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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 48 / 31 / 0 / 53 it is the complementary color CMYK 0 / 11 / 30 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 48 / 31 / 0 / 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 48 / 31 / 0 / 53: CMYK 42 / 28 / 0 / 55, CMYK 37 / 25 / 0 / 47, CMYK 34 / 22 / 0 / 40, CMYK 31 / 20 / 0 / 33 and CMYK 29 / 19 / 0 / 25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 48 / 31 / 0 / 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 48 / 31 / 0 / 53: CMYK 48 / 31 / 0 / 53, CMYK 55 / 36 / 0 / 60, CMYK 66 / 43 / 0 / 68, CMYK 83 / 54 / 0 / 75 and CMYK 100 / 75 / 0 / 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 31 / 0 / 53

HEX #3E5378

RGB 62 83 120

HSL 218.28, 0.32%, 0.36%

LAB 35.14, 2.92, -23.55

 

Complementary color

CMYK 0 / 11 / 30 / 24

HEX #C1AC87

RGB 193 172 135

HSL 38.28, 0.32%, 0.64%

LAB 71.28, 1.96, 21.83

 

CMYK 42 / 28 / 0 / 55

HEX #435373

RGB 67 83 115

HSL 220, 0.26%, 0.36%

LAB 35.24, 2.77, -20.26

 

CMYK 37 / 25 / 0 / 47

HEX #546586

RGB 84 101 134

HSL 219.6, 0.23%, 0.43%

LAB 42.63, 2.31, -20.36

 

CMYK 34 / 22 / 0 / 40

HEX #657799

RGB 101 119 153

HSL 219.23, 0.2%, 0.5%

LAB 49.81, 1.93, -20.51

 

CMYK 31 / 20 / 0 / 33

HEX #7689AC

RGB 118 137 172

HSL 218.89, 0.25%, 0.57%

LAB 56.8, 1.62, -20.69

 

CMYK 29 / 19 / 0 / 25

HEX #879BBF

RGB 135 155 191

HSL 218.57, 0.3%, 0.64%

LAB 63.64, 1.35, -20.91

 

CMYK 48 / 31 / 0 / 53

HEX #3E5378

RGB 62 83 120

HSL 218.28, 0.32%, 0.36%

LAB 35.14, 2.92, -23.55

 

CMYK 55 / 36 / 0 / 60

HEX #2D4165

RGB 45 65 101

HSL 218.57, 0.38%, 0.29%

LAB 27.51, 3.72, -23.59

 

CMYK 66 / 43 / 0 / 68

HEX #1C2F52

RGB 28 47 82

HSL 218.89, 0.49%, 0.22%

LAB 19.59, 4.91, -23.71

 

CMYK 83 / 54 / 0 / 75

HEX #0B1D3F

RGB 11 29 63

HSL 219.23, 0.7%, 0.15%

LAB 11.34, 6.87, -23.9

 

CMYK 100 / 75 / 0 / 83

HEX #000B2C

RGB 0 11 44

HSL 225, 1%, 0.09%

LAB 3.8, 7.13, -22.19

 

CMYK 48 / 31 / 0 / 53

HEX #3E5378

RGB 62 83 120

HSL 218.28, 0.32%, 0.36%

LAB 35.14, 2.92, -23.55

 

CMYK 49 / 39 / 0 / 53

HEX #3E4A79

RGB 62 74 121

HSL 227.8, 0.32%, 0.36%

LAB 32.49, 9.09, -28.33

 

CMYK 49 / 47 / 0 / 53

HEX #3E4079

RGB 62 64 121

HSL 237.97, 0.32%, 0.36%

LAB 29.59, 15.74, -32.92

 

CMYK 42 / 49 / 0 / 53

HEX #463E79

RGB 70 62 121

HSL 248.14, 0.32%, 0.36%

LAB 29.73, 19.22, -32.65

 

CMYK 34 / 49 / 0 / 53

HEX #503E79

RGB 80 62 121

HSL 258.31, 0.32%, 0.36%

LAB 30.71, 22.08, -31.03

 

CMYK 48 / 31 / 0 / 53

HEX #3E5378

RGB 62 83 120

HSL 218.28, 0.32%, 0.36%

LAB 35.14, 2.92, -23.55

 

CMYK 49 / 31 / 0 / 33

HEX #5876AB

RGB 88 118 171

HSL 218.31, 0.33%, 0.51%

LAB 49.46, 4.19, -31.62

 

CMYK 48 / 31 / 0 / 13

HEX #739ADE

RGB 115 154 222

HSL 218.13, 0.62%, 0.66%

LAB 63.37, 5.05, -38.69

 

CMYK 50 / 33 / 0 / 93

HEX #090C12

RGB 9 12 18

HSL 220, 0.33%, 0.05%

LAB 3.29, 0.27, -3.25

 

CMYK 48 / 30 / 0 / 73

HEX #243045

RGB 36 48 69

HSL 218.18, 0.31%, 0.21%

LAB 19.72, 1.55, -14.71

 

CMYK 48 / 31 / 0 / 53

HEX #3E5378

RGB 62 83 120

HSL 218.28, 0.32%, 0.36%

LAB 35.14, 2.92, -23.55

 

CMYK 8 / 49 / 0 / 53

HEX #6F3E79

RGB 111 62 121

HSL 289.83, 0.32%, 0.36%

LAB 34.41, 31.66, -24.96

 

CMYK 12 / 0 / 49 / 53

HEX #6B793E

RGB 107 121 62

HSL 74.24, 0.32%, 0.36%

LAB 48.45, -15.18, 30.46

 

CMYK 48 / 31 / 0 / 53

HEX #3E5378

RGB 62 83 120

HSL 218.28, 0.32%, 0.36%

LAB 35.14, 2.92, -23.55

 

CMYK 0 / 49 / 31 / 53

HEX #793E53

RGB 121 62 83

HSL 338.64, 0.32%, 0.36%

LAB 34.26, 28.26, -0.99

 

CMYK 31 / 0 / 49 / 53

HEX #53793E

RGB 83 121 62

HSL 98.64, 0.32%, 0.36%

LAB 46.79, -24.99, 28.05

 

CMYK 48 / 31 / 0 / 53

HEX #3E5378

RGB 62 83 120

HSL 218.28, 0.32%, 0.36%

LAB 35.14, 2.92, -23.55

 

CMYK 8 / 49 / 0 / 53

HEX #6F3E79

RGB 111 62 121

HSL 289.83, 0.32%, 0.36%

LAB 34.41, 31.66, -24.96

 

CMYK 0 / 18 / 49 / 53

HEX #79633E

RGB 121 99 62

HSL 37.63, 0.32%, 0.36%

LAB 43.27, 3.58, 24.28

 

CMYK 40 / 0 / 49 / 53

HEX #48793E

RGB 72 121 62

HSL 109.83, 0.32%, 0.36%

LAB 46.18, -29.02, 27.15

 

CMYK 48 / 31 / 0 / 53

HEX #3E5378

RGB 62 83 120

HSL 218.28, 0.32%, 0.36%

LAB 35.14, 2.92, -23.55

 

CMYK 0 / 49 / 7 / 53

HEX #793E71

RGB 121 62 113

HSL 308.14, 0.32%, 0.36%

LAB 35.4, 33.29, -18.3

 

CMYK 0 / 18 / 49 / 53

HEX #79633E

RGB 121 99 62

HSL 37.63, 0.32%, 0.36%

LAB 43.27, 3.58, 24.28

 

CMYK 49 / 0 / 42 / 53

HEX #3E7946

RGB 62 121 70

HSL 128.14, 0.32%, 0.36%

LAB 45.83, -31.01, 22.16

 

Description

Color code: CMYK 48 / 31 / 0 / 53 | qconv.com Color code: CMYK 48 / 31 / 0 / 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 83 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 83 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 31 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 31% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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