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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 46 / 1 / 0 / 25 it is the complementary color CMYK 0 / 57 / 58 / 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 46 / 1 / 0 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 46 / 1 / 0 / 25: CMYK 43 / 0 / 2 / 26, CMYK 40 / 0 / 1 / 19, CMYK 37 / 0 / 0 / 12, CMYK 35 / 0 / 0 / 5 and CMYK 31 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 46 / 1 / 0 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 46 / 1 / 0 / 25: CMYK 46 / 1 / 0 / 25, CMYK 50 / 1 / 0 / 33, CMYK 55 / 0 / 0 / 40, CMYK 61 / 0 / 1 / 47 and CMYK 70 / 0 / 2 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 1 / 0 / 25

HEX #67BDBF

RGB 103 189 191

HSL 181.36, 0.41%, 0.58%

LAB 71.58, -25.4, -9.09

 

Complementary color

CMYK 0 / 57 / 58 / 40

HEX #984240

RGB 152 66 64

HSL 1.36, 0.41%, 0.42%

LAB 39.48, 35.9, 19.01

 

CMYK 43 / 0 / 2 / 26

HEX #6CBDBA

RGB 108 189 186

HSL 177.78, 0.38%, 0.58%

LAB 71.64, -25.48, -6.25

 

CMYK 40 / 0 / 1 / 19

HEX #7DCFCD

RGB 125 207 205

HSL 178.54, 0.46%, 0.65%

LAB 78.11, -25.43, -6.89

 

CMYK 37 / 0 / 0 / 12

HEX #8EE1E0

RGB 142 225 224

HSL 179.28, 0.58%, 0.72%

LAB 84.47, -25.37, -7.5

 

CMYK 35 / 0 / 0 / 5

HEX #9FF3F3

RGB 159 243 243

HSL 180, 0.78%, 0.79%

LAB 90.75, -25.29, -8.08

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFF

RGB 176 255 255

HSL 180, 1%, 0.85%

LAB 95.15, -23.9, -7.7

 

CMYK 46 / 1 / 0 / 25

HEX #67BDBF

RGB 103 189 191

HSL 181.36, 0.41%, 0.58%

LAB 71.58, -25.4, -9.09

 

CMYK 50 / 1 / 0 / 33

HEX #56ABAC

RGB 86 171 172

HSL 180.7, 0.34%, 0.51%

LAB 65.03, -25.32, -8.43

 

CMYK 55 / 0 / 0 / 40

HEX #459999

RGB 69 153 153

HSL 180, 0.38%, 0.44%

LAB 58.37, -25.17, -7.72

 

CMYK 61 / 0 / 1 / 47

HEX #348786

RGB 52 135 134

HSL 179.28, 0.44%, 0.37%

LAB 51.59, -24.88, -6.93

 

CMYK 70 / 0 / 2 / 54

HEX #237573

RGB 35 117 115

HSL 178.54, 0.54%, 0.3%

LAB 44.69, -24.37, -6.04

 

CMYK 46 / 1 / 0 / 25

HEX #67BDBF

RGB 103 189 191

HSL 181.36, 0.41%, 0.58%

LAB 71.58, -25.4, -9.09

 

CMYK 46 / 8 / 0 / 25

HEX #67AFBF

RGB 103 175 191

HSL 190.91, 0.41%, 0.58%

LAB 67.51, -18.27, -15.2

 

CMYK 46 / 16 / 0 / 25

HEX #67A1BF

RGB 103 161 191

HSL 200.45, 0.41%, 0.58%

LAB 63.45, -10.81, -21.35

 

CMYK 46 / 24 / 0 / 25

HEX #6792BF

RGB 103 146 191

HSL 210.68, 0.41%, 0.58%

LAB 59.16, -2.44, -27.94

 

CMYK 46 / 31 / 0 / 25

HEX #6783BF

RGB 103 131 191

HSL 220.91, 0.41%, 0.58%

LAB 54.95, 6.29, -34.5

 

CMYK 46 / 1 / 0 / 25

HEX #67BDBF

RGB 103 189 191

HSL 181.36, 0.41%, 0.58%

LAB 71.58, -25.4, -9.09

 

CMYK 46 / 1 / 0 / 5

HEX #83EFF2

RGB 131 239 242

HSL 181.62, 0.81%, 0.73%

LAB 88.43, -30.34, -11.14

 

CMYK 47 / 0 / 0 / 85

HEX #142626

RGB 20 38 38

HSL 180, 0.31%, 0.11%

LAB 13.68, -7.4, -2.35

 

CMYK 46 / 1 / 0 / 65

HEX #305859

RGB 48 88 89

HSL 181.46, 0.3%, 0.27%

LAB 34.66, -13.76, -5

 

CMYK 46 / 1 / 0 / 45

HEX #4B8B8C

RGB 75 139 140

HSL 180.92, 0.3%, 0.42%

LAB 53.87, -20.19, -6.93

 

CMYK 46 / 1 / 0 / 25

HEX #67BDBF

RGB 103 189 191

HSL 181.36, 0.41%, 0.58%

LAB 71.58, -25.4, -9.09

 

CMYK 36 / 46 / 0 / 25

HEX #7B67BF

RGB 123 103 191

HSL 253.64, 0.41%, 0.58%

LAB 49.1, 28.36, -43.61

 

CMYK 0 / 17 / 46 / 25

HEX #BF9E67

RGB 191 158 103

HSL 37.5, 0.41%, 0.58%

LAB 66.91, 4.94, 33.23

 

CMYK 46 / 1 / 0 / 25

HEX #67BDBF

RGB 103 189 191

HSL 181.36, 0.41%, 0.58%

LAB 71.58, -25.4, -9.09

 

CMYK 0 / 46 / 1 / 25

HEX #BF67BE

RGB 191 103 190

HSL 300.68, 0.41%, 0.58%

LAB 56.58, 47.68, -30.76

 

CMYK 1 / 0 / 46 / 25

HEX #BEBF67

RGB 190 191 103

HSL 60.68, 0.41%, 0.58%

LAB 75.57, -12.91, 44.01

 

CMYK 46 / 1 / 0 / 25

HEX #67BDBF

RGB 103 189 191

HSL 181.36, 0.41%, 0.58%

LAB 71.58, -25.4, -9.09

 

CMYK 36 / 46 / 0 / 25

HEX #7B67BF

RGB 123 103 191

HSL 253.64, 0.41%, 0.58%

LAB 49.1, 28.36, -43.61

 

CMYK 0 / 45 / 46 / 25

HEX #BF6967

RGB 191 105 103

HSL 1.36, 0.41%, 0.58%

LAB 54.2, 33.99, 16.41

 

CMYK 10 / 0 / 46 / 25

HEX #ACBF67

RGB 172 191 103

HSL 72.95, 0.41%, 0.58%

LAB 74.2, -20.14, 42.02

 

CMYK 46 / 1 / 0 / 25

HEX #67BDBF

RGB 103 189 191

HSL 181.36, 0.41%, 0.58%

LAB 71.58, -25.4, -9.09

 

CMYK 22 / 46 / 0 / 25

HEX #9567BF

RGB 149 103 191

HSL 271.36, 0.41%, 0.58%

LAB 51.67, 35.57, -39.38

 

CMYK 0 / 45 / 46 / 25

HEX #BF6967

RGB 191 105 103

HSL 1.36, 0.41%, 0.58%

LAB 54.2, 33.99, 16.41

 

CMYK 24 / 0 / 46 / 25

HEX #92BF67

RGB 146 191 103

HSL 90.68, 0.41%, 0.58%

LAB 72.46, -30.12, 39.49

 

Description

Color code: CMYK 46 / 1 / 0 / 25 | qconv.com Color code: CMYK 46 / 1 / 0 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 189 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 189 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 1 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 1% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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