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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 46 / 22 / 0 / 32 it is the complementary color CMYK 0 / 25 / 49 / 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 46 / 22 / 0 / 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 46 / 22 / 0 / 32: CMYK 41 / 20 / 0 / 34, CMYK 38 / 18 / 0 / 27, CMYK 35 / 17 / 0 / 19, CMYK 33 / 16 / 0 / 12 and CMYK 32 / 15 / 0 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 46 / 22 / 0 / 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 46 / 22 / 0 / 32: CMYK 46 / 22 / 0 / 32, CMYK 50 / 24 / 0 / 40, CMYK 56 / 27 / 0 / 47, CMYK 63 / 30 / 0 / 55 and CMYK 73 / 35 / 0 / 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 22 / 0 / 32

HEX #5E87AD

RGB 94 135 173

HSL 208.86, 0.33%, 0.52%

LAB 54.79, -3.7, -24.49

 

Complementary color

CMYK 0 / 25 / 49 / 37

HEX #A17852

RGB 161 120 82

HSL 28.86, 0.33%, 0.48%

LAB 53.62, 11.21, 27.04

 

CMYK 41 / 20 / 0 / 34

HEX #6387A8

RGB 99 135 168

HSL 208.7, 0.28%, 0.52%

LAB 54.87, -3.81, -21.46

 

CMYK 38 / 18 / 0 / 27

HEX #7499BB

RGB 116 153 187

HSL 208.73, 0.34%, 0.59%

LAB 61.73, -4.07, -21.68

 

CMYK 35 / 17 / 0 / 19

HEX #85ABCE

RGB 133 171 206

HSL 208.77, 0.43%, 0.66%

LAB 68.44, -4.29, -21.93

 

CMYK 33 / 16 / 0 / 12

HEX #96BDE1

RGB 150 189 225

HSL 208.8, 0.56%, 0.74%

LAB 75.02, -4.48, -22.19

 

CMYK 32 / 15 / 0 / 4

HEX #A7CFF4

RGB 167 207 244

HSL 208.83, 0.78%, 0.81%

LAB 81.5, -4.65, -22.46

 

CMYK 46 / 22 / 0 / 32

HEX #5E87AD

RGB 94 135 173

HSL 208.86, 0.33%, 0.52%

LAB 54.79, -3.7, -24.49

 

CMYK 50 / 24 / 0 / 40

HEX #4D759A

RGB 77 117 154

HSL 208.83, 0.33%, 0.45%

LAB 47.79, -3.26, -24.32

 

CMYK 56 / 27 / 0 / 47

HEX #3C6387

RGB 60 99 135

HSL 208.8, 0.38%, 0.38%

LAB 40.63, -2.67, -24.18

 

CMYK 63 / 30 / 0 / 55

HEX #2B5174

RGB 43 81 116

HSL 208.77, 0.46%, 0.31%

LAB 33.26, -1.85, -24.07

 

CMYK 73 / 35 / 0 / 62

HEX #1A3F61

RGB 26 63 97

HSL 208.73, 0.58%, 0.24%

LAB 25.68, -0.64, -23.97

 

CMYK 46 / 22 / 0 / 32

HEX #5E87AD

RGB 94 135 173

HSL 208.86, 0.33%, 0.52%

LAB 54.79, -3.7, -24.49

 

CMYK 47 / 30 / 0 / 33

HEX #5C79AC

RGB 92 121 172

HSL 218.25, 0.33%, 0.52%

LAB 50.6, 3.71, -30.4

 

CMYK 47 / 37 / 0 / 33

HEX #5C6CAC

RGB 92 108 172

HSL 228, 0.33%, 0.52%

LAB 46.95, 11.61, -36.14

 

CMYK 47 / 45 / 0 / 33

HEX #5C5EAC

RGB 92 94 172

HSL 238.5, 0.33%, 0.52%

LAB 43.15, 20.32, -42.15

 

CMYK 41 / 47 / 0 / 33

HEX #665CAC

RGB 102 92 172

HSL 247.5, 0.33%, 0.52%

LAB 43.44, 24.11, -41.63

 

CMYK 46 / 22 / 0 / 32

HEX #5E87AD

RGB 94 135 173

HSL 208.86, 0.33%, 0.52%

LAB 54.79, -3.7, -24.49

 

CMYK 46 / 22 / 0 / 12

HEX #7AAFE0

RGB 122 175 224

HSL 208.82, 0.62%, 0.68%

LAB 69.6, -4.49, -30.09

 

CMYK 45 / 20 / 0 / 92

HEX #0B1014

RGB 11 16 20

HSL 206.67, 0.29%, 0.06%

LAB 4.45, -0.75, -2.82

 

CMYK 45 / 23 / 0 / 72

HEX #273747

RGB 39 55 71

HSL 210, 0.29%, 0.22%

LAB 22.37, -1.61, -11.95

 

CMYK 46 / 22 / 0 / 52

HEX #425F7A

RGB 66 95 122

HSL 208.93, 0.3%, 0.37%

LAB 39.15, -2.85, -18.54

 

CMYK 46 / 22 / 0 / 32

HEX #5E87AD

RGB 94 135 173

HSL 208.86, 0.33%, 0.52%

LAB 54.79, -3.7, -24.49

 

CMYK 15 / 47 / 0 / 33

HEX #925CAC

RGB 146 92 172

HSL 280.5, 0.33%, 0.52%

LAB 47.94, 36.57, -34.24

 

CMYK 3 / 0 / 47 / 33

HEX #A7AC5C

RGB 167 172 92

HSL 63.75, 0.33%, 0.52%

LAB 68.38, -13.65, 40.31

 

CMYK 46 / 22 / 0 / 32

HEX #5E87AD

RGB 94 135 173

HSL 208.86, 0.33%, 0.52%

LAB 54.79, -3.7, -24.49

 

CMYK 0 / 47 / 22 / 33

HEX #AC5C87

RGB 172 92 135

HSL 327.75, 0.33%, 0.52%

LAB 49.71, 38.05, -9.34

 

CMYK 22 / 0 / 47 / 33

HEX #87AC5C

RGB 135 172 92

HSL 87.75, 0.33%, 0.52%

LAB 66.08, -26.43, 36.96

 

CMYK 46 / 22 / 0 / 32

HEX #5E87AD

RGB 94 135 173

HSL 208.86, 0.33%, 0.52%

LAB 54.79, -3.7, -24.49

 

CMYK 15 / 47 / 0 / 33

HEX #925CAC

RGB 146 92 172

HSL 280.5, 0.33%, 0.52%

LAB 47.94, 36.57, -34.24

 

CMYK 0 / 25 / 47 / 33

HEX #AC815C

RGB 172 129 92

HSL 27.75, 0.33%, 0.52%

LAB 57.31, 11.85, 26.46

 

CMYK 31 / 0 / 47 / 33

HEX #77AC5C

RGB 119 172 92

HSL 99.75, 0.33%, 0.52%

LAB 65.12, -32.35, 35.56

 

CMYK 46 / 22 / 0 / 32

HEX #5E87AD

RGB 94 135 173

HSL 208.86, 0.33%, 0.52%

LAB 54.79, -3.7, -24.49

 

CMYK 1 / 47 / 0 / 33

HEX #AA5CAC

RGB 170 92 172

HSL 298.5, 0.33%, 0.52%

LAB 50.9, 43.76, -29.39

 

CMYK 0 / 25 / 47 / 33

HEX #AC815C

RGB 172 129 92

HSL 27.75, 0.33%, 0.52%

LAB 57.31, 11.85, 26.46

 

CMYK 45 / 0 / 47 / 33

HEX #5EAC5C

RGB 94 172 92

HSL 118.5, 0.33%, 0.52%

LAB 63.88, -40.62, 33.74

 

Description

Color code: CMYK 46 / 22 / 0 / 32 | qconv.com Color code: CMYK 46 / 22 / 0 / 32 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 135 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 135 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 22 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 22% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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