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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 50 / 0 / 60 / 2 it is the complementary color CMYK 16 / 97 / 0 / 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 50 / 0 / 60 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 50 / 0 / 60 / 2: CMYK 48 / 0 / 62 / 2, CMYK 42 / 0 / 55 / 0, CMYK 36 / 0 / 48 / 0, CMYK 29 / 0 / 40 / 0 and CMYK 22 / 0 / 33 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 50 / 0 / 60 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 50 / 0 / 60 / 2: CMYK 50 / 0 / 60 / 2, CMYK 53 / 0 / 65 / 9, CMYK 57 / 0 / 71 / 16, CMYK 62 / 0 / 78 / 23 and CMYK 68 / 0 / 87 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 60 / 2

HEX #7DFA64

RGB 125 250 100

HSL 110, 0.94%, 0.69%

LAB 88.76, -62.01, 59.96

 

Complementary color

CMYK 16 / 97 / 0 / 39

HEX #82059B

RGB 130 5 155

HSL 290, 0.94%, 0.31%

LAB 32.3, 63.05, -49.14

 

CMYK 48 / 0 / 62 / 2

HEX #82FA5F

RGB 130 250 95

HSL 106.45, 0.94%, 0.68%

LAB 88.9, -61.12, 62.26

 

CMYK 42 / 0 / 55 / 0

HEX #93FF72

RGB 147 255 114

HSL 105.96, 1%, 0.72%

LAB 91.21, -56.25, 56.94

 

CMYK 36 / 0 / 48 / 0

HEX #A4FF85

RGB 164 255 133

HSL 104.75, 1%, 0.76%

LAB 92.18, -48.87, 49.6

 

CMYK 29 / 0 / 40 / 0

HEX #B5FF98

RGB 181 255 152

HSL 103.11, 1%, 0.8%

LAB 93.28, -40.97, 42.07

 

CMYK 22 / 0 / 33 / 0

HEX #C6FFAB

RGB 198 255 171

HSL 100.71, 1%, 0.84%

LAB 94.51, -32.69, 34.49

 

CMYK 50 / 0 / 60 / 2

HEX #7DFA64

RGB 125 250 100

HSL 110, 0.94%, 0.69%

LAB 88.76, -62.01, 59.96

 

CMYK 53 / 0 / 65 / 9

HEX #6CE851

RGB 108 232 81

HSL 109.27, 0.77%, 0.61%

LAB 82.64, -61.67, 60.86

 

CMYK 57 / 0 / 71 / 16

HEX #5BD63E

RGB 91 214 62

HSL 108.55, 0.65%, 0.54%

LAB 76.48, -61.11, 61.48

 

CMYK 62 / 0 / 78 / 23

HEX #4AC42B

RGB 74 196 43

HSL 107.84, 0.64%, 0.47%

LAB 70.25, -60.2, 61.56

 

CMYK 68 / 0 / 87 / 30

HEX #39B218

RGB 57 178 24

HSL 107.14, 0.76%, 0.4%

LAB 63.98, -58.82, 60.73

 

CMYK 50 / 0 / 60 / 2

HEX #7DFA64

RGB 125 250 100

HSL 110, 0.94%, 0.69%

LAB 88.76, -62.01, 59.96

 

CMYK 60 / 0 / 60 / 2

HEX #65FA65

RGB 101 250 101

HSL 120, 0.94%, 0.69%

LAB 88.01, -67.76, 58.48

 

CMYK 60 / 0 / 50 / 2

HEX #65FA7E

RGB 101 250 126

HSL 130.07, 0.94%, 0.69%

LAB 88.28, -64.69, 47.55

 

CMYK 60 / 0 / 40 / 2

HEX #65FA97

RGB 101 250 151

HSL 140.13, 0.94%, 0.69%

LAB 88.62, -60.87, 35.89

 

CMYK 60 / 0 / 30 / 2

HEX #65FAAF

RGB 101 250 175

HSL 149.8, 0.94%, 0.69%

LAB 89.03, -56.53, 24.37

 

CMYK 50 / 0 / 60 / 2

HEX #7DFA64

RGB 125 250 100

HSL 110, 0.94%, 0.69%

LAB 88.76, -62.01, 59.96

 

CMYK 50 / 0 / 61 / 82

HEX #172E12

RGB 23 46 18

HSL 109.29, 0.44%, 0.13%

LAB 16.4, -15.96, 15.16

 

CMYK 49 / 0 / 60 / 62

HEX #316127

RGB 49 97 39

HSL 109.66, 0.43%, 0.27%

LAB 36.65, -28.87, 27.71

 

CMYK 50 / 0 / 60 / 42

HEX #4A943B

RGB 74 148 59

HSL 109.89, 0.43%, 0.41%

LAB 55.02, -40.8, 39.32

 

CMYK 50 / 0 / 60 / 22

HEX #64C750

RGB 100 199 80

HSL 109.92, 0.52%, 0.55%

LAB 72.32, -51.49, 49.72

 

CMYK 50 / 0 / 60 / 2

HEX #7DFA64

RGB 125 250 100

HSL 110, 0.94%, 0.69%

LAB 88.76, -62.01, 59.96

 

CMYK 60 / 2 / 0 / 2

HEX #65F5FA

RGB 101 245 250

HSL 182.01, 0.94%, 0.69%

LAB 89.38, -36.88, -14

 

CMYK 0 / 60 / 26 / 2

HEX #FA65B9

RGB 250 101 185

HSL 326.17, 0.94%, 0.69%

LAB 64.27, 65.13, -15.4

 

CMYK 50 / 0 / 60 / 2

HEX #7DFA64

RGB 125 250 100

HSL 110, 0.94%, 0.69%

LAB 88.76, -62.01, 59.96

 

CMYK 60 / 50 / 0 / 2

HEX #657EFA

RGB 101 126 250

HSL 229.93, 0.94%, 0.69%

LAB 56.67, 27.49, -64.87

 

CMYK 0 / 60 / 50 / 2

HEX #FA657E

RGB 250 101 126

HSL 349.93, 0.94%, 0.69%

LAB 62.62, 58.84, 16.06

 

CMYK 50 / 0 / 60 / 2

HEX #7DFA64

RGB 125 250 100

HSL 110, 0.94%, 0.69%

LAB 88.76, -62.01, 59.96

 

CMYK 60 / 2 / 0 / 2

HEX #65F5FA

RGB 101 245 250

HSL 182.01, 0.94%, 0.69%

LAB 89.38, -36.88, -14

 

CMYK 10 / 60 / 0 / 2

HEX #E165FA

RGB 225 101 250

HSL 289.93, 0.94%, 0.69%

LAB 63.52, 68.67, -53.24

 

CMYK 0 / 58 / 60 / 2

HEX #FA6A65

RGB 250 106 101

HSL 2.01, 0.94%, 0.69%

LAB 62.99, 54.72, 30.79

 

CMYK 50 / 0 / 60 / 2

HEX #7DFA64

RGB 125 250 100

HSL 110, 0.94%, 0.69%

LAB 88.76, -62.01, 59.96

 

CMYK 60 / 20 / 0 / 2

HEX #65C8FA

RGB 101 200 250

HSL 200.13, 0.94%, 0.69%

LAB 76.67, -14.76, -33.33

 

CMYK 10 / 60 / 0 / 2

HEX #E165FA

RGB 225 101 250

HSL 289.93, 0.94%, 0.69%

LAB 63.52, 68.67, -53.24

 

CMYK 0 / 40 / 60 / 2

HEX #FA9765

RGB 250 151 101

HSL 20.13, 0.94%, 0.69%

LAB 71.82, 32.58, 41.85

 

Description

Color code: CMYK 50 / 0 / 60 / 2 | qconv.com Color code: CMYK 50 / 0 / 60 / 2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 250 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 250 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 60 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 60% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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