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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 45 / 67 / 0 / 19 it is the complementary color CMYK 25 / 0 / 74 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 45 / 67 / 0 / 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 45 / 67 / 0 / 19: CMYK 41 / 66 / 0 / 21, CMYK 38 / 61 / 0 / 13, CMYK 36 / 57 / 0 / 6, CMYK 33 / 52 / 0 / 0 and CMYK 27 / 45 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 45 / 67 / 0 / 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 45 / 67 / 0 / 19: CMYK 45 / 67 / 0 / 19, CMYK 48 / 73 / 0 / 26, CMYK 53 / 81 / 0 / 34, CMYK 58 / 91 / 0 / 41 and CMYK 65 / 100 / 0 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 67 / 0 / 19

HEX #7244CF

RGB 114 68 207

HSL 259.86, 0.59%, 0.54%

LAB 41.56, 50.63, -65.02

 

Complementary color

CMYK 25 / 0 / 74 / 27

HEX #8DBB30

RGB 141 187 48

HSL 79.86, 0.59%, 0.46%

LAB 70.47, -34.98, 61.17

 

CMYK 41 / 66 / 0 / 21

HEX #7744CA

RGB 119 68 202

HSL 262.84, 0.56%, 0.53%

LAB 41.72, 50.25, -61.84

 

CMYK 38 / 61 / 0 / 13

HEX #8856DD

RGB 136 86 221

HSL 262.22, 0.67%, 0.6%

LAB 48.4, 49.19, -61.84

 

CMYK 36 / 57 / 0 / 6

HEX #9968F0

RGB 153 104 240

HSL 261.62, 0.82%, 0.67%

LAB 55.04, 48.11, -61.74

 

CMYK 33 / 52 / 0 / 0

HEX #AA7AFF

RGB 170 122 255

HSL 261.65, 1%, 0.74%

LAB 61.38, 46.04, -59.78

 

CMYK 27 / 45 / 0 / 0

HEX #BB8CFF

RGB 187 140 255

HSL 264.52, 1%, 0.77%

LAB 66.93, 40.49, -50.86

 

CMYK 45 / 67 / 0 / 19

HEX #7244CF

RGB 114 68 207

HSL 259.86, 0.59%, 0.54%

LAB 41.56, 50.63, -65.02

 

CMYK 48 / 73 / 0 / 26

HEX #6132BC

RGB 97 50 188

HSL 260.43, 0.58%, 0.47%

LAB 34.91, 51.64, -64.87

 

CMYK 53 / 81 / 0 / 34

HEX #5020A9

RGB 80 32 169

HSL 261.02, 0.68%, 0.39%

LAB 28.39, 52.23, -64.33

 

CMYK 58 / 91 / 0 / 41

HEX #3F0E96

RGB 63 14 150

HSL 261.62, 0.83%, 0.32%

LAB 22.21, 51.78, -63.01

 

CMYK 65 / 100 / 0 / 49

HEX #2E0083

RGB 46 0 131

HSL 261.07, 1%, 0.26%

LAB 16.6, 49.58, -60.48

 

CMYK 45 / 67 / 0 / 19

HEX #7244CF

RGB 114 68 207

HSL 259.86, 0.59%, 0.54%

LAB 41.56, 50.63, -65.02

 

CMYK 34 / 67 / 0 / 19

HEX #8744CE

RGB 135 68 206

HSL 269.13, 0.58%, 0.54%

LAB 43.86, 54.46, -60.6

 

CMYK 23 / 67 / 0 / 19

HEX #9E44CE

RGB 158 68 206

HSL 279.13, 0.58%, 0.54%

LAB 46.79, 59.28, -55.72

 

CMYK 12 / 67 / 0 / 19

HEX #B544CE

RGB 181 68 206

HSL 289.13, 0.58%, 0.54%

LAB 49.99, 64.33, -50.41

 

CMYK 1 / 67 / 0 / 19

HEX #CC44CE

RGB 204 68 206

HSL 299.13, 0.58%, 0.54%

LAB 53.41, 69.5, -44.76

 

CMYK 45 / 67 / 0 / 19

HEX #7244CF

RGB 114 68 207

HSL 259.86, 0.59%, 0.54%

LAB 41.56, 50.63, -65.02

 

CMYK 33 / 67 / 0 / 99

HEX #020103

RGB 2 1 3

HSL 270, 0.5%, 0.01%

LAB 0.37, 0.54, -0.67

 

CMYK 44 / 67 / 0 / 79

HEX #1E1236

RGB 30 18 54

HSL 260, 0.5%, 0.14%

LAB 8.78, 16.26, -21.49

 

CMYK 45 / 68 / 0 / 59

HEX #3A2269

RGB 58 34 105

HSL 260.28, 0.51%, 0.27%

LAB 20.3, 29.22, -37.64

 

CMYK 45 / 67 / 0 / 39

HEX #56339C

RGB 86 51 156

HSL 260, 0.51%, 0.41%

LAB 31.22, 40.28, -51.79

 

CMYK 45 / 67 / 0 / 19

HEX #7244CF

RGB 114 68 207

HSL 259.86, 0.59%, 0.54%

LAB 41.56, 50.63, -65.02

 

CMYK 0 / 67 / 34 / 19

HEX #CE4487

RGB 206 68 135

HSL 330.87, 0.58%, 0.54%

LAB 50.69, 59.98, -7.33

 

CMYK 61 / 0 / 67 / 19

HEX #50CE44

RGB 80 206 68

HSL 114.78, 0.58%, 0.54%

LAB 73.72, -60.39, 56.19

 

CMYK 45 / 67 / 0 / 19

HEX #7244CF

RGB 114 68 207

HSL 259.86, 0.59%, 0.54%

LAB 41.56, 50.63, -65.02

 

CMYK 0 / 46 / 67 / 19

HEX #CE7044

RGB 206 112 68

HSL 19.13, 0.58%, 0.54%

LAB 57.2, 33.37, 40.34

 

CMYK 67 / 0 / 46 / 19

HEX #44CE70

RGB 68 206 112

HSL 139.13, 0.58%, 0.54%

LAB 73.9, -57.26, 36.11

 

CMYK 45 / 67 / 0 / 19

HEX #7244CF

RGB 114 68 207

HSL 259.86, 0.59%, 0.54%

LAB 41.56, 50.63, -65.02

 

CMYK 0 / 67 / 34 / 19

HEX #CE4487

RGB 206 68 135

HSL 330.87, 0.58%, 0.54%

LAB 50.69, 59.98, -7.33

 

CMYK 21 / 0 / 67 / 19

HEX #A3CE44

RGB 163 206 68

HSL 78.7, 0.58%, 0.54%

LAB 77.49, -33.92, 61.31

 

CMYK 67 / 0 / 32 / 19

HEX #44CE8C

RGB 68 206 140

HSL 151.3, 0.58%, 0.54%

LAB 74.36, -52.14, 22.27

 

CMYK 45 / 67 / 0 / 19

HEX #7244CF

RGB 114 68 207

HSL 259.86, 0.59%, 0.54%

LAB 41.56, 50.63, -65.02

 

CMYK 0 / 67 / 55 / 19

HEX #CE445D

RGB 206 68 93

HSL 349.13, 0.58%, 0.54%

LAB 49.55, 55.96, 16.38

 

CMYK 21 / 0 / 67 / 19

HEX #A3CE44

RGB 163 206 68

HSL 78.7, 0.58%, 0.54%

LAB 77.49, -33.92, 61.31

 

CMYK 67 / 0 / 12 / 19

HEX #44CEB5

RGB 68 206 181

HSL 169.13, 0.58%, 0.54%

LAB 75.27, -42.71, 1.64

 

Description

Color code: CMYK 45 / 67 / 0 / 19 | qconv.com Color code: CMYK 45 / 67 / 0 / 19 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 68 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 68 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 67 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 67% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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