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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 52 / 0 / 56 / 26 it is the complementary color CMYK 5 / 62 / 0 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 52 / 0 / 56 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 52 / 0 / 56 / 26: CMYK 49 / 0 / 59 / 26, CMYK 45 / 0 / 53 / 19, CMYK 42 / 0 / 48 / 12, CMYK 40 / 0 / 44 / 5 and CMYK 36 / 0 / 40 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 52 / 0 / 56 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 52 / 0 / 56 / 26: CMYK 52 / 0 / 56 / 26, CMYK 57 / 0 / 63 / 33, CMYK 63 / 0 / 71 / 40, CMYK 70 / 0 / 81 / 47 and CMYK 80 / 0 / 94 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 56 / 26

HEX #5BBD53

RGB 91 189 83

HSL 115.47, 0.45%, 0.53%

LAB 68.93, -49.72, 44.32

 

Complementary color

CMYK 5 / 62 / 0 / 33

HEX #A442AC

RGB 164 66 172

HSL 295.47, 0.45%, 0.47%

LAB 45.31, 54.81, -38.21

 

CMYK 49 / 0 / 59 / 26

HEX #60BD4E

RGB 96 189 78

HSL 110.27, 0.46%, 0.52%

LAB 69.06, -48.89, 46.85

 

CMYK 45 / 0 / 53 / 19

HEX #71CF61

RGB 113 207 97

HSL 111.27, 0.53%, 0.6%

LAB 75.45, -48.98, 45.68

 

CMYK 42 / 0 / 48 / 12

HEX #82E174

RGB 130 225 116

HSL 112.29, 0.64%, 0.67%

LAB 81.76, -48.94, 44.46

 

CMYK 40 / 0 / 44 / 5

HEX #93F387

RGB 147 243 135

HSL 113.33, 0.82%, 0.74%

LAB 87.99, -48.82, 43.25

 

CMYK 36 / 0 / 40 / 0

HEX #A4FF9A

RGB 164 255 154

HSL 114.06, 1%, 0.8%

LAB 92.46, -46.1, 39.87

 

CMYK 52 / 0 / 56 / 26

HEX #5BBD53

RGB 91 189 83

HSL 115.47, 0.45%, 0.53%

LAB 68.93, -49.72, 44.32

 

CMYK 57 / 0 / 63 / 33

HEX #4AAB40

RGB 74 171 64

HSL 114.39, 0.46%, 0.46%

LAB 62.47, -49.44, 45.48

 

CMYK 63 / 0 / 71 / 40

HEX #39992D

RGB 57 153 45

HSL 113.33, 0.55%, 0.39%

LAB 55.93, -48.83, 46.37

 

CMYK 70 / 0 / 81 / 47

HEX #28871A

RGB 40 135 26

HSL 112.29, 0.68%, 0.32%

LAB 49.32, -47.68, 46.63

 

CMYK 80 / 0 / 94 / 54

HEX #177507

RGB 23 117 7

HSL 111.27, 0.89%, 0.24%

LAB 42.64, -45.68, 45.51

 

CMYK 52 / 0 / 56 / 26

HEX #5BBD53

RGB 91 189 83

HSL 115.47, 0.45%, 0.53%

LAB 68.93, -49.72, 44.32

 

CMYK 57 / 0 / 52 / 26

HEX #51BD5A

RGB 81 189 90

HSL 125, 0.45%, 0.53%

LAB 68.67, -51.4, 40.56

 

CMYK 57 / 0 / 43 / 26

HEX #51BD6C

RGB 81 189 108

HSL 135, 0.45%, 0.53%

LAB 68.92, -48.68, 31.82

 

CMYK 57 / 0 / 33 / 26

HEX #51BD7E

RGB 81 189 126

HSL 145, 0.45%, 0.53%

LAB 69.22, -45.45, 22.76

 

CMYK 57 / 0 / 24 / 26

HEX #51BD90

RGB 81 189 144

HSL 155, 0.45%, 0.53%

LAB 69.58, -41.73, 13.57

 

CMYK 52 / 0 / 56 / 26

HEX #5BBD53

RGB 91 189 83

HSL 115.47, 0.45%, 0.53%

LAB 68.93, -49.72, 44.32

 

CMYK 52 / 0 / 56 / 6

HEX #74F069

RGB 116 240 105

HSL 115.11, 0.82%, 0.68%

LAB 85.53, -60.11, 53.99

 

CMYK 53 / 0 / 56 / 86

HEX #112410

RGB 17 36 16

HSL 117, 0.38%, 0.1%

LAB 12.08, -13.12, 10.62

 

CMYK 52 / 0 / 56 / 66

HEX #2A5726

RGB 42 87 38

HSL 115.1, 0.39%, 0.25%

LAB 32.81, -26.68, 23.59

 

CMYK 52 / 0 / 56 / 46

HEX #428A3D

RGB 66 138 61

HSL 116.1, 0.39%, 0.39%

LAB 51.46, -38.73, 34.08

 

CMYK 52 / 0 / 56 / 26

HEX #5BBD53

RGB 91 189 83

HSL 115.47, 0.45%, 0.53%

LAB 68.93, -49.72, 44.32

 

CMYK 57 / 7 / 0 / 26

HEX #51B0BD

RGB 81 176 189

HSL 187.22, 0.45%, 0.53%

LAB 66.88, -24.14, -15.12

 

CMYK 0 / 57 / 30 / 26

HEX #BD5185

RGB 189 81 133

HSL 331.11, 0.45%, 0.53%

LAB 49.97, 48.96, -7.49

 

CMYK 52 / 0 / 56 / 26

HEX #5BBD53

RGB 91 189 83

HSL 115.47, 0.45%, 0.53%

LAB 68.93, -49.72, 44.32

 

CMYK 57 / 52 / 0 / 26

HEX #515ABD

RGB 81 90 189

HSL 235, 0.45%, 0.53%

LAB 42.36, 25.86, -53.41

 

CMYK 0 / 57 / 52 / 26

HEX #BD515A

RGB 189 81 90

HSL 355, 0.45%, 0.53%

LAB 48.81, 44.27, 16.71

 

CMYK 52 / 0 / 56 / 26

HEX #5BBD53

RGB 91 189 83

HSL 115.47, 0.45%, 0.53%

LAB 68.93, -49.72, 44.32

 

CMYK 57 / 7 / 0 / 26

HEX #51B0BD

RGB 81 176 189

HSL 187.22, 0.45%, 0.53%

LAB 66.88, -24.14, -15.12

 

CMYK 5 / 57 / 0 / 26

HEX #B451BD

RGB 180 81 189

HSL 295, 0.45%, 0.53%

LAB 50.99, 55.23, -39.03

 

CMYK 0 / 51 / 57 / 26

HEX #BD5D51

RGB 189 93 81

HSL 6.67, 0.45%, 0.53%

LAB 50.97, 37.51, 24.9

 

CMYK 52 / 0 / 56 / 26

HEX #5BBD53

RGB 91 189 83

HSL 115.47, 0.45%, 0.53%

LAB 68.93, -49.72, 44.32

 

CMYK 57 / 24 / 0 / 26

HEX #5190BD

RGB 81 144 189

HSL 205, 0.45%, 0.53%

LAB 57.43, -6.99, -29.57

 

CMYK 5 / 57 / 0 / 26

HEX #B451BD

RGB 180 81 189

HSL 295, 0.45%, 0.53%

LAB 50.99, 55.23, -39.03

 

CMYK 0 / 33 / 57 / 26

HEX #BD7E51

RGB 189 126 81

HSL 25, 0.45%, 0.53%

LAB 58.35, 19.69, 34.24

 

Description

Color code: CMYK 52 / 0 / 56 / 26 | qconv.com Color code: CMYK 52 / 0 / 56 / 26 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 189 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 189 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 56 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 56% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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