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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 51 / 0 / 26 / 22 it is the complementary color CMYK 0 / 65 / 32 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 51 / 0 / 26 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 51 / 0 / 26 / 22: CMYK 49 / 0 / 29 / 22, CMYK 45 / 0 / 26 / 15, CMYK 42 / 0 / 23 / 8, CMYK 40 / 0 / 21 / 1 and CMYK 33 / 0 / 15 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 51 / 0 / 26 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 51 / 0 / 26 / 22: CMYK 51 / 0 / 26 / 22, CMYK 56 / 0 / 29 / 29, CMYK 61 / 0 / 33 / 36, CMYK 68 / 0 / 38 / 43 and CMYK 77 / 0 / 44 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 26 / 22

HEX #61C793

RGB 97 199 147

HSL 149.41, 0.48%, 0.58%

LAB 73.22, -41.79, 17.12

 

Complementary color

CMYK 0 / 65 / 32 / 38

HEX #9E386C

RGB 158 56 108

HSL 329.41, 0.48%, 0.42%

LAB 39.88, 47.43, -7.82

 

CMYK 49 / 0 / 29 / 22

HEX #66C78E

RGB 102 199 142

HSL 144.74, 0.46%, 0.59%

LAB 73.3, -41.54, 19.93

 

CMYK 45 / 0 / 26 / 15

HEX #77D9A1

RGB 119 217 161

HSL 145.71, 0.56%, 0.66%

LAB 79.68, -41.34, 18.8

 

CMYK 42 / 0 / 23 / 8

HEX #88EBB4

RGB 136 235 180

HSL 146.67, 0.71%, 0.73%

LAB 85.98, -41.12, 17.75

 

CMYK 40 / 0 / 21 / 1

HEX #99FDC7

RGB 153 253 199

HSL 147.6, 0.96%, 0.8%

LAB 92.2, -40.88, 16.77

 

CMYK 33 / 0 / 15 / 0

HEX #AAFFDA

RGB 170 255 218

HSL 153.88, 1%, 0.83%

LAB 93.94, -33.37, 9.58

 

CMYK 51 / 0 / 26 / 22

HEX #61C793

RGB 97 199 147

HSL 149.41, 0.48%, 0.58%

LAB 73.22, -41.79, 17.12

 

CMYK 56 / 0 / 29 / 29

HEX #50B580

RGB 80 181 128

HSL 148.51, 0.41%, 0.51%

LAB 66.76, -41.88, 18.32

 

CMYK 61 / 0 / 33 / 36

HEX #3FA36D

RGB 63 163 109

HSL 147.6, 0.44%, 0.44%

LAB 60.21, -41.85, 19.64

 

CMYK 68 / 0 / 38 / 43

HEX #2E915A

RGB 46 145 90

HSL 146.67, 0.52%, 0.37%

LAB 53.57, -41.6, 21.09

 

CMYK 77 / 0 / 44 / 50

HEX #1D7F47

RGB 29 127 71

HSL 145.71, 0.63%, 0.31%

LAB 46.84, -41, 22.72

 

CMYK 51 / 0 / 26 / 22

HEX #61C793

RGB 97 199 147

HSL 149.41, 0.48%, 0.58%

LAB 73.22, -41.79, 17.12

 

CMYK 52 / 0 / 18 / 22

HEX #60C7A3

RGB 96 199 163

HSL 159.03, 0.48%, 0.58%

LAB 73.53, -38.59, 8.95

 

CMYK 52 / 0 / 10 / 22

HEX #60C7B4

RGB 96 199 180

HSL 168.93, 0.48%, 0.58%

LAB 73.95, -34.59, 0.36

 

CMYK 52 / 0 / 1 / 22

HEX #60C7C5

RGB 96 199 197

HSL 178.83, 0.48%, 0.58%

LAB 74.42, -30.26, -8.16

 

CMYK 52 / 8 / 0 / 22

HEX #60B7C7

RGB 96 183 199

HSL 189.32, 0.48%, 0.58%

LAB 69.81, -21.79, -16.17

 

CMYK 51 / 0 / 26 / 22

HEX #61C793

RGB 97 199 147

HSL 149.41, 0.48%, 0.58%

LAB 73.22, -41.79, 17.12

 

CMYK 51 / 0 / 26 / 2

HEX #7AFAB9

RGB 122 250 185

HSL 149.53, 0.93%, 0.73%

LAB 89.86, -50.1, 20.51

 

CMYK 52 / 0 / 26 / 82

HEX #162E22

RGB 22 46 34

HSL 150, 0.35%, 0.13%

LAB 16.7, -12.89, 4.86

 

CMYK 52 / 0 / 26 / 62

HEX #2F6148

RGB 47 97 72

HSL 150, 0.35%, 0.28%

LAB 37.15, -23.43, 9.16

 

CMYK 51 / 0 / 26 / 42

HEX #48946D

RGB 72 148 109

HSL 149.21, 0.35%, 0.43%

LAB 55.75, -33.05, 13.55

 

CMYK 51 / 0 / 26 / 22

HEX #61C793

RGB 97 199 147

HSL 149.41, 0.48%, 0.58%

LAB 73.22, -41.79, 17.12

 

CMYK 52 / 35 / 0 / 22

HEX #6081C7

RGB 96 129 199

HSL 220.78, 0.48%, 0.58%

LAB 54.36, 8.25, -40.01

 

CMYK 0 / 47 / 52 / 22

HEX #C76960

RGB 199 105 96

HSL 5.24, 0.48%, 0.58%

LAB 55.16, 36.38, 21.98

 

CMYK 51 / 0 / 26 / 22

HEX #61C793

RGB 97 199 147

HSL 149.41, 0.48%, 0.58%

LAB 73.22, -41.79, 17.12

 

CMYK 27 / 52 / 0 / 22

HEX #9260C7

RGB 146 96 199

HSL 269.13, 0.48%, 0.58%

LAB 50.22, 40.59, -46.3

 

CMYK 0 / 27 / 52 / 22

HEX #C79260

RGB 199 146 96

HSL 29.13, 0.48%, 0.58%

LAB 64.6, 14.16, 34.21

 

CMYK 51 / 0 / 26 / 22

HEX #61C793

RGB 97 199 147

HSL 149.41, 0.48%, 0.58%

LAB 73.22, -41.79, 17.12

 

CMYK 52 / 35 / 0 / 22

HEX #6081C7

RGB 96 129 199

HSL 220.78, 0.48%, 0.58%

LAB 54.36, 8.25, -40.01

 

CMYK 0 / 52 / 25 / 22

HEX #C76095

RGB 199 96 149

HSL 329.13, 0.48%, 0.58%

LAB 54.74, 47.08, -9.7

 

CMYK 0 / 17 / 52 / 22

HEX #C7A660

RGB 199 166 96

HSL 40.78, 0.48%, 0.58%

LAB 69.65, 3.3, 40.48

 

CMYK 51 / 0 / 26 / 22

HEX #61C793

RGB 97 199 147

HSL 149.41, 0.48%, 0.58%

LAB 73.22, -41.79, 17.12

 

CMYK 52 / 51 / 0 / 22

HEX #6062C7

RGB 96 98 199

HSL 238.83, 0.48%, 0.58%

LAB 46.1, 27.21, -53.13

 

CMYK 0 / 52 / 25 / 22

HEX #C76095

RGB 199 96 149

HSL 329.13, 0.48%, 0.58%

LAB 54.74, 47.08, -9.7

 

CMYK 0 / 1 / 52 / 22

HEX #C7C560

RGB 199 197 96

HSL 58.83, 0.48%, 0.58%

LAB 77.83, -12.92, 50.25

 

Description

Color code: CMYK 51 / 0 / 26 / 22 | qconv.com Color code: CMYK 51 / 0 / 26 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 199 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 199 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 26 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 26% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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