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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 4 / 0 / 11 / 40 it is the complementary color CMYK 9 / 14 / 0 / 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 4 / 0 / 11 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 4 / 0 / 11 / 40: CMYK 1 / 0 / 14 / 40, CMYK 1 / 0 / 12 / 33, CMYK 2 / 0 / 11 / 26, CMYK 2 / 0 / 9 / 19 and CMYK 2 / 0 / 8 / 12

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 4 / 0 / 11 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 4 / 0 / 11 / 40: CMYK 4 / 0 / 11 / 40, CMYK 4 / 0 / 13 / 47, CMYK 3 / 0 / 16 / 54, CMYK 3 / 0 / 20 / 61 and CMYK 2 / 0 / 26 / 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 11 / 40

HEX #939988

RGB 147 153 136

HSL 81.18, 0.08%, 0.57%

LAB 62.31, -5.36, 8.19

 

Complementary color

CMYK 9 / 14 / 0 / 53

HEX #6C6677

RGB 108 102 119

HSL 261.18, 0.08%, 0.43%

LAB 44.27, 5.95, -8.65

 

CMYK 1 / 0 / 14 / 40

HEX #989983

RGB 152 153 131

HSL 62.73, 0.1%, 0.56%

LAB 62.59, -4.33, 11.46

 

CMYK 1 / 0 / 12 / 33

HEX #A9AB96

RGB 169 171 150

HSL 65.71, 0.11%, 0.63%

LAB 69.3, -4.48, 10.58

 

CMYK 2 / 0 / 11 / 26

HEX #BABDA9

RGB 186 189 169

HSL 69, 0.13%, 0.7%

LAB 75.88, -4.6, 9.75

 

CMYK 2 / 0 / 9 / 19

HEX #CBCFBC

RGB 203 207 188

HSL 72.63, 0.17%, 0.77%

LAB 82.35, -4.72, 8.96

 

CMYK 2 / 0 / 8 / 12

HEX #DCE1CF

RGB 220 225 207

HSL 76.67, 0.23%, 0.85%

LAB 88.72, -4.84, 8.21

 

CMYK 4 / 0 / 11 / 40

HEX #939988

RGB 147 153 136

HSL 81.18, 0.08%, 0.57%

LAB 62.31, -5.36, 8.19

 

CMYK 4 / 0 / 13 / 47

HEX #828775

RGB 130 135 117

HSL 76.67, 0.07%, 0.49%

LAB 55.44, -5.27, 9.05

 

CMYK 3 / 0 / 16 / 54

HEX #717562

RGB 113 117 98

HSL 72.63, 0.09%, 0.42%

LAB 48.4, -5.17, 9.98

 

CMYK 3 / 0 / 20 / 61

HEX #60634F

RGB 96 99 79

HSL 69, 0.11%, 0.35%

LAB 41.18, -5.05, 10.99

 

CMYK 2 / 0 / 26 / 68

HEX #4F513C

RGB 79 81 60

HSL 65.71, 0.15%, 0.28%

LAB 33.72, -4.89, 12.12

 

CMYK 4 / 0 / 11 / 40

HEX #939988

RGB 147 153 136

HSL 81.18, 0.08%, 0.57%

LAB 62.31, -5.36, 8.19

 

CMYK 6 / 0 / 12 / 40

HEX #919A88

RGB 145 154 136

HSL 90, 0.08%, 0.57%

LAB 62.43, -6.65, 8.35

 

CMYK 8 / 0 / 12 / 40

HEX #8E9A88

RGB 142 154 136

HSL 100, 0.08%, 0.57%

LAB 62.2, -7.77, 7.99

 

CMYK 10 / 0 / 12 / 40

HEX #8B9A88

RGB 139 154 136

HSL 110, 0.08%, 0.57%

LAB 61.98, -8.87, 7.64

 

CMYK 12 / 0 / 12 / 40

HEX #889A88

RGB 136 154 136

HSL 120, 0.08%, 0.57%

LAB 61.76, -9.96, 7.3

 

CMYK 4 / 0 / 11 / 40

HEX #939988

RGB 147 153 136

HSL 81.18, 0.08%, 0.57%

LAB 62.31, -5.36, 8.19

 

CMYK 4 / 0 / 11 / 20

HEX #C4CCB5

RGB 196 204 181

HSL 80.87, 0.18%, 0.75%

LAB 80.88, -6.83, 10.52

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 4 / 0 / 12 / 80

HEX #31332D

RGB 49 51 45

HSL 80, 0.06%, 0.19%

LAB 20.87, -2.24, 3.51

 

CMYK 4 / 0 / 11 / 60

HEX #62665B

RGB 98 102 91

HSL 81.82, 0.06%, 0.38%

LAB 42.54, -3.78, 5.68

 

CMYK 4 / 0 / 11 / 40

HEX #939988

RGB 147 153 136

HSL 81.18, 0.08%, 0.57%

LAB 62.31, -5.36, 8.19

 

CMYK 12 / 0 / 5 / 40

HEX #889A92

RGB 136 154 146

HSL 153.33, 0.08%, 0.57%

LAB 62.02, -8.01, 2.03

 

CMYK 1 / 12 / 0 / 40

HEX #99889A

RGB 153 136 154

HSL 296.67, 0.08%, 0.57%

LAB 58.71, 9.78, -7.23

 

CMYK 4 / 0 / 11 / 40

HEX #939988

RGB 147 153 136

HSL 81.18, 0.08%, 0.57%

LAB 62.31, -5.36, 8.19

 

CMYK 12 / 5 / 0 / 40

HEX #88939A

RGB 136 147 154

HSL 203.33, 0.08%, 0.57%

LAB 60.28, -2.48, -5.05

 

CMYK 0 / 12 / 5 / 40

HEX #9A8893

RGB 154 136 147

HSL 323.33, 0.08%, 0.57%

LAB 58.59, 8.79, -3.38

 

CMYK 4 / 0 / 11 / 40

HEX #939988

RGB 147 153 136

HSL 81.18, 0.08%, 0.57%

LAB 62.31, -5.36, 8.19

 

CMYK 12 / 0 / 5 / 40

HEX #889A92

RGB 136 154 146

HSL 153.33, 0.08%, 0.57%

LAB 62.02, -8.01, 2.03

 

CMYK 8 / 12 / 0 / 40

HEX #8E889A

RGB 142 136 154

HSL 260, 0.08%, 0.57%

LAB 57.74, 5.85, -8.77

 

CMYK 0 / 12 / 6 / 40

HEX #9A8890

RGB 154 136 144

HSL 333.33, 0.08%, 0.57%

LAB 58.5, 8.23, -1.79

 

CMYK 4 / 0 / 11 / 40

HEX #939988

RGB 147 153 136

HSL 81.18, 0.08%, 0.57%

LAB 62.31, -5.36, 8.19

 

CMYK 12 / 0 / 2 / 40

HEX #889A97

RGB 136 154 151

HSL 170, 0.08%, 0.57%

LAB 62.15, -6.98, -0.6

 

CMYK 8 / 12 / 0 / 40

HEX #8E889A

RGB 142 136 154

HSL 260, 0.08%, 0.57%

LAB 57.74, 5.85, -8.77

 

CMYK 0 / 12 / 10 / 40

HEX #9A888B

RGB 154 136 139

HSL 350, 0.08%, 0.57%

LAB 58.36, 7.31, 0.88

 

Description

Color code: CMYK 4 / 0 / 11 / 40 | qconv.com Color code: CMYK 4 / 0 / 11 / 40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 153 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 153 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 11 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 11% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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