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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 51 / 0 / 85 / 3 it is the complementary color CMYK 39 / 96 / 0 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 51 / 0 / 85 / 3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 51 / 0 / 85 / 3: CMYK 49 / 0 / 87 / 3, CMYK 44 / 0 / 80 / 0, CMYK 37 / 0 / 73 / 0, CMYK 31 / 0 / 65 / 0 and CMYK 24 / 0 / 58 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 51 / 0 / 85 / 3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 51 / 0 / 85 / 3: CMYK 51 / 0 / 85 / 3, CMYK 55 / 0 / 92 / 10, CMYK 59 / 0 / 100 / 17, CMYK 64 / 0 / 100 / 24 and CMYK 70 / 0 / 100 / 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 85 / 3

HEX #79F725

RGB 121 247 37

HSL 96, 0.93%, 0.56%

LAB 87.35, -66.21, 79.17

 

Complementary color

CMYK 39 / 96 / 0 / 15

HEX #8608DA

RGB 134 8 218

HSL 276, 0.93%, 0.44%

LAB 38.38, 75.23, -76.46

 

CMYK 49 / 0 / 87 / 3

HEX #7EF720

RGB 126 247 32

HSL 93.77, 0.93%, 0.55%

LAB 87.51, -64.97, 80.34

 

CMYK 44 / 0 / 80 / 0

HEX #8FFF33

RGB 143 255 51

HSL 92.94, 1%, 0.6%

LAB 90.6, -62.17, 79.14

 

CMYK 37 / 0 / 73 / 0

HEX #A0FF46

RGB 160 255 70

HSL 90.81, 1%, 0.64%

LAB 91.43, -55.8, 74.61

 

CMYK 31 / 0 / 65 / 0

HEX #B1FF59

RGB 177 255 89

HSL 88.19, 1%, 0.67%

LAB 92.39, -48.81, 69.06

 

CMYK 24 / 0 / 58 / 0

HEX #C2FF6C

RGB 194 255 108

HSL 84.9, 1%, 0.71%

LAB 93.48, -41.29, 62.78

 

CMYK 51 / 0 / 85 / 3

HEX #79F725

RGB 121 247 37

HSL 96, 0.93%, 0.56%

LAB 87.35, -66.21, 79.17

 

CMYK 55 / 0 / 92 / 10

HEX #68E512

RGB 104 229 18

HSL 95.55, 0.85%, 0.48%

LAB 81.31, -65.05, 76.99

 

CMYK 59 / 0 / 100 / 17

HEX #57D300

RGB 87 211 0

HSL 95.26, 1%, 0.41%

LAB 75.21, -63.56, 73.67

 

CMYK 64 / 0 / 100 / 24

HEX #46C100

RGB 70 193 0

HSL 98.24, 1%, 0.38%

LAB 69.07, -61.58, 68.61

 

CMYK 70 / 0 / 100 / 31

HEX #35AF00

RGB 53 175 0

HSL 101.83, 1%, 0.34%

LAB 62.86, -59.31, 63.5

 

CMYK 51 / 0 / 85 / 3

HEX #79F725

RGB 121 247 37

HSL 96, 0.93%, 0.56%

LAB 87.35, -66.21, 79.17

 

CMYK 65 / 0 / 85 / 3

HEX #57F726

RGB 87 247 38

HSL 105.93, 0.93%, 0.56%

LAB 86.35, -74.31, 77.7

 

CMYK 79 / 0 / 85 / 3

HEX #34F726

RGB 52 247 38

HSL 115.98, 0.93%, 0.56%

LAB 85.7, -79.89, 76.88

 

CMYK 85 / 0 / 76 / 3

HEX #26F73B

RGB 38 247 59

HSL 126.03, 0.93%, 0.56%

LAB 85.63, -80.19, 71.29

 

CMYK 85 / 0 / 62 / 3

HEX #26F75E

RGB 38 247 94

HSL 136.08, 0.93%, 0.56%

LAB 85.88, -77.09, 58.71

 

CMYK 51 / 0 / 85 / 3

HEX #79F725

RGB 121 247 37

HSL 96, 0.93%, 0.56%

LAB 87.35, -66.21, 79.17

 

CMYK 51 / 0 / 86 / 83

HEX #152B06

RGB 21 43 6

HSL 95.68, 0.76%, 0.1%

LAB 14.96, -16.81, 18.98

 

CMYK 51 / 0 / 85 / 63

HEX #2E5E0E

RGB 46 94 14

HSL 96, 0.74%, 0.21%

LAB 35.24, -30.94, 37.35

 

CMYK 51 / 0 / 85 / 43

HEX #479116

RGB 71 145 22

HSL 96.1, 0.74%, 0.33%

LAB 53.65, -43.48, 52.2

 

CMYK 51 / 0 / 85 / 23

HEX #60C41D

RGB 96 196 29

HSL 95.93, 0.74%, 0.44%

LAB 70.91, -55.17, 66.17

 

CMYK 51 / 0 / 85 / 3

HEX #79F725

RGB 121 247 37

HSL 96, 0.93%, 0.56%

LAB 87.35, -66.21, 79.17

 

CMYK 85 / 0 / 17 / 3

HEX #26F7CD

RGB 38 247 205

HSL 167.94, 0.93%, 0.56%

LAB 87.65, -56.84, 6.79

 

CMYK 0 / 85 / 17 / 3

HEX #F726CD

RGB 247 38 205

HSL 312.06, 0.93%, 0.56%

LAB 57.62, 86.47, -37.08

 

CMYK 51 / 0 / 85 / 3

HEX #79F725

RGB 121 247 37

HSL 96, 0.93%, 0.56%

LAB 87.35, -66.21, 79.17

 

CMYK 85 / 51 / 0 / 3

HEX #2679F7

RGB 38 121 247

HSL 216.17, 0.93%, 0.56%

LAB 52.73, 21.62, -69.69

 

CMYK 0 / 85 / 51 / 3

HEX #F72679

RGB 247 38 121

HSL 336.17, 0.93%, 0.56%

LAB 54.6, 78.06, 7.65

 

CMYK 51 / 0 / 85 / 3

HEX #79F725

RGB 121 247 37

HSL 96, 0.93%, 0.56%

LAB 87.35, -66.21, 79.17

 

CMYK 85 / 0 / 17 / 3

HEX #26F7CD

RGB 38 247 205

HSL 167.94, 0.93%, 0.56%

LAB 87.65, -56.84, 6.79

 

CMYK 34 / 85 / 0 / 3

HEX #A326F7

RGB 163 38 247

HSL 275.89, 0.93%, 0.56%

LAB 46.83, 79.14, -78.92

 

CMYK 0 / 85 / 68 / 3

HEX #F72650

RGB 247 38 80

HSL 347.94, 0.93%, 0.56%

LAB 53.75, 75.6, 31.08

 

CMYK 51 / 0 / 85 / 3

HEX #79F725

RGB 121 247 37

HSL 96, 0.93%, 0.56%

LAB 87.35, -66.21, 79.17

 

CMYK 85 / 9 / 0 / 3

HEX #26E2F7

RGB 38 226 247

HSL 186.03, 0.93%, 0.56%

LAB 82.66, -36.17, -22.68

 

CMYK 34 / 85 / 0 / 3

HEX #A326F7

RGB 163 38 247

HSL 275.89, 0.93%, 0.56%

LAB 46.83, 79.14, -78.92

 

CMYK 0 / 76 / 85 / 3

HEX #F73B26

RGB 247 59 38

HSL 6.03, 0.93%, 0.56%

LAB 55.12, 69.01, 55.26

 

Description

Color code: CMYK 51 / 0 / 85 / 3 | qconv.com Color code: CMYK 51 / 0 / 85 / 3 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 247 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 247 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 85 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 85% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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