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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 46 / 0 / 1 / 39 it is the complementary color CMYK 0 / 42 / 41 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 46 / 0 / 1 / 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 46 / 0 / 1 / 39: CMYK 43 / 0 / 4 / 39, CMYK 39 / 0 / 3 / 32, CMYK 36 / 0 / 3 / 25, CMYK 33 / 0 / 2 / 18 and CMYK 31 / 0 / 1 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 46 / 0 / 1 / 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 46 / 0 / 1 / 39: CMYK 46 / 0 / 1 / 39, CMYK 51 / 0 / 2 / 46, CMYK 58 / 0 / 3 / 53, CMYK 68 / 0 / 5 / 60 and CMYK 81 / 0 / 7 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 1 / 39

HEX #549C9A

RGB 84 156 154

HSL 178.33, 0.3%, 0.47%

LAB 59.88, -23.02, -5.97

 

Complementary color

CMYK 0 / 42 / 41 / 33

HEX #AB6365

RGB 171 99 101

HSL 358.33, 0.3%, 0.53%

LAB 50.12, 29.28, 11.54

 

CMYK 43 / 0 / 4 / 39

HEX #599C95

RGB 89 156 149

HSL 173.73, 0.27%, 0.48%

LAB 59.95, -23.05, -3.01

 

CMYK 39 / 0 / 3 / 32

HEX #6AAEA8

RGB 106 174 168

HSL 174.71, 0.3%, 0.55%

LAB 66.64, -22.95, -3.72

 

CMYK 36 / 0 / 3 / 25

HEX #7BC0BB

RGB 123 192 187

HSL 175.65, 0.35%, 0.62%

LAB 73.22, -22.84, -4.39

 

CMYK 33 / 0 / 2 / 18

HEX #8CD2CE

RGB 140 210 206

HSL 176.57, 0.44%, 0.69%

LAB 79.68, -22.73, -5.01

 

CMYK 31 / 0 / 1 / 11

HEX #9DE4E1

RGB 157 228 225

HSL 177.46, 0.57%, 0.75%

LAB 86.05, -22.62, -5.61

 

CMYK 46 / 0 / 1 / 39

HEX #549C9A

RGB 84 156 154

HSL 178.33, 0.3%, 0.47%

LAB 59.88, -23.02, -5.97

 

CMYK 51 / 0 / 2 / 46

HEX #438A87

RGB 67 138 135

HSL 177.46, 0.35%, 0.4%

LAB 53.08, -22.97, -5.24

 

CMYK 58 / 0 / 3 / 53

HEX #327874

RGB 50 120 116

HSL 176.57, 0.41%, 0.33%

LAB 46.14, -22.83, -4.43

 

CMYK 68 / 0 / 5 / 60

HEX #216661

RGB 33 102 97

HSL 175.65, 0.51%, 0.26%

LAB 39.05, -22.49, -3.5

 

CMYK 81 / 0 / 7 / 67

HEX #10544E

RGB 16 84 78

HSL 174.71, 0.68%, 0.2%

LAB 31.81, -21.78, -2.4

 

CMYK 46 / 0 / 1 / 39

HEX #549C9A

RGB 84 156 154

HSL 178.33, 0.3%, 0.47%

LAB 59.88, -23.02, -5.97

 

CMYK 46 / 6 / 0 / 39

HEX #53929B

RGB 83 146 155

HSL 187.5, 0.3%, 0.47%

LAB 56.84, -17.77, -11.08

 

CMYK 46 / 14 / 0 / 39

HEX #53869B

RGB 83 134 155

HSL 197.5, 0.3%, 0.47%

LAB 53.23, -11.22, -16.55

 

CMYK 46 / 21 / 0 / 39

HEX #537A9B

RGB 83 122 155

HSL 207.5, 0.3%, 0.47%

LAB 49.65, -4.36, -22.02

 

CMYK 46 / 29 / 0 / 39

HEX #536E9B

RGB 83 110 155

HSL 217.5, 0.3%, 0.47%

LAB 46.12, 2.8, -27.48

 

CMYK 46 / 0 / 1 / 39

HEX #549C9A

RGB 84 156 154

HSL 178.33, 0.3%, 0.47%

LAB 59.88, -23.02, -5.97

 

CMYK 46 / 0 / 1 / 19

HEX #6FCFCC

RGB 111 207 204

HSL 178.13, 0.5%, 0.62%

LAB 77.5, -29.04, -7.32

 

CMYK 33 / 0 / 0 / 99

HEX #020303

RGB 2 3 3

HSL 180, 0.2%, 0.01%

LAB 0.76, -0.26, -0.09

 

CMYK 46 / 0 / 2 / 79

HEX #1D3635

RGB 29 54 53

HSL 177.6, 0.3%, 0.16%

LAB 20.66, -9.95, -2.42

 

CMYK 46 / 0 / 1 / 59

HEX #396968

RGB 57 105 104

HSL 178.75, 0.3%, 0.32%

LAB 41.17, -16.55, -4.54

 

CMYK 46 / 0 / 1 / 39

HEX #549C9A

RGB 84 156 154

HSL 178.33, 0.3%, 0.47%

LAB 59.88, -23.02, -5.97

 

CMYK 39 / 46 / 0 / 39

HEX #5F539B

RGB 95 83 155

HSL 250, 0.3%, 0.47%

LAB 39.56, 22.87, -37.75

 

CMYK 0 / 20 / 46 / 39

HEX #9B7C53

RGB 155 124 83

HSL 34.17, 0.3%, 0.47%

LAB 54.04, 6.44, 26.88

 

CMYK 46 / 0 / 1 / 39

HEX #549C9A

RGB 84 156 154

HSL 178.33, 0.3%, 0.47%

LAB 59.88, -23.02, -5.97

 

CMYK 1 / 46 / 0 / 39

HEX #99539B

RGB 153 83 155

HSL 298.33, 0.3%, 0.47%

LAB 46.08, 40.1, -27.04

 

CMYK 0 / 1 / 46 / 39

HEX #9B9953

RGB 155 153 83

HSL 58.33, 0.3%, 0.47%

LAB 61.98, -9.59, 36.85

 

CMYK 46 / 0 / 1 / 39

HEX #549C9A

RGB 84 156 154

HSL 178.33, 0.3%, 0.47%

LAB 59.88, -23.02, -5.97

 

CMYK 39 / 46 / 0 / 39

HEX #5F539B

RGB 95 83 155

HSL 250, 0.3%, 0.47%

LAB 39.56, 22.87, -37.75

 

CMYK 0 / 46 / 45 / 39

HEX #9B5356

RGB 155 83 86

HSL 357.5, 0.3%, 0.47%

LAB 43.98, 30.12, 11.68

 

CMYK 8 / 0 / 46 / 39

HEX #8F9B53

RGB 143 155 83

HSL 70, 0.3%, 0.47%

LAB 61.57, -15.68, 36.13

 

CMYK 46 / 0 / 1 / 39

HEX #549C9A

RGB 84 156 154

HSL 178.33, 0.3%, 0.47%

LAB 59.88, -23.02, -5.97

 

CMYK 25 / 46 / 0 / 39

HEX #75539B

RGB 117 83 155

HSL 268.33, 0.3%, 0.47%

LAB 41.74, 29.16, -34.14

 

CMYK 0 / 46 / 45 / 39

HEX #9B5356

RGB 155 83 86

HSL 357.5, 0.3%, 0.47%

LAB 43.98, 30.12, 11.68

 

CMYK 21 / 0 / 46 / 39

HEX #7A9B53

RGB 122 155 83

HSL 87.5, 0.3%, 0.47%

LAB 60.07, -24.16, 33.95

 

Description

Color code: CMYK 46 / 0 / 1 / 39 | qconv.com Color code: CMYK 46 / 0 / 1 / 39 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 156 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 156 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 1 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 1% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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