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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 50 / 0 / 33 / 35 it is the complementary color CMYK 0 / 48 / 16 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 50 / 0 / 33 / 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 50 / 0 / 33 / 35: CMYK 47 / 0 / 36 / 35, CMYK 43 / 0 / 32 / 28, CMYK 40 / 0 / 29 / 21, CMYK 37 / 0 / 26 / 14 and CMYK 34 / 0 / 24 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 50 / 0 / 33 / 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 50 / 0 / 33 / 35: CMYK 50 / 0 / 33 / 35, CMYK 55 / 0 / 38 / 42, CMYK 62 / 0 / 44 / 49, CMYK 71 / 0 / 52 / 56 and CMYK 84 / 0 / 63 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 33 / 35

HEX #53A66F

RGB 83 166 111

HSL 140.24, 0.33%, 0.49%

LAB 61.88, -37.92, 20.92

 

Complementary color

CMYK 0 / 48 / 16 / 33

HEX #AC5990

RGB 172 89 144

HSL 320.24, 0.33%, 0.51%

LAB 49.41, 41.05, -15.15

 

CMYK 47 / 0 / 36 / 35

HEX #58A66A

RGB 88 166 106

HSL 133.85, 0.31%, 0.5%

LAB 61.99, -37.46, 23.82

 

CMYK 43 / 0 / 32 / 28

HEX #69B87D

RGB 105 184 125

HSL 135.19, 0.36%, 0.57%

LAB 68.58, -37.24, 22.58

 

CMYK 40 / 0 / 29 / 21

HEX #7ACA90

RGB 122 202 144

HSL 136.5, 0.43%, 0.64%

LAB 75.07, -36.99, 21.43

 

CMYK 37 / 0 / 26 / 14

HEX #8BDCA3

RGB 139 220 163

HSL 137.78, 0.54%, 0.7%

LAB 81.47, -36.72, 20.36

 

CMYK 34 / 0 / 24 / 7

HEX #9CEEB6

RGB 156 238 182

HSL 139.02, 0.71%, 0.77%

LAB 87.77, -36.46, 19.35

 

CMYK 50 / 0 / 33 / 35

HEX #53A66F

RGB 83 166 111

HSL 140.24, 0.33%, 0.49%

LAB 61.88, -37.92, 20.92

 

CMYK 55 / 0 / 38 / 42

HEX #42945C

RGB 66 148 92

HSL 139.02, 0.38%, 0.42%

LAB 55.19, -38.03, 22.25

 

CMYK 62 / 0 / 44 / 49

HEX #318249

RGB 49 130 73

HSL 137.78, 0.45%, 0.35%

LAB 48.38, -37.98, 23.72

 

CMYK 71 / 0 / 52 / 56

HEX #207036

RGB 32 112 54

HSL 136.5, 0.56%, 0.28%

LAB 41.47, -37.59, 25.31

 

CMYK 84 / 0 / 63 / 63

HEX #0F5E23

RGB 15 94 35

HSL 135.19, 0.72%, 0.21%

LAB 34.45, -36.55, 26.98

 

CMYK 50 / 0 / 33 / 35

HEX #53A66F

RGB 83 166 111

HSL 140.24, 0.33%, 0.49%

LAB 61.88, -37.92, 20.92

 

CMYK 50 / 0 / 25 / 35

HEX #53A67C

RGB 83 166 124

HSL 149.64, 0.33%, 0.49%

LAB 62.14, -35.3, 14.13

 

CMYK 50 / 0 / 17 / 35

HEX #53A68A

RGB 83 166 138

HSL 159.76, 0.33%, 0.49%

LAB 62.46, -32.18, 6.79

 

CMYK 50 / 0 / 8 / 35

HEX #53A698

RGB 83 166 152

HSL 169.88, 0.33%, 0.49%

LAB 62.83, -28.77, -0.52

 

CMYK 50 / 0 / 0 / 35

HEX #53A6A6

RGB 83 166 166

HSL 180, 0.33%, 0.49%

LAB 63.23, -25.1, -7.77

 

CMYK 50 / 0 / 33 / 35

HEX #53A66F

RGB 83 166 111

HSL 140.24, 0.33%, 0.49%

LAB 61.88, -37.92, 20.92

 

CMYK 50 / 0 / 33 / 15

HEX #6DD991

RGB 109 217 145

HSL 140, 0.59%, 0.64%

LAB 79, -46.93, 26.16

 

CMYK 46 / 0 / 31 / 95

HEX #070D09

RGB 7 13 9

HSL 140, 0.3%, 0.04%

LAB 3.19, -2.23, 1.03

 

CMYK 50 / 0 / 33 / 75

HEX #20402B

RGB 32 64 43

HSL 140.63, 0.33%, 0.19%

LAB 24.16, -17.48, 9.27

 

CMYK 50 / 0 / 33 / 55

HEX #3A734D

RGB 58 115 77

HSL 140, 0.33%, 0.34%

LAB 43.79, -28.04, 15.4

 

CMYK 50 / 0 / 33 / 35

HEX #53A66F

RGB 83 166 111

HSL 140.24, 0.33%, 0.49%

LAB 61.88, -37.92, 20.92

 

CMYK 50 / 27 / 0 / 35

HEX #537AA6

RGB 83 122 166

HSL 211.81, 0.33%, 0.49%

LAB 50.11, -1, -27.73

 

CMYK 0 / 50 / 46 / 35

HEX #A65359

RGB 166 83 89

HSL 355.66, 0.33%, 0.49%

LAB 45.65, 34.7, 12.42

 

CMYK 50 / 0 / 33 / 35

HEX #53A66F

RGB 83 166 111

HSL 140.24, 0.33%, 0.49%

LAB 61.88, -37.92, 20.92

 

CMYK 33 / 50 / 0 / 35

HEX #6F53A6

RGB 111 83 166

HSL 260.24, 0.33%, 0.49%

LAB 41.72, 30.31, -40.78

 

CMYK 0 / 33 / 50 / 35

HEX #A66F53

RGB 166 111 83

HSL 20.24, 0.33%, 0.49%

LAB 51.95, 18.56, 24.43

 

CMYK 50 / 0 / 33 / 35

HEX #53A66F

RGB 83 166 111

HSL 140.24, 0.33%, 0.49%

LAB 61.88, -37.92, 20.92

 

CMYK 50 / 27 / 0 / 35

HEX #537AA6

RGB 83 122 166

HSL 211.81, 0.33%, 0.49%

LAB 50.11, -1, -27.73

 

CMYK 0 / 50 / 17 / 35

HEX #A6538A

RGB 166 83 138

HSL 320.24, 0.33%, 0.49%

LAB 47.14, 41.24, -15.09

 

CMYK 0 / 23 / 50 / 35

HEX #A67F53

RGB 166 127 83

HSL 31.81, 0.33%, 0.49%

LAB 56, 9.5, 29.63

 

CMYK 50 / 0 / 33 / 35

HEX #53A66F

RGB 83 166 111

HSL 140.24, 0.33%, 0.49%

LAB 61.88, -37.92, 20.92

 

CMYK 50 / 42 / 0 / 35

HEX #5361A6

RGB 83 97 166

HSL 229.88, 0.33%, 0.49%

LAB 42.98, 14.33, -38.93

 

CMYK 0 / 50 / 17 / 35

HEX #A6538A

RGB 166 83 138

HSL 320.24, 0.33%, 0.49%

LAB 47.14, 41.24, -15.09

 

CMYK 0 / 8 / 50 / 35

HEX #A69853

RGB 166 152 83

HSL 49.88, 0.33%, 0.49%

LAB 62.67, -4.36, 37.91

 

Description

Color code: CMYK 50 / 0 / 33 / 35 | qconv.com Color code: CMYK 50 / 0 / 33 / 35 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 166 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 166 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 33 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 33% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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