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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 47 / 19 / 0 / 5 it is the complementary color CMYK 0 / 54 / 90 / 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 47 / 19 / 0 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 47 / 19 / 0 / 5: CMYK 44 / 17 / 0 / 7, CMYK 41 / 16 / 0 / 0, CMYK 35 / 9 / 0 / 0, CMYK 28 / 2 / 0 / 0 and CMYK 21 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 47 / 19 / 0 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 47 / 19 / 0 / 5: CMYK 47 / 19 / 0 / 5, CMYK 50 / 20 / 0 / 13, CMYK 54 / 22 / 0 / 20, CMYK 58 / 23 / 0 / 27 and CMYK 64 / 25 / 0 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 19 / 0 / 5

HEX #80C4F2

RGB 128 196 242

HSL 204.21, 0.81%, 0.73%

LAB 76.36, -9.38, -29.41

 

Complementary color

CMYK 0 / 54 / 90 / 50

HEX #7F3B0D

RGB 127 59 13

HSL 24.21, 0.81%, 0.27%

LAB 33.28, 26.63, 39.1

 

CMYK 44 / 17 / 0 / 7

HEX #85C4ED

RGB 133 196 237

HSL 203.65, 0.74%, 0.73%

LAB 76.42, -9.55, -26.61

 

CMYK 41 / 16 / 0 / 0

HEX #96D6FF

RGB 150 214 255

HSL 203.43, 1%, 0.79%

LAB 82.81, -10.05, -26.39

 

CMYK 35 / 9 / 0 / 0

HEX #A7E8FF

RGB 167 232 255

HSL 195.68, 1%, 0.83%

LAB 88.52, -14.92, -17.65

 

CMYK 28 / 2 / 0 / 0

HEX #B8FAFF

RGB 184 250 255

HSL 184.23, 1%, 0.86%

LAB 94.22, -19.28, -9.04

 

CMYK 21 / 0 / 0 / 0

HEX #C9FFFF

RGB 201 255 255

HSL 180, 1%, 0.89%

LAB 96.47, -16.89, -5.6

 

CMYK 47 / 19 / 0 / 5

HEX #80C4F2

RGB 128 196 242

HSL 204.21, 0.81%, 0.73%

LAB 76.36, -9.38, -29.41

 

CMYK 50 / 20 / 0 / 13

HEX #6FB2DF

RGB 111 178 223

HSL 204.11, 0.64%, 0.65%

LAB 69.86, -9, -29.19

 

CMYK 54 / 22 / 0 / 20

HEX #5EA0CC

RGB 94 160 204

HSL 204, 0.52%, 0.58%

LAB 63.24, -8.54, -28.96

 

CMYK 58 / 23 / 0 / 27

HEX #4D8EB9

RGB 77 142 185

HSL 203.89, 0.44%, 0.51%

LAB 56.51, -7.95, -28.74

 

CMYK 64 / 25 / 0 / 35

HEX #3C7CA6

RGB 60 124 166

HSL 203.77, 0.47%, 0.44%

LAB 49.65, -7.17, -28.52

 

CMYK 47 / 19 / 0 / 5

HEX #80C4F2

RGB 128 196 242

HSL 204.21, 0.81%, 0.73%

LAB 76.36, -9.38, -29.41

 

CMYK 46 / 26 / 0 / 5

HEX #82B2F1

RGB 130 178 241

HSL 214.05, 0.8%, 0.73%

LAB 71.51, 0.59, -36.36

 

CMYK 46 / 34 / 0 / 5

HEX #82A0F1

RGB 130 160 241

HSL 223.78, 0.8%, 0.73%

LAB 66.7, 10.75, -43.87

 

CMYK 46 / 41 / 0 / 5

HEX #828DF1

RGB 130 141 241

HSL 234.05, 0.8%, 0.73%

LAB 61.78, 21.78, -51.64

 

CMYK 43 / 46 / 0 / 5

HEX #8982F1

RGB 137 130 241

HSL 243.78, 0.8%, 0.73%

LAB 59.56, 29.87, -55.14

 

CMYK 47 / 19 / 0 / 5

HEX #80C4F2

RGB 128 196 242

HSL 204.21, 0.81%, 0.73%

LAB 76.36, -9.38, -29.41

 

CMYK 47 / 18 / 0 / 85

HEX #141F26

RGB 20 31 38

HSL 203.33, 0.31%, 0.11%

LAB 11.05, -2.55, -6.29

 

CMYK 47 / 19 / 0 / 65

HEX #2F4859

RGB 47 72 89

HSL 204.29, 0.31%, 0.27%

LAB 29.31, -4.38, -13.07

 

CMYK 47 / 19 / 0 / 45

HEX #4A718C

RGB 74 113 140

HSL 204.55, 0.31%, 0.42%

LAB 45.85, -5.97, -19.05

 

CMYK 47 / 19 / 0 / 25

HEX #659BBF

RGB 101 155 191

HSL 204, 0.41%, 0.57%

LAB 61.63, -8, -24.15

 

CMYK 47 / 19 / 0 / 5

HEX #80C4F2

RGB 128 196 242

HSL 204.21, 0.81%, 0.73%

LAB 76.36, -9.38, -29.41

 

CMYK 18 / 46 / 0 / 5

HEX #C582F1

RGB 197 130 241

HSL 276.22, 0.8%, 0.73%

LAB 65.11, 45.45, -45.99

 

CMYK 0 / 0 / 46 / 5

HEX #F1F182

RGB 241 241 130

HSL 60, 0.8%, 0.73%

LAB 93.11, -15.02, 53.24

 

CMYK 47 / 19 / 0 / 5

HEX #80C4F2

RGB 128 196 242

HSL 204.21, 0.81%, 0.73%

LAB 76.36, -9.38, -29.41

 

CMYK 0 / 46 / 18 / 5

HEX #F182C5

RGB 241 130 197

HSL 323.78, 0.8%, 0.73%

LAB 68.53, 50.61, -15.85

 

CMYK 18 / 0 / 46 / 5

HEX #C5F182

RGB 197 241 130

HSL 83.78, 0.8%, 0.73%

LAB 90.04, -31.74, 48.79

 

CMYK 47 / 19 / 0 / 5

HEX #80C4F2

RGB 128 196 242

HSL 204.21, 0.81%, 0.73%

LAB 76.36, -9.38, -29.41

 

CMYK 18 / 46 / 0 / 5

HEX #C582F1

RGB 197 130 241

HSL 276.22, 0.8%, 0.73%

LAB 65.11, 45.45, -45.99

 

CMYK 0 / 28 / 46 / 5

HEX #F1AE82

RGB 241 174 130

HSL 23.78, 0.8%, 0.73%

LAB 76.43, 19.38, 32.23

 

CMYK 28 / 0 / 46 / 5

HEX #AEF182

RGB 174 241 130

HSL 96.22, 0.8%, 0.73%

LAB 88.7, -39.89, 46.82

 

CMYK 47 / 19 / 0 / 5

HEX #80C4F2

RGB 128 196 242

HSL 204.21, 0.81%, 0.73%

LAB 76.36, -9.38, -29.41

 

CMYK 5 / 46 / 0 / 5

HEX #E682F1

RGB 230 130 241

HSL 294.05, 0.8%, 0.73%

LAB 68.85, 54.65, -39.86

 

CMYK 0 / 28 / 46 / 5

HEX #F1AE82

RGB 241 174 130

HSL 23.78, 0.8%, 0.73%

LAB 76.43, 19.38, 32.23

 

CMYK 41 / 0 / 46 / 5

HEX #8DF182

RGB 141 241 130

HSL 114.05, 0.8%, 0.73%

LAB 87.09, -50.45, 44.47

 

Description

Color code: CMYK 47 / 19 / 0 / 5 | qconv.com Color code: CMYK 47 / 19 / 0 / 5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 196 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 196 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 19 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 19% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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