

HSL 233.91, 0.8%, 0.69%

LAB 56.11, 27.09, -59.64

 

CMYK 50 / 54 / 0 / 6

HEX #786FEF

RGB 120 111 239

HSL 244.22, 0.8%, 0.69%

LAB 53.59, 36.67, -63.66

 

CMYK 41 / 54 / 0 / 6

HEX #8D6FEF

RGB 141 111 239

HSL 254.06, 0.8%, 0.69%

LAB 55.34, 41.22, -60.75

 

CMYK 32 / 54 / 0 / 6

HEX #A36FEF

RGB 163 111 239

HSL 264.38, 0.8%, 0.69%

LAB 57.45, 46.4, -57.26

 

CMYK 54 / 40 / 0 / 6

HEX #6E90F0

RGB 110 144 240

HSL 224.31, 0.81%, 0.69%

LAB 61.27, 15.27, -51.98

 

CMYK 53 / 39 / 0 / 86

HEX #111624

RGB 17 22 36

HSL 224.21, 0.36%, 0.1%

LAB 7.41, 2.33, -10.43

 

CMYK 54 / 40 / 0 / 66

HEX #283457

RGB 40 52 87

HSL 224.68, 0.37%, 0.25%

LAB 22.29, 6.3, -22.73

 

CMYK 54 / 40 / 0 / 46

HEX #3F538A

RGB 63 83 138

HSL 224, 0.37%, 0.39%

LAB 36.13, 9.19, -33.04

 

CMYK 54 / 40 / 0 / 26

HEX #5771BD

RGB 87 113 189

HSL 224.71, 0.44%, 0.54%

LAB 48.9, 12.73, -42.94

 

CMYK 54 / 40 / 0 / 6

HEX #6E90F0

RGB 110 144 240

HSL 224.31, 0.81%, 0.69%

LAB 61.27, 15.27, -51.98

 

CMYK 3 / 54 / 0 / 6

HEX #E76FEF

RGB 231 111 239

HSL 296.25, 0.8%, 0.69%

LAB 65.43, 63.69, -44.11

 

CMYK 18 / 0 / 54 / 6

HEX #C5EF6F

RGB 197 239 111

HSL 79.69, 0.8%, 0.69%

LAB 89.28, -32.72, 56.68

 

CMYK 54 / 40 / 0 / 6

HEX #6E90F0

RGB 110 144 240

HSL 224.31, 0.81%, 0.69%

LAB 61.27, 15.27, -51.98

 

CMYK 0 / 54 / 39 / 6

HEX #EF6F92

RGB 239 111 146

HSL 343.59, 0.8%, 0.69%

LAB 63.17, 52.63, 5.1

 

CMYK 39 / 0 / 54 / 6

HEX #92EF6F

RGB 146 239 111

HSL 103.59, 0.8%, 0.69%

LAB 86.5, -50.42, 52.72

 

CMYK 54 / 40 / 0 / 6

HEX #6E90F0

RGB 110 144 240

HSL 224.31, 0.81%, 0.69%

LAB 61.27, 15.27, -51.98

 

CMYK 3 / 54 / 0 / 6

HEX #E76FEF

RGB 231 111 239

HSL 296.25, 0.8%, 0.69%

LAB 65.43, 63.69, -44.11

 

CMYK 0 / 14 / 54 / 6

HEX #EFCD6F

RGB 239 205 111

HSL 44.06, 0.8%, 0.69%

LAB 83.53, 0.63, 50.7

 

CMYK 50 / 0 / 54 / 6

HEX #78EF6F

RGB 120 239 111

HSL 115.78, 0.8%, 0.69%

LAB 85.44, -57.98, 51.2

 

CMYK 54 / 40 / 0 / 6

HEX #6E90F0

RGB 110 144 240

HSL 224.31, 0.81%, 0.69%

LAB 61.27, 15.27, -51.98

 

CMYK 0 / 54 / 12 / 6

HEX #EF6FD2

RGB 239 111 210

HSL 313.59, 0.8%, 0.69%

LAB 65.26, 61.07, -28.15

 

CMYK 0 / 14 / 54 / 6

HEX #EFCD6F

RGB 239 205 111

HSL 44.06, 0.8%, 0.69%

LAB 83.53, 0.63, 50.7

 

CMYK 54 / 0 / 41 / 6

HEX #6FEF8D

RGB 111 239 141

HSL 134.06, 0.8%, 0.69%

LAB 85.52, -56.06, 36.85

 

Description

Color code: CMYK 54 / 40 / 0 / 6 | qconv.com Color code: CMYK 54 / 40 / 0 / 6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 144 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 144 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 40 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 40% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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