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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 45 / 57 / 0 / 38 it is the complementary color CMYK 10 / 0 / 48 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 45 / 57 / 0 / 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 45 / 57 / 0 / 38: CMYK 40 / 56 / 0 / 40, CMYK 37 / 50 / 0 / 33, CMYK 34 / 46 / 0 / 25, CMYK 32 / 42 / 0 / 18 and CMYK 30 / 39 / 0 / 10

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 45 / 57 / 0 / 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 45 / 57 / 0 / 38: CMYK 45 / 57 / 0 / 38, CMYK 50 / 64 / 0 / 45, CMYK 56 / 73 / 0 / 53, CMYK 64 / 86 / 0 / 60 and CMYK 77 / 100 / 0 / 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 57 / 0 / 38

HEX #57449E

RGB 87 68 158

HSL 252.67, 0.4%, 0.44%

LAB 35.26, 31.06, -46.47

 

Complementary color

CMYK 10 / 0 / 48 / 27

HEX #A8BB61

RGB 168 187 97

HSL 72.67, 0.4%, 0.56%

LAB 72.71, -20.36, 43.1

 

CMYK 40 / 56 / 0 / 40

HEX #5C4499

RGB 92 68 153

HSL 256.94, 0.38%, 0.43%

LAB 35.42, 30.8, -43.16

 

CMYK 37 / 50 / 0 / 33

HEX #6D56AC

RGB 109 86 172

HSL 256.05, 0.34%, 0.51%

LAB 42.59, 29.62, -42.95

 

CMYK 34 / 46 / 0 / 25

HEX #7E68BF

RGB 126 104 191

HSL 255.17, 0.4%, 0.58%

LAB 49.61, 28.57, -42.77

 

CMYK 32 / 42 / 0 / 18

HEX #8F7AD2

RGB 143 122 210

HSL 254.32, 0.49%, 0.65%

LAB 56.5, 27.64, -42.63

 

CMYK 30 / 39 / 0 / 10

HEX #A08CE5

RGB 160 140 229

HSL 253.48, 0.63%, 0.72%

LAB 63.25, 26.81, -42.53

 

CMYK 45 / 57 / 0 / 38

HEX #57449E

RGB 87 68 158

HSL 252.67, 0.4%, 0.44%

LAB 35.26, 31.06, -46.47

 

CMYK 50 / 64 / 0 / 45

HEX #46328B

RGB 70 50 139

HSL 253.48, 0.47%, 0.37%

LAB 27.97, 32.53, -46.72

 

CMYK 56 / 73 / 0 / 53

HEX #352078

RGB 53 32 120

HSL 254.32, 0.58%, 0.3%

LAB 20.62, 34.08, -46.82

 

CMYK 64 / 86 / 0 / 60

HEX #240E65

RGB 36 14 101

HSL 255.17, 0.76%, 0.23%

LAB 13.4, 35.27, -46.39

 

CMYK 77 / 100 / 0 / 68

HEX #130052

RGB 19 0 82

HSL 253.9, 1%, 0.16%

LAB 6.75, 34.99, -44.65

 

CMYK 45 / 57 / 0 / 38

HEX #57449E

RGB 87 68 158

HSL 252.67, 0.4%, 0.44%

LAB 35.26, 31.06, -46.47

 

CMYK 36 / 57 / 0 / 38

HEX #64439D

RGB 100 67 157

HSL 262, 0.4%, 0.44%

LAB 36.29, 34.52, -44.14

 

CMYK 27 / 57 / 0 / 38

HEX #73439D

RGB 115 67 157

HSL 272, 0.4%, 0.44%

LAB 38.01, 38.38, -41.29

 

CMYK 17 / 57 / 0 / 38

HEX #82439D

RGB 130 67 157

HSL 282, 0.4%, 0.44%

LAB 39.91, 42.38, -38.15

 

CMYK 8 / 57 / 0 / 38

HEX #91439D

RGB 145 67 157

HSL 292, 0.4%, 0.44%

LAB 41.95, 46.46, -34.78

 

CMYK 45 / 57 / 0 / 38

HEX #57449E

RGB 87 68 158

HSL 252.67, 0.4%, 0.44%

LAB 35.26, 31.06, -46.47

 

CMYK 45 / 57 / 0 / 18

HEX #735AD1

RGB 115 90 209

HSL 252.61, 0.56%, 0.59%

LAB 46.39, 39.15, -58.33

 

CMYK 40 / 60 / 0 / 98

HEX #030205

RGB 3 2 5

HSL 260, 0.43%, 0.01%

LAB 0.67, 0.68, -1.04

 

CMYK 45 / 57 / 0 / 78

HEX #1F1838

RGB 31 24 56

HSL 253.13, 0.4%, 0.16%

LAB 10.78, 12.87, -19.73

 

CMYK 45 / 57 / 0 / 58

HEX #3B2E6B

RGB 59 46 107

HSL 252.79, 0.4%, 0.3%

LAB 23.49, 22.41, -33.78

 

CMYK 45 / 57 / 0 / 38

HEX #57449E

RGB 87 68 158

HSL 252.67, 0.4%, 0.44%

LAB 35.26, 31.06, -46.47

 

CMYK 0 / 57 / 23 / 38

HEX #9D4379

RGB 157 67 121

HSL 324, 0.4%, 0.44%

LAB 42.1, 43.79, -12.55

 

CMYK 46 / 0 / 57 / 38

HEX #559D43

RGB 85 157 67

HSL 108, 0.4%, 0.44%

LAB 58.46, -40.26, 39.59

 

CMYK 45 / 57 / 0 / 38

HEX #57449E

RGB 87 68 158

HSL 252.67, 0.4%, 0.44%

LAB 35.26, 31.06, -46.47

 

CMYK 0 / 46 / 57 / 38

HEX #9D5543

RGB 157 85 67

HSL 12, 0.4%, 0.44%

LAB 44.33, 27.95, 23.64

 

CMYK 57 / 0 / 46 / 38

HEX #439D55

RGB 67 157 85

HSL 132, 0.4%, 0.44%

LAB 58, -42.83, 29.71

 

CMYK 45 / 57 / 0 / 38

HEX #57449E

RGB 87 68 158

HSL 252.67, 0.4%, 0.44%

LAB 35.26, 31.06, -46.47

 

CMYK 0 / 57 / 23 / 38

HEX #9D4379

RGB 157 67 121

HSL 324, 0.4%, 0.44%

LAB 42.1, 43.79, -12.55

 

CMYK 11 / 0 / 57 / 38

HEX #8B9D43

RGB 139 157 67

HSL 72, 0.4%, 0.44%

LAB 61.66, -19.96, 44.11

 

CMYK 57 / 0 / 34 / 38

HEX #439D67

RGB 67 157 103

HSL 144, 0.4%, 0.44%

LAB 58.31, -39.58, 20.38

 

CMYK 45 / 57 / 0 / 38

HEX #57449E

RGB 87 68 158

HSL 252.67, 0.4%, 0.44%

LAB 35.26, 31.06, -46.47

 

CMYK 0 / 57 / 40 / 38

HEX #9D435E

RGB 157 67 94

HSL 342, 0.4%, 0.44%

LAB 41.2, 40.21, 2.84

 

CMYK 11 / 0 / 57 / 38

HEX #8B9D43

RGB 139 157 67

HSL 72, 0.4%, 0.44%

LAB 61.66, -19.96, 44.11

 

CMYK 57 / 0 / 17 / 38

HEX #439D82

RGB 67 157 130

HSL 162, 0.4%, 0.44%

LAB 58.9, -33.59, 6.11

 

Description

Color code: CMYK 45 / 57 / 0 / 38 | qconv.com Color code: CMYK 45 / 57 / 0 / 38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 68 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 68 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 57 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 57% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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