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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 45 / 59 / 0 / 25 it is the complementary color CMYK 15 / 0 / 64 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 45 / 59 / 0 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 45 / 59 / 0 / 25: CMYK 41 / 58 / 0 / 27, CMYK 38 / 53 / 0 / 20, CMYK 36 / 49 / 0 / 12, CMYK 34 / 46 / 0 / 5 and CMYK 30 / 41 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 45 / 59 / 0 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 45 / 59 / 0 / 25: CMYK 45 / 59 / 0 / 25, CMYK 49 / 65 / 0 / 33, CMYK 54 / 73 / 0 / 40, CMYK 60 / 82 / 0 / 47 and CMYK 68 / 95 / 0 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 59 / 0 / 25

HEX #694EBF

RGB 105 78 191

HSL 254.34, 0.47%, 0.53%

LAB 41.55, 38.81, -55.79

 

Complementary color

CMYK 15 / 0 / 64 / 31

HEX #96B140

RGB 150 177 64

HSL 74.34, 0.47%, 0.47%

LAB 68.24, -25.63, 52.94

 

CMYK 41 / 58 / 0 / 27

HEX #6E4EBA

RGB 110 78 186

HSL 257.78, 0.44%, 0.52%

LAB 41.7, 38.51, -52.6

 

CMYK 38 / 53 / 0 / 20

HEX #7F60CD

RGB 127 96 205

HSL 257.06, 0.52%, 0.59%

LAB 48.62, 37.31, -52.4

 

CMYK 36 / 49 / 0 / 12

HEX #9072E0

RGB 144 114 224

HSL 256.36, 0.64%, 0.66%

LAB 55.43, 36.2, -52.21

 

CMYK 34 / 46 / 0 / 5

HEX #A184F3

RGB 161 132 243

HSL 255.68, 0.82%, 0.74%

LAB 62.13, 35.2, -52.04

 

CMYK 30 / 41 / 0 / 0

HEX #B296FF

RGB 178 150 255

HSL 256, 1%, 0.79%

LAB 68.39, 32.54, -48.62

 

CMYK 45 / 59 / 0 / 25

HEX #694EBF

RGB 105 78 191

HSL 254.34, 0.47%, 0.53%

LAB 41.55, 38.81, -55.79

 

CMYK 49 / 65 / 0 / 33

HEX #583CAC

RGB 88 60 172

HSL 255, 0.48%, 0.45%

LAB 34.57, 40.22, -55.98

 

CMYK 54 / 73 / 0 / 40

HEX #472A99

RGB 71 42 153

HSL 255.68, 0.57%, 0.38%

LAB 27.56, 41.61, -56.01

 

CMYK 60 / 82 / 0 / 47

HEX #361886

RGB 54 24 134

HSL 256.36, 0.7%, 0.31%

LAB 20.67, 42.69, -55.61

 

CMYK 68 / 95 / 0 / 55

HEX #250673

RGB 37 6 115

HSL 257.06, 0.9%, 0.24%

LAB 14.18, 42.7, -54.27

 

CMYK 45 / 59 / 0 / 25

HEX #694EBF

RGB 105 78 191

HSL 254.34, 0.47%, 0.53%

LAB 41.55, 38.81, -55.79

 

CMYK 36 / 59 / 0 / 25

HEX #7B4EBF

RGB 123 78 191

HSL 263.89, 0.47%, 0.53%

LAB 43.39, 42.86, -52.73

 

CMYK 26 / 59 / 0 / 25

HEX #8E4EBF

RGB 142 78 191

HSL 273.98, 0.47%, 0.53%

LAB 45.58, 47.42, -49.1

 

CMYK 16 / 59 / 0 / 25

HEX #A14EBF

RGB 161 78 191

HSL 284.07, 0.47%, 0.53%

LAB 47.99, 52.15, -45.11

 

CMYK 6 / 59 / 0 / 25

HEX #B44EBF

RGB 180 78 191

HSL 294.16, 0.47%, 0.53%

LAB 50.59, 56.98, -40.83

 

CMYK 45 / 59 / 0 / 25

HEX #694EBF

RGB 105 78 191

HSL 254.34, 0.47%, 0.53%

LAB 41.55, 38.81, -55.79

 

CMYK 45 / 59 / 0 / 5

HEX #8563F2

RGB 133 99 242

HSL 254.27, 0.85%, 0.67%

LAB 52.2, 47.09, -67.53

 

CMYK 45 / 58 / 0 / 85

HEX #151026

RGB 21 16 38

HSL 253.64, 0.41%, 0.11%

LAB 6.05, 8.51, -14.02

 

CMYK 45 / 60 / 0 / 65

HEX #312459

RGB 49 36 89

HSL 254.72, 0.42%, 0.25%

LAB 18.52, 20.66, -30

 

CMYK 45 / 59 / 0 / 45

HEX #4D398C

RGB 77 57 140

HSL 254.46, 0.42%, 0.39%

LAB 30.39, 30.07, -43.38

 

CMYK 45 / 59 / 0 / 25

HEX #694EBF

RGB 105 78 191

HSL 254.34, 0.47%, 0.53%

LAB 41.55, 38.81, -55.79

 

CMYK 0 / 59 / 26 / 25

HEX #BF4E8E

RGB 191 78 142

HSL 326.02, 0.47%, 0.53%

LAB 50.07, 52.18, -12.7

 

CMYK 49 / 0 / 59 / 25

HEX #61BF4E

RGB 97 191 78

HSL 109.91, 0.47%, 0.53%

LAB 69.72, -49.4, 47.62

 

CMYK 45 / 59 / 0 / 25

HEX #694EBF

RGB 105 78 191

HSL 254.34, 0.47%, 0.53%

LAB 41.55, 38.81, -55.79

 

CMYK 0 / 45 / 59 / 25

HEX #BF694E

RGB 191 105 78

HSL 14.34, 0.47%, 0.53%

LAB 53.74, 31.75, 30.21

 

CMYK 59 / 0 / 45 / 25

HEX #4EBF69

RGB 78 191 105

HSL 134.34, 0.47%, 0.53%

LAB 69.4, -50.66, 33.96

 

CMYK 45 / 59 / 0 / 25

HEX #694EBF

RGB 105 78 191

HSL 254.34, 0.47%, 0.53%

LAB 41.55, 38.81, -55.79

 

CMYK 0 / 59 / 26 / 25

HEX #BF4E8E

RGB 191 78 142

HSL 326.02, 0.47%, 0.53%

LAB 50.07, 52.18, -12.7

 

CMYK 14 / 0 / 59 / 25

HEX #A5BF4E

RGB 165 191 78

HSL 73.81, 0.47%, 0.53%

LAB 73.42, -25.28, 52.81

 

CMYK 59 / 0 / 34 / 25

HEX #4EBF7F

RGB 78 191 127

HSL 146.02, 0.47%, 0.53%

LAB 69.76, -46.75, 22.95

 

CMYK 45 / 59 / 0 / 25

HEX #694EBF

RGB 105 78 191

HSL 254.34, 0.47%, 0.53%

LAB 41.55, 38.81, -55.79

 

CMYK 0 / 59 / 43 / 25

HEX #BF4E6C

RGB 191 78 108

HSL 344.07, 0.47%, 0.53%

LAB 49.02, 48.1, 6.19

 

CMYK 14 / 0 / 59 / 25

HEX #A5BF4E

RGB 165 191 78

HSL 73.81, 0.47%, 0.53%

LAB 73.42, -25.28, 52.81

 

CMYK 59 / 0 / 16 / 25

HEX #4EBFA1

RGB 78 191 161

HSL 164.07, 0.47%, 0.53%

LAB 70.49, -39.31, 5.61

 

Description

Color code: CMYK 45 / 59 / 0 / 25 | qconv.com Color code: CMYK 45 / 59 / 0 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 78 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 78 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 59 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 59% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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