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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 48 / 37 / 0 / 23 it is the complementary color CMYK 0 / 14 / 61 / 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 48 / 37 / 0 / 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 48 / 37 / 0 / 23: CMYK 44 / 35 / 0 / 25, CMYK 41 / 32 / 0 / 18, CMYK 38 / 30 / 0 / 10, CMYK 36 / 28 / 0 / 3 and CMYK 31 / 23 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 48 / 37 / 0 / 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 48 / 37 / 0 / 23: CMYK 48 / 37 / 0 / 23, CMYK 52 / 40 / 0 / 31, CMYK 57 / 44 / 0 / 38, CMYK 63 / 50 / 0 / 45 and CMYK 72 / 57 / 0 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 37 / 0 / 23

HEX #667CC4

RGB 102 124 196

HSL 225.96, 0.44%, 0.58%

LAB 53.2, 11.74, -40.1

 

Complementary color

CMYK 0 / 14 / 61 / 40

HEX #99833B

RGB 153 131 59

HSL 45.96, 0.44%, 0.42%

LAB 55.4, -0.57, 41.2

 

CMYK 44 / 35 / 0 / 25

HEX #6B7CBF

RGB 107 124 191

HSL 227.86, 0.4%, 0.58%

LAB 53.28, 11.49, -37.09

 

CMYK 41 / 32 / 0 / 18

HEX #7C8ED2

RGB 124 142 210

HSL 227.44, 0.49%, 0.65%

LAB 60.14, 10.77, -37.01

 

CMYK 38 / 30 / 0 / 10

HEX #8DA0E5

RGB 141 160 229

HSL 227.05, 0.63%, 0.73%

LAB 66.87, 10.16, -36.97

 

CMYK 36 / 28 / 0 / 3

HEX #9EB2F8

RGB 158 178 248

HSL 226.67, 0.87%, 0.8%

LAB 73.47, 9.63, -36.97

 

CMYK 31 / 23 / 0 / 0

HEX #AFC4FF

RGB 175 196 255

HSL 224.25, 1%, 0.84%

LAB 79.51, 6.17, -31.32

 

CMYK 48 / 37 / 0 / 23

HEX #667CC4

RGB 102 124 196

HSL 225.96, 0.44%, 0.58%

LAB 53.2, 11.74, -40.1

 

CMYK 52 / 40 / 0 / 31

HEX #556AB1

RGB 85 106 177

HSL 226.3, 0.37%, 0.51%

LAB 46.2, 12.72, -40.27

 

CMYK 57 / 44 / 0 / 38

HEX #44589E

RGB 68 88 158

HSL 226.67, 0.4%, 0.44%

LAB 39.03, 13.94, -40.5

 

CMYK 63 / 50 / 0 / 45

HEX #33468B

RGB 51 70 139

HSL 227.05, 0.46%, 0.37%

LAB 31.69, 15.52, -40.79

 

CMYK 72 / 57 / 0 / 53

HEX #223478

RGB 34 52 120

HSL 227.44, 0.56%, 0.3%

LAB 24.17, 17.62, -41.1

 

CMYK 48 / 37 / 0 / 23

HEX #667CC4

RGB 102 124 196

HSL 225.96, 0.44%, 0.58%

LAB 53.2, 11.74, -40.1

 

CMYK 49 / 45 / 0 / 24

HEX #646CC3

RGB 100 108 195

HSL 234.95, 0.44%, 0.58%

LAB 48.73, 20.7, -46.62

 

CMYK 45 / 49 / 0 / 24

HEX #6C64C3

RGB 108 100 195

HSL 245.05, 0.44%, 0.58%

LAB 47.29, 27.49, -48.87

 

CMYK 36 / 49 / 0 / 24

HEX #7C64C3

RGB 124 100 195

HSL 255.16, 0.44%, 0.58%

LAB 48.69, 31.49, -46.57

 

CMYK 28 / 49 / 0 / 24

HEX #8C64C3

RGB 140 100 195

HSL 265.26, 0.44%, 0.58%

LAB 50.25, 35.74, -43.98

 

CMYK 48 / 37 / 0 / 23

HEX #667CC4

RGB 102 124 196

HSL 225.96, 0.44%, 0.58%

LAB 53.2, 11.74, -40.1

 

CMYK 48 / 37 / 0 / 3

HEX #819CF7

RGB 129 156 247

HSL 226.27, 0.88%, 0.74%

LAB 65.87, 14.57, -48.46

 

CMYK 49 / 37 / 0 / 83

HEX #161B2B

RGB 22 27 43

HSL 225.71, 0.32%, 0.13%

LAB 10.02, 2.92, -11.54

 

CMYK 48 / 37 / 0 / 63

HEX #313B5E

RGB 49 59 94

HSL 226.67, 0.31%, 0.28%

LAB 25.53, 6.46, -22.16

 

CMYK 48 / 37 / 0 / 43

HEX #4B5C91

RGB 75 92 145

HSL 225.43, 0.32%, 0.43%

LAB 39.91, 8.74, -31.28

 

CMYK 48 / 37 / 0 / 23

HEX #667CC4

RGB 102 124 196

HSL 225.96, 0.44%, 0.58%

LAB 53.2, 11.74, -40.1

 

CMYK 3 / 49 / 0 / 24

HEX #BE64C3

RGB 190 100 195

HSL 296.84, 0.44%, 0.58%

LAB 56.09, 49.83, -34.39

 

CMYK 17 / 0 / 49 / 24

HEX #A2C364

RGB 162 195 100

HSL 80.84, 0.44%, 0.58%

LAB 74.59, -26.34, 43.82

 

CMYK 48 / 37 / 0 / 23

HEX #667CC4

RGB 102 124 196

HSL 225.96, 0.44%, 0.58%

LAB 53.2, 11.74, -40.1

 

CMYK 0 / 49 / 36 / 24

HEX #C3647C

RGB 195 100 124

HSL 344.84, 0.44%, 0.58%

LAB 54.21, 40.44, 4.17

 

CMYK 36 / 0 / 49 / 24

HEX #7CC364

RGB 124 195 100

HSL 104.84, 0.44%, 0.58%

LAB 72.39, -40.06, 40.61

 

CMYK 48 / 37 / 0 / 23

HEX #667CC4

RGB 102 124 196

HSL 225.96, 0.44%, 0.58%

LAB 53.2, 11.74, -40.1

 

CMYK 3 / 49 / 0 / 24

HEX #BE64C3

RGB 190 100 195

HSL 296.84, 0.44%, 0.58%

LAB 56.09, 49.83, -34.39

 

CMYK 0 / 12 / 49 / 24

HEX #C3AB64

RGB 195 171 100

HSL 44.84, 0.44%, 0.58%

LAB 70.63, -0.68, 39.55

 

CMYK 46 / 0 / 49 / 24

HEX #69C364

RGB 105 195 100

HSL 116.84, 0.44%, 0.58%

LAB 71.52, -45.99, 39.36

 

CMYK 48 / 37 / 0 / 23

HEX #667CC4

RGB 102 124 196

HSL 225.96, 0.44%, 0.58%

LAB 53.2, 11.74, -40.1

 

CMYK 0 / 49 / 12 / 24

HEX #C364AB

RGB 195 100 171

HSL 315.16, 0.44%, 0.58%

LAB 55.74, 47.13, -21.06

 

CMYK 0 / 12 / 49 / 24

HEX #C3AB64

RGB 195 171 100

HSL 44.84, 0.44%, 0.58%

LAB 70.63, -0.68, 39.55

 

CMYK 49 / 0 / 36 / 24

HEX #64C37C

RGB 100 195 124

HSL 135.16, 0.44%, 0.58%

LAB 71.69, -43.66, 27.25

 

Description

Color code: CMYK 48 / 37 / 0 / 23 | qconv.com Color code: CMYK 48 / 37 / 0 / 23 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 124 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 124 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 37 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 37% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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