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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 46 / 0 / 23 / 15 it is the complementary color CMYK 0 / 72 / 36 / 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 46 / 0 / 23 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 46 / 0 / 23 / 15: CMYK 44 / 0 / 25 / 15, CMYK 41 / 0 / 23 / 8, CMYK 38 / 0 / 21 / 1, CMYK 32 / 0 / 14 / 0 and CMYK 25 / 0 / 7 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 46 / 0 / 23 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 46 / 0 / 23 / 15: CMYK 46 / 0 / 23 / 15, CMYK 50 / 0 / 26 / 22, CMYK 54 / 0 / 29 / 29, CMYK 60 / 0 / 33 / 36 and CMYK 66 / 0 / 37 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 23 / 15

HEX #75D9A7

RGB 117 217 167

HSL 150, 0.57%, 0.65%

LAB 79.73, -40.67, 15.69

 

Complementary color

CMYK 0 / 72 / 36 / 46

HEX #8A2658

RGB 138 38 88

HSL 330, 0.57%, 0.35%

LAB 32.91, 46.39, -5.91

 

CMYK 44 / 0 / 25 / 15

HEX #7AD9A2

RGB 122 217 162

HSL 145.26, 0.56%, 0.66%

LAB 79.83, -40.35, 18.49

 

CMYK 41 / 0 / 23 / 8

HEX #8BEBB5

RGB 139 235 181

HSL 146.25, 0.71%, 0.73%

LAB 86.13, -40.12, 17.46

 

CMYK 38 / 0 / 21 / 1

HEX #9CFDC8

RGB 156 253 200

HSL 147.22, 0.96%, 0.8%

LAB 92.35, -39.87, 16.49

 

CMYK 32 / 0 / 14 / 0

HEX #ADFFDB

RGB 173 255 219

HSL 153.66, 1%, 0.84%

LAB 94.11, -32.33, 9.32

 

CMYK 25 / 0 / 7 / 0

HEX #BEFFEE

RGB 190 255 238

HSL 164.31, 1%, 0.87%

LAB 95.43, -23.61, 1.56

 

CMYK 46 / 0 / 23 / 15

HEX #75D9A7

RGB 117 217 167

HSL 150, 0.57%, 0.65%

LAB 79.73, -40.67, 15.69

 

CMYK 50 / 0 / 26 / 22

HEX #64C794

RGB 100 199 148

HSL 149.09, 0.47%, 0.59%

LAB 73.35, -40.85, 16.78

 

CMYK 54 / 0 / 29 / 29

HEX #53B581

RGB 83 181 129

HSL 148.16, 0.4%, 0.52%

LAB 66.88, -40.97, 17.96

 

CMYK 60 / 0 / 33 / 36

HEX #42A36E

RGB 66 163 110

HSL 147.22, 0.42%, 0.45%

LAB 60.32, -40.99, 19.25

 

CMYK 66 / 0 / 37 / 43

HEX #31915B

RGB 49 145 91

HSL 146.25, 0.49%, 0.38%

LAB 53.66, -40.82, 20.68

 

CMYK 46 / 0 / 23 / 15

HEX #75D9A7

RGB 117 217 167

HSL 150, 0.57%, 0.65%

LAB 79.73, -40.67, 15.69

 

CMYK 47 / 0 / 16 / 15

HEX #72D8B6

RGB 114 216 182

HSL 160, 0.57%, 0.65%

LAB 79.65, -37.79, 7.62

 

CMYK 47 / 0 / 8 / 15

HEX #72D8C7

RGB 114 216 199

HSL 170, 0.57%, 0.65%

LAB 80.07, -33.87, -0.83

 

CMYK 47 / 0 / 0 / 15

HEX #72D8D8

RGB 114 216 216

HSL 180, 0.57%, 0.65%

LAB 80.54, -29.66, -9.21

 

CMYK 47 / 8 / 0 / 15

HEX #72C7D8

RGB 114 199 216

HSL 190, 0.57%, 0.65%

LAB 75.69, -21.27, -16.48

 

CMYK 46 / 0 / 23 / 15

HEX #75D9A7

RGB 117 217 167

HSL 150, 0.57%, 0.65%

LAB 79.73, -40.67, 15.69

 

CMYK 46 / 0 / 23 / 95

HEX #070D0A

RGB 7 13 10

HSL 150, 0.3%, 0.04%

LAB 3.21, -2.09, 0.66

 

CMYK 45 / 0 / 23 / 75

HEX #234031

RGB 35 64 49

HSL 148.97, 0.29%, 0.19%

LAB 24.47, -15.01, 5.8

 

CMYK 46 / 0 / 23 / 55

HEX #3E7359

RGB 62 115 89

HSL 150.57, 0.3%, 0.35%

LAB 44.24, -24.25, 8.97

 

CMYK 46 / 0 / 23 / 35

HEX #5AA680

RGB 90 166 128

HSL 150, 0.3%, 0.5%

LAB 62.51, -32.59, 12.47

 

CMYK 46 / 0 / 23 / 15

HEX #75D9A7

RGB 117 217 167

HSL 150, 0.57%, 0.65%

LAB 79.73, -40.67, 15.69

 

CMYK 47 / 33 / 0 / 15

HEX #7291D8

RGB 114 145 216

HSL 221.76, 0.57%, 0.65%

LAB 60.59, 8.24, -39.71

 

CMYK 0 / 42 / 47 / 15

HEX #D87D72

RGB 216 125 114

HSL 6.47, 0.57%, 0.65%

LAB 62.07, 34.06, 21.36

 

CMYK 46 / 0 / 23 / 15

HEX #75D9A7

RGB 117 217 167

HSL 150, 0.57%, 0.65%

LAB 79.73, -40.67, 15.69

 

CMYK 24 / 47 / 0 / 15

HEX #A572D8

RGB 165 114 216

HSL 270, 0.57%, 0.65%

LAB 57.07, 39.74, -44.98

 

CMYK 0 / 24 / 47 / 15

HEX #D8A572

RGB 216 165 114

HSL 30, 0.57%, 0.65%

LAB 71.37, 12.57, 33.62

 

CMYK 46 / 0 / 23 / 15

HEX #75D9A7

RGB 117 217 167

HSL 150, 0.57%, 0.65%

LAB 79.73, -40.67, 15.69

 

CMYK 47 / 33 / 0 / 15

HEX #7291D8

RGB 114 145 216

HSL 221.76, 0.57%, 0.65%

LAB 60.59, 8.24, -39.71

 

CMYK 0 / 47 / 24 / 15

HEX #D872A5

RGB 216 114 165

HSL 330, 0.57%, 0.65%

LAB 61.09, 45.9, -9.24

 

CMYK 0 / 14 / 47 / 15

HEX #D8BA72

RGB 216 186 114

HSL 42.35, 0.57%, 0.65%

LAB 76.64, 1.39, 40.31

 

CMYK 46 / 0 / 23 / 15

HEX #75D9A7

RGB 117 217 167

HSL 150, 0.57%, 0.65%

LAB 79.73, -40.67, 15.69

 

CMYK 47 / 47 / 0 / 15

HEX #7272D8

RGB 114 114 216

HSL 240, 0.57%, 0.65%

LAB 52.48, 26.7, -52.56

 

CMYK 0 / 47 / 24 / 15

HEX #D872A5

RGB 216 114 165

HSL 330, 0.57%, 0.65%

LAB 61.09, 45.9, -9.24

 

CMYK 0 / 0 / 47 / 15

HEX #D8D872

RGB 216 216 114

HSL 60, 0.57%, 0.65%

LAB 84.45, -14.01, 49.89

 

Description

Color code: CMYK 46 / 0 / 23 / 15 | qconv.com Color code: CMYK 46 / 0 / 23 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 217 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 217 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 23 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 23% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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