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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 49 / 0 / 88 / 0 it is the complementary color CMYK 44 / 100 / 0 / 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 49 / 0 / 88 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 49 / 0 / 88 / 0: CMYK 47 / 0 / 90 / 0, CMYK 40 / 0 / 82 / 0, CMYK 34 / 0 / 75 / 0, CMYK 27 / 0 / 67 / 0 and CMYK 20 / 0 / 60 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 49 / 0 / 88 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 49 / 0 / 88 / 0: CMYK 49 / 0 / 88 / 0, CMYK 52 / 0 / 95 / 7, CMYK 56 / 0 / 100 / 14, CMYK 61 / 0 / 100 / 21 and CMYK 66 / 0 / 100 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 88 / 0

HEX #82FF1F

RGB 130 255 31

HSL 93.48, 1%, 0.56%

LAB 90.03, -66.71, 82.7

 

Complementary color

CMYK 44 / 100 / 0 / 12

HEX #7D00E0

RGB 125 0 224

HSL 273.48, 1%, 0.44%

LAB 37.37, 76.52, -81.61

 

CMYK 47 / 0 / 90 / 0

HEX #87FF1A

RGB 135 255 26

HSL 91.44, 1%, 0.55%

LAB 90.2, -65.39, 83.7

 

CMYK 40 / 0 / 82 / 0

HEX #98FF2D

RGB 152 255 45

HSL 89.43, 1%, 0.59%

LAB 90.96, -59.6, 81.07

 

CMYK 34 / 0 / 75 / 0

HEX #A9FF40

RGB 169 255 64

HSL 87.02, 1%, 0.63%

LAB 91.83, -53.12, 77.05

 

CMYK 27 / 0 / 67 / 0

HEX #BAFF53

RGB 186 255 83

HSL 84.07, 1%, 0.66%

LAB 92.83, -46.05, 71.92

 

CMYK 20 / 0 / 60 / 0

HEX #CBFF66

RGB 203 255 102

HSL 80.39, 1%, 0.7%

LAB 93.96, -38.5, 65.98

 

CMYK 49 / 0 / 88 / 0

HEX #82FF1F

RGB 130 255 31

HSL 93.48, 1%, 0.56%

LAB 90.03, -66.71, 82.7

 

CMYK 52 / 0 / 95 / 7

HEX #71ED0C

RGB 113 237 12

HSL 93.07, 0.9%, 0.49%

LAB 84.02, -65.51, 79.98

 

CMYK 56 / 0 / 100 / 14

HEX #60DB00

RGB 96 219 0

HSL 93.7, 1%, 0.43%

LAB 77.96, -64, 75.96

 

CMYK 61 / 0 / 100 / 21

HEX #4FC900

RGB 79 201 0

HSL 96.42, 1%, 0.39%

LAB 71.85, -62.15, 70.92

 

CMYK 66 / 0 / 100 / 28

HEX #3EB700

RGB 62 183 0

HSL 99.67, 1%, 0.36%

LAB 65.66, -60.06, 65.82

 

CMYK 49 / 0 / 88 / 0

HEX #82FF1F

RGB 130 255 31

HSL 93.48, 1%, 0.56%

LAB 90.03, -66.71, 82.7

 

CMYK 63 / 0 / 88 / 0

HEX #5EFF1E

RGB 94 255 30

HSL 102.93, 1%, 0.56%

LAB 88.92, -75.65, 81.49

 

CMYK 78 / 0 / 88 / 0

HEX #38FF1E

RGB 56 255 30

HSL 113.07, 1%, 0.56%

LAB 88.19, -81.95, 80.57

 

CMYK 88 / 0 / 84 / 0

HEX #1EFF29

RGB 30 255 41

HSL 122.93, 1%, 0.56%

LAB 87.95, -83.97, 78.15

 

CMYK 88 / 0 / 69 / 0

HEX #1EFF4F

RGB 30 255 79

HSL 133.07, 1%, 0.56%

LAB 88.14, -81.49, 67.06

 

CMYK 49 / 0 / 88 / 0

HEX #82FF1F

RGB 130 255 31

HSL 93.48, 1%, 0.56%

LAB 90.03, -66.71, 82.7

 

CMYK 49 / 0 / 88 / 80

HEX #1A3306

RGB 26 51 6

HSL 93.33, 0.79%, 0.11%

LAB 18.37, -18.86, 23.26

 

CMYK 49 / 0 / 88 / 60

HEX #34660C

RGB 52 102 12

HSL 93.33, 0.79%, 0.22%

LAB 38.3, -32.43, 40.86

 

CMYK 49 / 0 / 88 / 40

HEX #4E9913

RGB 78 153 19

HSL 93.58, 0.78%, 0.34%

LAB 56.53, -44.56, 55.59

 

CMYK 49 / 0 / 88 / 20

HEX #68CC19

RGB 104 204 25

HSL 93.52, 0.78%, 0.45%

LAB 73.67, -55.92, 69.51

 

CMYK 49 / 0 / 88 / 0

HEX #82FF1F

RGB 130 255 31

HSL 93.48, 1%, 0.56%

LAB 90.03, -66.71, 82.7

 

CMYK 88 / 0 / 22 / 0

HEX #1EFFC6

RGB 30 255 198

HSL 164.8, 1%, 0.56%

LAB 89.8, -62.09, 13.48

 

CMYK 0 / 88 / 13 / 0

HEX #FF1EDD

RGB 255 30 221

HSL 309.07, 1%, 0.56%

LAB 59.35, 91.25, -43.36

 

CMYK 49 / 0 / 88 / 0

HEX #82FF1F

RGB 130 255 31

HSL 93.48, 1%, 0.56%

LAB 90.03, -66.71, 82.7

 

CMYK 88 / 49 / 0 / 0

HEX #1E83FF

RGB 30 131 255

HSL 213.07, 1%, 0.56%

LAB 55.82, 17.92, -69.14

 

CMYK 0 / 88 / 49 / 0

HEX #FF1E83

RGB 255 30 131

HSL 333.07, 1%, 0.56%

LAB 55.91, 82.02, 3.75

 

CMYK 49 / 0 / 88 / 0

HEX #82FF1F

RGB 130 255 31

HSL 93.48, 1%, 0.56%

LAB 90.03, -66.71, 82.7

 

CMYK 88 / 0 / 22 / 0

HEX #1EFFC6

RGB 30 255 198

HSL 164.8, 1%, 0.56%

LAB 89.8, -62.09, 13.48

 

CMYK 40 / 88 / 0 / 0

HEX #9A1EFF

RGB 154 30 255

HSL 273.07, 1%, 0.56%

LAB 45.66, 81.48, -85.35

 

CMYK 0 / 88 / 66 / 0

HEX #FF1E56

RGB 255 30 86

HSL 345.07, 1%, 0.56%

LAB 54.93, 79.25, 29.34

 

CMYK 49 / 0 / 88 / 0

HEX #82FF1F

RGB 130 255 31

HSL 93.48, 1%, 0.56%

LAB 90.03, -66.71, 82.7

 

CMYK 88 / 5 / 0 / 0

HEX #1EF3FF

RGB 30 243 255

HSL 183.2, 1%, 0.56%

LAB 87.77, -41.97, -19.15

 

CMYK 40 / 88 / 0 / 0

HEX #9A1EFF

RGB 154 30 255

HSL 273.07, 1%, 0.56%

LAB 45.66, 81.48, -85.35

 

CMYK 0 / 84 / 88 / 0

HEX #FF291E

RGB 255 41 30

HSL 2.93, 1%, 0.56%

LAB 55.01, 75.57, 59.28

 

Description

Color code: CMYK 49 / 0 / 88 / 0 | qconv.com Color code: CMYK 49 / 0 / 88 / 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 255 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 255 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 88 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 88% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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