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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 51 / 0 / 86 / 6 it is the complementary color CMYK 38 / 93 / 0 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 51 / 0 / 86 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 51 / 0 / 86 / 6: CMYK 49 / 0 / 88 / 6, CMYK 45 / 0 / 81 / 0, CMYK 39 / 0 / 74 / 0, CMYK 32 / 0 / 66 / 0 and CMYK 25 / 0 / 59 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 51 / 0 / 86 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 51 / 0 / 86 / 6: CMYK 51 / 0 / 86 / 6, CMYK 55 / 0 / 93 / 13, CMYK 59 / 0 / 100 / 20, CMYK 65 / 0 / 100 / 27 and CMYK 71 / 0 / 100 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 86 / 6

HEX #75F022

RGB 117 240 34

HSL 95.83, 0.87%, 0.54%

LAB 85.11, -64.95, 77.77

 

Complementary color

CMYK 38 / 93 / 0 / 13

HEX #8A0FDD

RGB 138 15 221

HSL 275.83, 0.87%, 0.46%

LAB 39.52, 75.4, -76.29

 

CMYK 49 / 0 / 88 / 6

HEX #7AF01D

RGB 122 240 29

HSL 93.55, 0.88%, 0.53%

LAB 85.27, -63.69, 78.91

 

CMYK 45 / 0 / 81 / 0

HEX #8BFF30

RGB 139 255 48

HSL 93.62, 1%, 0.59%

LAB 90.42, -63.5, 79.68

 

CMYK 39 / 0 / 74 / 0

HEX #9CFF43

RGB 156 255 67

HSL 91.6, 1%, 0.63%

LAB 91.23, -57.28, 75.33

 

CMYK 32 / 0 / 66 / 0

HEX #ADFF56

RGB 173 255 86

HSL 89.11, 1%, 0.67%

LAB 92.17, -50.4, 69.9

 

CMYK 25 / 0 / 59 / 0

HEX #BEFF69

RGB 190 255 105

HSL 86, 1%, 0.71%

LAB 93.23, -42.98, 63.7

 

CMYK 51 / 0 / 86 / 6

HEX #75F022

RGB 117 240 34

HSL 95.83, 0.87%, 0.54%

LAB 85.11, -64.95, 77.77

 

CMYK 55 / 0 / 93 / 13

HEX #64DE0F

RGB 100 222 15

HSL 95.36, 0.87%, 0.46%

LAB 79.03, -63.75, 75.44

 

CMYK 59 / 0 / 100 / 20

HEX #53CC00

RGB 83 204 0

HSL 95.59, 1%, 0.4%

LAB 72.91, -62.18, 71.8

 

CMYK 65 / 0 / 100 / 27

HEX #42BA00

RGB 66 186 0

HSL 98.71, 1%, 0.36%

LAB 66.73, -60.17, 66.71

 

CMYK 71 / 0 / 100 / 34

HEX #31A800

RGB 49 168 0

HSL 102.5, 1%, 0.33%

LAB 60.48, -57.84, 61.57

 

CMYK 51 / 0 / 86 / 6

HEX #75F022

RGB 117 240 34

HSL 95.83, 0.87%, 0.54%

LAB 85.11, -64.95, 77.77

 

CMYK 64 / 0 / 85 / 6

HEX #56EF23

RGB 86 239 35

HSL 105, 0.86%, 0.54%

LAB 83.88, -72.1, 76.14

 

CMYK 78 / 0 / 85 / 6

HEX #34EF23

RGB 52 239 35

HSL 115, 0.86%, 0.54%

LAB 83.22, -77.74, 75.31

 

CMYK 85 / 0 / 78 / 6

HEX #23EF34

RGB 35 239 52

HSL 125, 0.86%, 0.54%

LAB 83.09, -78.64, 70.91

 

CMYK 85 / 0 / 64 / 6

HEX #23EF56

RGB 35 239 86

HSL 135, 0.86%, 0.54%

LAB 83.32, -75.82, 59.15

 

CMYK 51 / 0 / 86 / 6

HEX #75F022

RGB 117 240 34

HSL 95.83, 0.87%, 0.54%

LAB 85.11, -64.95, 77.77

 

CMYK 50 / 0 / 86 / 86

HEX #122405

RGB 18 36 5

HSL 94.84, 0.76%, 0.08%

LAB 11.97, -14.46, 15.39

 

CMYK 52 / 0 / 86 / 66

HEX #2A570C

RGB 42 87 12

HSL 96, 0.76%, 0.19%

LAB 32.56, -29.37, 35.46

 

CMYK 51 / 0 / 86 / 46

HEX #438A14

RGB 67 138 20

HSL 96.1, 0.75%, 0.31%

LAB 51.18, -42.04, 50.45

 

CMYK 51 / 0 / 86 / 26

HEX #5CBD1B

RGB 92 189 27

HSL 95.93, 0.75%, 0.42%

LAB 68.57, -53.81, 64.51

 

CMYK 51 / 0 / 86 / 6

HEX #75F022

RGB 117 240 34

HSL 95.83, 0.87%, 0.54%

LAB 85.11, -64.95, 77.77

 

CMYK 85 / 0 / 18 / 6

HEX #23EFC3

RGB 35 239 195

HSL 167.06, 0.86%, 0.54%

LAB 85.01, -56.35, 8.22

 

CMYK 0 / 85 / 15 / 6

HEX #EF23CA

RGB 239 35 202

HSL 310.88, 0.86%, 0.54%

LAB 55.9, 85.06, -38.16

 

CMYK 51 / 0 / 86 / 6

HEX #75F022

RGB 117 240 34

HSL 95.83, 0.87%, 0.54%

LAB 85.11, -64.95, 77.77

 

CMYK 85 / 50 / 0 / 6

HEX #2378EF

RGB 35 120 239

HSL 215, 0.86%, 0.54%

LAB 51.86, 19.02, -66.65

 

CMYK 0 / 85 / 50 / 6

HEX #EF2378

RGB 239 35 120

HSL 335, 0.86%, 0.54%

LAB 52.85, 76.64, 5.55

 

CMYK 51 / 0 / 86 / 6

HEX #75F022

RGB 117 240 34

HSL 95.83, 0.87%, 0.54%

LAB 85.11, -64.95, 77.77

 

CMYK 85 / 0 / 18 / 6

HEX #23EFC3

RGB 35 239 195

HSL 167.06, 0.86%, 0.54%

LAB 85.01, -56.35, 8.22

 

CMYK 36 / 85 / 0 / 6

HEX #9A23EF

RGB 154 35 239

HSL 275, 0.86%, 0.54%

LAB 44.67, 77.07, -78

 

CMYK 0 / 85 / 67 / 6

HEX #EF234F

RGB 239 35 79

HSL 347.06, 0.86%, 0.54%

LAB 51.97, 74.1, 29.12

 

CMYK 51 / 0 / 86 / 6

HEX #75F022

RGB 117 240 34

HSL 95.83, 0.87%, 0.54%

LAB 85.11, -64.95, 77.77

 

CMYK 85 / 7 / 0 / 6

HEX #23DEEF

RGB 35 222 239

HSL 185, 0.86%, 0.54%

LAB 81.2, -36.94, -20.65

 

CMYK 36 / 85 / 0 / 6

HEX #9A23EF

RGB 154 35 239

HSL 275, 0.86%, 0.54%

LAB 44.67, 77.07, -78

 

CMYK 0 / 78 / 85 / 6

HEX #EF3423

RGB 239 52 35

HSL 5, 0.86%, 0.54%

LAB 52.87, 68.65, 54.12

 

Description

Color code: CMYK 51 / 0 / 86 / 6 | qconv.com Color code: CMYK 51 / 0 / 86 / 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 240 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 240 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 86 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 86% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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