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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 4 / 0 / 59 / 22 it is the complementary color CMYK 63 / 68 / 0 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 4 / 0 / 59 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 4 / 0 / 59 / 22: CMYK 2 / 0 / 61 / 22, CMYK 2 / 0 / 56 / 15, CMYK 2 / 0 / 51 / 8, CMYK 2 / 0 / 47 / 1 and CMYK 0 / 0 / 40 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 4 / 0 / 59 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 4 / 0 / 59 / 22: CMYK 4 / 0 / 59 / 22, CMYK 4 / 0 / 65 / 29, CMYK 4 / 0 / 73 / 36, CMYK 3 / 0 / 83 / 43 and CMYK 3 / 0 / 95 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 59 / 22

HEX #BFC752

RGB 191 199 82

HSL 64.1, 0.51%, 0.55%

LAB 77.6, -18.32, 56.2

 

Complementary color

CMYK 63 / 68 / 0 / 32

HEX #4038AD

RGB 64 56 173

HSL 244.1, 0.51%, 0.45%

LAB 31.66, 38.76, -61.41

 

CMYK 2 / 0 / 61 / 22

HEX #C4C74D

RGB 196 199 77

HSL 61.48, 0.52%, 0.54%

LAB 77.94, -16.6, 58.85

 

CMYK 2 / 0 / 56 / 15

HEX #D5D960

RGB 213 217 96

HSL 61.98, 0.61%, 0.61%

LAB 84.29, -17.22, 57.96

 

CMYK 2 / 0 / 51 / 8

HEX #E6EB73

RGB 230 235 115

HSL 62.5, 0.75%, 0.69%

LAB 90.54, -17.73, 56.93

 

CMYK 2 / 0 / 47 / 1

HEX #F7FD86

RGB 247 253 134

HSL 63.03, 0.97%, 0.76%

LAB 96.72, -18.16, 55.83

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 4 / 0 / 59 / 22

HEX #BFC752

RGB 191 199 82

HSL 64.1, 0.51%, 0.55%

LAB 77.6, -18.32, 56.2

 

CMYK 4 / 0 / 65 / 29

HEX #AEB53F

RGB 174 181 63

HSL 63.56, 0.48%, 0.48%

LAB 71.15, -17.68, 56.97

 

CMYK 4 / 0 / 73 / 36

HEX #9DA32C

RGB 157 163 44

HSL 63.03, 0.57%, 0.41%

LAB 64.6, -16.88, 57.31

 

CMYK 3 / 0 / 83 / 43

HEX #8C9119

RGB 140 145 25

HSL 62.5, 0.71%, 0.33%

LAB 57.94, -15.87, 56.8

 

CMYK 3 / 0 / 95 / 50

HEX #7B7F06

RGB 123 127 6

HSL 61.98, 0.91%, 0.26%

LAB 51.16, -14.59, 54.81

 

CMYK 4 / 0 / 59 / 22

HEX #BFC752

RGB 191 199 82

HSL 64.1, 0.51%, 0.55%

LAB 77.6, -18.32, 56.2

 

CMYK 14 / 0 / 59 / 22

HEX #ABC651

RGB 171 198 81

HSL 73.85, 0.51%, 0.55%

LAB 75.85, -26.03, 54.29

 

CMYK 24 / 0 / 59 / 22

HEX #97C651

RGB 151 198 81

HSL 84.1, 0.51%, 0.55%

LAB 74.55, -33.82, 52.48

 

CMYK 33 / 0 / 59 / 22

HEX #84C651

RGB 132 198 81

HSL 93.85, 0.51%, 0.55%

LAB 73.47, -40.76, 50.97

 

CMYK 43 / 0 / 59 / 22

HEX #70C651

RGB 112 198 81

HSL 104.1, 0.51%, 0.55%

LAB 72.51, -47.4, 49.63

 

CMYK 4 / 0 / 59 / 22

HEX #BFC752

RGB 191 199 82

HSL 64.1, 0.51%, 0.55%

LAB 77.6, -18.32, 56.2

 

CMYK 4 / 0 / 59 / 2

HEX #F0FA67

RGB 240 250 103

HSL 64.08, 0.94%, 0.69%

LAB 95.11, -21.93, 67.54

 

CMYK 4 / 0 / 59 / 82

HEX #2C2E13

RGB 44 46 19

HSL 64.44, 0.42%, 0.13%

LAB 18.08, -5.87, 16.97

 

CMYK 4 / 0 / 59 / 62

HEX #5D6128

RGB 93 97 40

HSL 64.21, 0.42%, 0.27%

LAB 39.63, -10.45, 31.41

 

CMYK 4 / 0 / 59 / 42

HEX #8E943D

RGB 142 148 61

HSL 64.14, 0.42%, 0.41%

LAB 59.22, -14.52, 44.26

 

CMYK 4 / 0 / 59 / 22

HEX #BFC752

RGB 191 199 82

HSL 64.1, 0.51%, 0.55%

LAB 77.6, -18.32, 56.2

 

CMYK 59 / 0 / 43 / 22

HEX #51C670

RGB 81 198 112

HSL 135.9, 0.51%, 0.55%

LAB 71.76, -51.6, 33.44

 

CMYK 20 / 59 / 0 / 22

HEX #9F51C6

RGB 159 81 198

HSL 280, 0.51%, 0.55%

LAB 48.68, 51.65, -48.08

 

CMYK 4 / 0 / 59 / 22

HEX #BFC752

RGB 191 199 82

HSL 64.1, 0.51%, 0.55%

LAB 77.6, -18.32, 56.2

 

CMYK 59 / 4 / 0 / 22

HEX #51BEC6

RGB 81 190 198

HSL 184.1, 0.51%, 0.55%

LAB 71.32, -28.54, -13.39

 

CMYK 0 / 59 / 4 / 22

HEX #C651BE

RGB 198 81 190

HSL 304.1, 0.51%, 0.55%

LAB 53.61, 60.13, -35.32

 

CMYK 4 / 0 / 59 / 22

HEX #BFC752

RGB 191 199 82

HSL 64.1, 0.51%, 0.55%

LAB 77.6, -18.32, 56.2

 

CMYK 59 / 0 / 43 / 22

HEX #51C670

RGB 81 198 112

HSL 135.9, 0.51%, 0.55%

LAB 71.76, -51.6, 33.44

 

CMYK 55 / 59 / 0 / 22

HEX #5951C6

RGB 89 81 198

HSL 244.1, 0.51%, 0.55%

LAB 41.35, 35.91, -60.25

 

CMYK 0 / 59 / 16 / 22

HEX #C651A7

RGB 198 81 167

HSL 315.9, 0.51%, 0.55%

LAB 52.6, 56.47, -23.52

 

CMYK 4 / 0 / 59 / 22

HEX #BFC752

RGB 191 199 82

HSL 64.1, 0.51%, 0.55%

LAB 77.6, -18.32, 56.2

 

CMYK 59 / 0 / 25 / 22

HEX #51C694

RGB 81 198 148

HSL 154.36, 0.51%, 0.55%

LAB 72.41, -44.74, 15.38

 

CMYK 55 / 59 / 0 / 22

HEX #5951C6

RGB 89 81 198

HSL 244.1, 0.51%, 0.55%

LAB 41.35, 35.91, -60.25

 

CMYK 0 / 59 / 33 / 22

HEX #C65184

RGB 198 81 132

HSL 333.85, 0.51%, 0.55%

LAB 51.33, 51.7, -4.73

 

Description

Color code: CMYK 4 / 0 / 59 / 22 | qconv.com Color code: CMYK 4 / 0 / 59 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 199 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 199 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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