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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 54 / 27 / 0 / 47 it is the complementary color CMYK 0 / 19 / 38 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 54 / 27 / 0 / 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 54 / 27 / 0 / 47: CMYK 48 / 24 / 0 / 49, CMYK 44 / 21 / 0 / 42, CMYK 40 / 20 / 0 / 34, CMYK 37 / 18 / 0 / 27 and CMYK 34 / 17 / 0 / 19

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 54 / 27 / 0 / 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 54 / 27 / 0 / 47: CMYK 54 / 27 / 0 / 47, CMYK 61 / 30 / 0 / 55, CMYK 71 / 35 / 0 / 62, CMYK 86 / 42 / 0 / 69 and CMYK 100 / 54 / 0 / 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 27 / 0 / 47

HEX #3E6387

RGB 62 99 135

HSL 209.59, 0.37%, 0.39%

LAB 40.73, -2.19, -24.02

 

Complementary color

CMYK 0 / 19 / 38 / 24

HEX #C19C78

RGB 193 156 120

HSL 29.59, 0.37%, 0.61%

LAB 66.88, 8.74, 24.05

 

CMYK 48 / 24 / 0 / 49

HEX #436382

RGB 67 99 130

HSL 209.52, 0.32%, 0.39%

LAB 40.78, -2.53, -20.89

 

CMYK 44 / 21 / 0 / 42

HEX #547595

RGB 84 117 149

HSL 209.54, 0.28%, 0.46%

LAB 47.98, -2.94, -21.06

 

CMYK 40 / 20 / 0 / 34

HEX #6587A8

RGB 101 135 168

HSL 209.55, 0.28%, 0.53%

LAB 54.99, -3.25, -21.27

 

CMYK 37 / 18 / 0 / 27

HEX #7699BB

RGB 118 153 187

HSL 209.57, 0.34%, 0.6%

LAB 61.85, -3.51, -21.49

 

CMYK 34 / 17 / 0 / 19

HEX #87ABCE

RGB 135 171 206

HSL 209.58, 0.42%, 0.67%

LAB 68.56, -3.73, -21.73

 

CMYK 54 / 27 / 0 / 47

HEX #3E6387

RGB 62 99 135

HSL 209.59, 0.37%, 0.39%

LAB 40.73, -2.19, -24.02

 

CMYK 61 / 30 / 0 / 55

HEX #2D5174

RGB 45 81 116

HSL 209.58, 0.44%, 0.32%

LAB 33.36, -1.42, -23.91

 

CMYK 71 / 35 / 0 / 62

HEX #1C3F61

RGB 28 63 97

HSL 209.57, 0.55%, 0.25%

LAB 25.76, -0.27, -23.83

 

CMYK 86 / 42 / 0 / 69

HEX #0B2D4E

RGB 11 45 78

HSL 209.55, 0.75%, 0.17%

LAB 17.91, 1.57, -23.74

 

CMYK 100 / 54 / 0 / 77

HEX #001B3B

RGB 0 27 59

HSL 212.54, 1%, 0.12%

LAB 9.8, 4.63, -23.57

 

CMYK 54 / 27 / 0 / 47

HEX #3E6387

RGB 62 99 135

HSL 209.59, 0.37%, 0.39%

LAB 40.73, -2.19, -24.02

 

CMYK 54 / 35 / 0 / 47

HEX #3E5888

RGB 62 88 136

HSL 218.92, 0.37%, 0.39%

LAB 37.45, 5.04, -29.76

 

CMYK 54 / 44 / 0 / 47

HEX #3E4C88

RGB 62 76 136

HSL 228.65, 0.37%, 0.39%

LAB 33.92, 12.84, -35.34

 

CMYK 54 / 54 / 0 / 47

HEX #3E3F88

RGB 62 63 136

HSL 239.19, 0.37%, 0.39%

LAB 30.3, 21.46, -41.14

 

CMYK 46 / 54 / 0 / 47

HEX #493E88

RGB 73 62 136

HSL 248.92, 0.37%, 0.39%

LAB 30.97, 24.71, -40

 

CMYK 54 / 27 / 0 / 47

HEX #3E6387

RGB 62 99 135

HSL 209.59, 0.37%, 0.39%

LAB 40.73, -2.19, -24.02

 

CMYK 54 / 27 / 0 / 27

HEX #5588BA

RGB 85 136 186

HSL 209.7, 0.42%, 0.53%

LAB 55.16, -2.48, -31.39

 

CMYK 54 / 27 / 0 / 7

HEX #6DAEED

RGB 109 174 237

HSL 209.53, 0.78%, 0.68%

LAB 69.21, -3.1, -37.84

 

CMYK 55 / 27 / 0 / 87

HEX #0F1821

RGB 15 24 33

HSL 210, 0.38%, 0.09%

LAB 7.81, -0.97, -7.56

 

CMYK 54 / 26 / 0 / 67

HEX #273E54

RGB 39 62 84

HSL 209.33, 0.37%, 0.24%

LAB 25.31, -1.86, -16.02

 

CMYK 54 / 27 / 0 / 47

HEX #3E6387

RGB 62 99 135

HSL 209.59, 0.37%, 0.39%

LAB 40.73, -2.19, -24.02

 

CMYK 18 / 54 / 0 / 47

HEX #703E88

RGB 112 62 136

HSL 280.54, 0.37%, 0.39%

LAB 35.34, 35.33, -32.78

 

CMYK 4 / 0 / 54 / 47

HEX #82883E

RGB 130 136 62

HSL 64.86, 0.37%, 0.39%

LAB 54.76, -13.28, 38.43

 

CMYK 54 / 27 / 0 / 47

HEX #3E6387

RGB 62 99 135

HSL 209.59, 0.37%, 0.39%

LAB 40.73, -2.19, -24.02

 

CMYK 0 / 54 / 26 / 47

HEX #883E64

RGB 136 62 100

HSL 329.19, 0.37%, 0.39%

LAB 37.11, 36.22, -7.31

 

CMYK 26 / 0 / 54 / 47

HEX #64883E

RGB 100 136 62

HSL 89.19, 0.37%, 0.39%

LAB 52.58, -25.83, 35.33

 

CMYK 54 / 27 / 0 / 47

HEX #3E6387

RGB 62 99 135

HSL 209.59, 0.37%, 0.39%

LAB 40.73, -2.19, -24.02

 

CMYK 18 / 54 / 0 / 47

HEX #703E88

RGB 112 62 136

HSL 280.54, 0.37%, 0.39%

LAB 35.34, 35.33, -32.78

 

CMYK 0 / 28 / 54 / 47

HEX #88623E

RGB 136 98 62

HSL 29.19, 0.37%, 0.39%

LAB 44.68, 10.95, 26.42

 

CMYK 38 / 0 / 54 / 47

HEX #55883E

RGB 85 136 62

HSL 101.35, 0.37%, 0.39%

LAB 51.71, -31.49, 34.07

 

CMYK 54 / 27 / 0 / 47

HEX #3E6387

RGB 62 99 135

HSL 209.59, 0.37%, 0.39%

LAB 40.73, -2.19, -24.02

 

CMYK 1 / 54 / 0 / 47

HEX #873E88

RGB 135 62 136

HSL 299.19, 0.37%, 0.39%

LAB 38.5, 42.05, -27.58

 

CMYK 0 / 28 / 54 / 47

HEX #88623E

RGB 136 98 62

HSL 29.19, 0.37%, 0.39%

LAB 44.68, 10.95, 26.42

 

CMYK 54 / 0 / 54 / 47

HEX #3F883E

RGB 63 136 62

HSL 119.19, 0.37%, 0.39%

LAB 50.7, -38.62, 32.62

 

Description

Color code: CMYK 54 / 27 / 0 / 47 | qconv.com Color code: CMYK 54 / 27 / 0 / 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 99 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 99 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 27 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 27% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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