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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 46 / 2 / 0 / 26 it is the complementary color CMYK 0 / 54 / 57 / 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 46 / 2 / 0 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 46 / 2 / 0 / 26: CMYK 42 / 0 / 1 / 27, CMYK 39 / 0 / 0 / 20, CMYK 36 / 0 / 0 / 13, CMYK 34 / 1 / 0 / 5 and CMYK 31 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 46 / 2 / 0 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 46 / 2 / 0 / 26: CMYK 46 / 2 / 0 / 26, CMYK 50 / 2 / 0 / 33, CMYK 55 / 1 / 0 / 41, CMYK 61 / 1 / 0 / 48 and CMYK 70 / 0 / 0 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 2 / 0 / 26

HEX #66B9BD

RGB 102 185 189

HSL 182.76, 0.4%, 0.57%

LAB 70.31, -24.16, -9.89

 

Complementary color

CMYK 0 / 54 / 57 / 40

HEX #994642

RGB 153 70 66

HSL 2.76, 0.4%, 0.43%

LAB 40.49, 34.38, 19.13

 

CMYK 42 / 0 / 1 / 27

HEX #6BB9B8

RGB 107 185 184

HSL 179.23, 0.36%, 0.57%

LAB 70.37, -24.24, -7.03

 

CMYK 39 / 0 / 0 / 20

HEX #7CCBCB

RGB 124 203 203

HSL 180, 0.43%, 0.64%

LAB 76.87, -24.2, -7.66

 

CMYK 36 / 0 / 0 / 13

HEX #8DDDDE

RGB 141 221 222

HSL 180.74, 0.55%, 0.71%

LAB 83.26, -24.14, -8.25

 

CMYK 34 / 1 / 0 / 5

HEX #9EEFF1

RGB 158 239 241

HSL 181.45, 0.75%, 0.78%

LAB 89.56, -24.07, -8.82

 

CMYK 31 / 0 / 0 / 0

HEX #AFFFFF

RGB 175 255 255

HSL 180, 1%, 0.84%

LAB 95.1, -24.16, -7.78

 

CMYK 46 / 2 / 0 / 26

HEX #66B9BD

RGB 102 185 189

HSL 182.76, 0.4%, 0.57%

LAB 70.31, -24.16, -9.89

 

CMYK 50 / 2 / 0 / 33

HEX #55A7AA

RGB 85 167 170

HSL 182.12, 0.33%, 0.5%

LAB 63.73, -24.07, -9.26

 

CMYK 55 / 1 / 0 / 41

HEX #449597

RGB 68 149 151

HSL 181.45, 0.38%, 0.43%

LAB 57.03, -23.91, -8.57

 

CMYK 61 / 1 / 0 / 48

HEX #338384

RGB 51 131 132

HSL 180.74, 0.44%, 0.36%

LAB 50.22, -23.61, -7.81

 

CMYK 70 / 0 / 0 / 56

HEX #227171

RGB 34 113 113

HSL 180, 0.54%, 0.29%

LAB 43.27, -23.08, -6.94

 

CMYK 46 / 2 / 0 / 26

HEX #66B9BD

RGB 102 185 189

HSL 182.76, 0.4%, 0.57%

LAB 70.31, -24.16, -9.89

 

CMYK 47 / 10 / 0 / 26

HEX #65ABBD

RGB 101 171 189

HSL 192.27, 0.4%, 0.57%

LAB 66.19, -17.2, -16.09

 

CMYK 47 / 17 / 0 / 26

HEX #659DBD

RGB 101 157 189

HSL 201.82, 0.4%, 0.57%

LAB 62.13, -9.68, -22.26

 

CMYK 47 / 25 / 0 / 26

HEX #658EBD

RGB 101 142 189

HSL 212.05, 0.4%, 0.57%

LAB 57.83, -1.24, -28.87

 

CMYK 47 / 33 / 0 / 26

HEX #657FBD

RGB 101 127 189

HSL 222.27, 0.4%, 0.57%

LAB 53.62, 7.56, -35.44

 

CMYK 46 / 2 / 0 / 26

HEX #66B9BD

RGB 102 185 189

HSL 182.76, 0.4%, 0.57%

LAB 70.31, -24.16, -9.89

 

CMYK 46 / 2 / 0 / 6

HEX #82EBF0

RGB 130 235 240

HSL 182.73, 0.79%, 0.73%

LAB 87.22, -29.16, -11.9

 

CMYK 47 / 3 / 0 / 86

HEX #132324

RGB 19 35 36

HSL 183.53, 0.31%, 0.11%

LAB 12.4, -6.39, -2.81

 

CMYK 46 / 2 / 0 / 66

HEX #2F5557

RGB 47 85 87

HSL 183, 0.3%, 0.26%

LAB 33.54, -12.9, -5.41

 

CMYK 46 / 2 / 0 / 46

HEX #4A878A

RGB 74 135 138

HSL 182.81, 0.3%, 0.42%

LAB 52.53, -18.88, -7.77

 

CMYK 46 / 2 / 0 / 26

HEX #66B9BD

RGB 102 185 189

HSL 182.76, 0.4%, 0.57%

LAB 70.31, -24.16, -9.89

 

CMYK 36 / 47 / 0 / 26

HEX #7965BD

RGB 121 101 189

HSL 253.64, 0.4%, 0.57%

LAB 48.32, 28.47, -43.7

 

CMYK 0 / 17 / 47 / 26

HEX #BD9D65

RGB 189 157 101

HSL 38.18, 0.4%, 0.57%

LAB 66.42, 4.45, 33.64

 

CMYK 46 / 2 / 0 / 26

HEX #66B9BD

RGB 102 185 189

HSL 182.76, 0.4%, 0.57%

LAB 70.31, -24.16, -9.89

 

CMYK 0 / 47 / 2 / 26

HEX #BD65BA

RGB 189 101 186

HSL 302.05, 0.4%, 0.57%

LAB 55.76, 47.38, -29.76

 

CMYK 2 / 0 / 47 / 26

HEX #BABD65

RGB 186 189 101

HSL 62.05, 0.4%, 0.57%

LAB 74.68, -13.71, 43.84

 

CMYK 46 / 2 / 0 / 26

HEX #66B9BD

RGB 102 185 189

HSL 182.76, 0.4%, 0.57%

LAB 70.31, -24.16, -9.89

 

CMYK 36 / 47 / 0 / 26

HEX #7965BD

RGB 121 101 189

HSL 253.64, 0.4%, 0.57%

LAB 48.32, 28.47, -43.7

 

CMYK 0 / 45 / 47 / 26

HEX #BD6865

RGB 189 104 101

HSL 2.05, 0.4%, 0.57%

LAB 53.66, 33.55, 16.81

 

CMYK 11 / 0 / 47 / 26

HEX #A8BD65

RGB 168 189 101

HSL 74.32, 0.4%, 0.57%

LAB 73.32, -20.94, 41.87

 

CMYK 46 / 2 / 0 / 26

HEX #66B9BD

RGB 102 185 189

HSL 182.76, 0.4%, 0.57%

LAB 70.31, -24.16, -9.89

 

CMYK 22 / 47 / 0 / 26

HEX #9465BD

RGB 148 101 189

HSL 272.05, 0.4%, 0.57%

LAB 51.01, 35.95, -39.27

 

CMYK 0 / 45 / 47 / 26

HEX #BD6865

RGB 189 104 101

HSL 2.05, 0.4%, 0.57%

LAB 53.66, 33.55, 16.81

 

CMYK 25 / 0 / 47 / 26

HEX #8EBD65

RGB 142 189 101

HSL 92.05, 0.4%, 0.57%

LAB 71.61, -30.89, 39.38

 

Description

Color code: CMYK 46 / 2 / 0 / 26 | qconv.com Color code: CMYK 46 / 2 / 0 / 26 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 185 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 185 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 2 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 2% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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