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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 54 / 0 / 12 / 70 it is the complementary color CMYK 0 / 19 / 15 / 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 54 / 0 / 12 / 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 54 / 0 / 12 / 70: CMYK 48 / 0 / 19 / 70, CMYK 40 / 0 / 15 / 63, CMYK 35 / 0 / 12 / 56, CMYK 31 / 0 / 9 / 49 and CMYK 28 / 0 / 7 / 42

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 54 / 0 / 12 / 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 54 / 0 / 12 / 70: CMYK 55 / 0 / 13 / 70, CMYK 69 / 0 / 19 / 77, CMYK 98 / 0 / 29 / 84, CMYK 100 / 0 / 57 / 91 and CMYK 100 / 0 / 100 / 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 12 / 70

HEX #234D43

RGB 35 77 67

HSL 165.71, 0.38%, 0.22%

LAB 29.59, -17.52, 1.44

 

Complementary color

CMYK 0 / 19 / 15 / 14

HEX #DCB2BC

RGB 220 178 188

HSL 345.71, 0.38%, 0.78%

LAB 76.49, 16.76, 0.68

 

CMYK 48 / 0 / 19 / 70

HEX #284D3E

RGB 40 77 62

HSL 155.68, 0.32%, 0.23%

LAB 29.68, -17.39, 4.81

 

CMYK 40 / 0 / 15 / 63

HEX #395F51

RGB 57 95 81

HSL 157.89, 0.25%, 0.3%

LAB 37.2, -17.13, 3.77

 

CMYK 35 / 0 / 12 / 56

HEX #4A7164

RGB 74 113 100

HSL 160, 0.21%, 0.37%

LAB 44.5, -16.89, 2.85

 

CMYK 31 / 0 / 9 / 49

HEX #5B8377

RGB 91 131 119

HSL 162, 0.18%, 0.44%

LAB 51.6, -16.68, 2.03

 

CMYK 28 / 0 / 7 / 42

HEX #6C958A

RGB 108 149 138

HSL 163.9, 0.16%, 0.5%

LAB 58.53, -16.49, 1.27

 

CMYK 55 / 0 / 13 / 70

HEX #234D43

RGB 35 77 67

HSL 165.71, 0.38%, 0.22%

LAB 29.59, -17.52, 1.44

 

CMYK 69 / 0 / 19 / 77

HEX #123B30

RGB 18 59 48

HSL 163.9, 0.53%, 0.15%

LAB 21.84, -17.49, 2.61

 

CMYK 98 / 0 / 29 / 84

HEX #01291D

RGB 1 41 29

HSL 162, 0.95%, 0.08%

LAB 13.72, -17.54, 4.02

 

CMYK 100 / 0 / 57 / 91

HEX #00170A

RGB 0 23 10

HSL 146.09, 1%, 0.05%

LAB 5.73, -9.92, 4.3

 

CMYK 100 / 0 / 100 / 98

HEX #000500

RGB 0 5 0

HSL 120, 1%, 0.01%

LAB 0.98, -2, 1.43

 

CMYK 55 / 0 / 13 / 70

HEX #234D43

RGB 35 77 67

HSL 165.71, 0.38%, 0.22%

LAB 29.59, -17.52, 1.44

 

CMYK 56 / 0 / 5 / 70

HEX #224D49

RGB 34 77 73

HSL 174.42, 0.39%, 0.22%

LAB 29.74, -16.04, -2.2

 

CMYK 56 / 5 / 0 / 70

HEX #22494D

RGB 34 73 77

HSL 185.58, 0.39%, 0.22%

LAB 28.49, -12.47, -6.64

 

CMYK 56 / 14 / 0 / 70

HEX #22424D

RGB 34 66 77

HSL 195.35, 0.39%, 0.22%

LAB 26.08, -8.21, -10.28

 

CMYK 56 / 23 / 0 / 70

HEX #223B4D

RGB 34 59 77

HSL 205.12, 0.39%, 0.22%

LAB 23.68, -3.71, -13.95

 

CMYK 55 / 0 / 13 / 70

HEX #234D43

RGB 35 77 67

HSL 165.71, 0.38%, 0.22%

LAB 29.59, -17.52, 1.44

 

CMYK 55 / 0 / 13 / 50

HEX #3A806F

RGB 58 128 111

HSL 165.43, 0.38%, 0.36%

LAB 48.87, -26.46, 2.55

 

CMYK 55 / 0 / 13 / 30

HEX #51B39C

RGB 81 179 156

HSL 165.92, 0.39%, 0.51%

LAB 66.82, -34.43, 3.06

 

CMYK 54 / 0 / 13 / 10

HEX #69E6C8

RGB 105 230 200

HSL 165.6, 0.71%, 0.66%

LAB 83.84, -41.98, 4.09

 

CMYK 54 / 0 / 12 / 90

HEX #0C1A17

RGB 12 26 23

HSL 167.14, 0.37%, 0.07%

LAB 7.94, -6.54, 0.18

 

CMYK 55 / 0 / 13 / 70

HEX #234D43

RGB 35 77 67

HSL 165.71, 0.38%, 0.22%

LAB 29.59, -17.52, 1.44

 

CMYK 56 / 53 / 0 / 70

HEX #22244D

RGB 34 36 77

HSL 237.21, 0.39%, 0.22%

LAB 16.19, 12.47, -25.72

 

CMYK 0 / 36 / 56 / 70

HEX #4D3122

RGB 77 49 34

HSL 20.93, 0.39%, 0.22%

LAB 23.3, 10.76, 14.74

 

CMYK 55 / 0 / 13 / 70

HEX #234D43

RGB 35 77 67

HSL 165.71, 0.38%, 0.22%

LAB 29.59, -17.52, 1.44

 

CMYK 14 / 56 / 0 / 70

HEX #42224D

RGB 66 34 77

HSL 284.65, 0.39%, 0.22%

LAB 19.38, 23.67, -20.43

 

CMYK 0 / 14 / 56 / 70

HEX #4D4222

RGB 77 66 34

HSL 44.65, 0.39%, 0.22%

LAB 28.35, -0.18, 21.08

 

CMYK 55 / 0 / 13 / 70

HEX #234D43

RGB 35 77 67

HSL 165.71, 0.38%, 0.22%

LAB 29.59, -17.52, 1.44

 

CMYK 56 / 53 / 0 / 70

HEX #22244D

RGB 34 36 77

HSL 237.21, 0.39%, 0.22%

LAB 16.19, 12.47, -25.72

 

CMYK 0 / 56 / 42 / 70

HEX #4D222D

RGB 77 34 45

HSL 344.65, 0.39%, 0.22%

LAB 19.69, 21.63, 2.3

 

CMYK 0 / 3 / 56 / 70

HEX #4D4B22

RGB 77 75 34

HSL 57.21, 0.39%, 0.22%

LAB 31.17, -5.75, 24.47

 

CMYK 55 / 0 / 13 / 70

HEX #234D43

RGB 35 77 67

HSL 165.71, 0.38%, 0.22%

LAB 29.59, -17.52, 1.44

 

CMYK 42 / 56 / 0 / 70

HEX #2D224D

RGB 45 34 77

HSL 255.35, 0.39%, 0.22%

LAB 16.69, 17.01, -24.87

 

CMYK 0 / 56 / 42 / 70

HEX #4D222D

RGB 77 34 45

HSL 344.65, 0.39%, 0.22%

LAB 19.69, 21.63, 2.3

 

CMYK 14 / 0 / 56 / 70

HEX #424D22

RGB 66 77 34

HSL 75.35, 0.39%, 0.22%

LAB 30.83, -12.19, 23.83

 

Description

Color code: CMYK 54 / 0 / 12 / 70 | qconv.com Color code: CMYK 54 / 0 / 12 / 70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 77 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 77 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 12 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 12% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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