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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 45 / 16 / 0 / 41 it is the complementary color CMYK 0 / 25 / 39 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 45 / 16 / 0 / 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 45 / 16 / 0 / 41: CMYK 39 / 13 / 0 / 43, CMYK 36 / 12 / 0 / 36, CMYK 33 / 11 / 0 / 28, CMYK 31 / 11 / 0 / 21 and CMYK 29 / 10 / 0 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 45 / 16 / 0 / 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 45 / 16 / 0 / 41: CMYK 45 / 16 / 0 / 41, CMYK 50 / 18 / 0 / 49, CMYK 56 / 20 / 0 / 56, CMYK 66 / 23 / 0 / 64 and CMYK 80 / 27 / 0 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 16 / 0 / 41

HEX #537E96

RGB 83 126 150

HSL 201.49, 0.29%, 0.46%

LAB 50.64, -8.15, -17.57

 

Complementary color

CMYK 0 / 25 / 39 / 33

HEX #AC8169

RGB 172 129 105

HSL 21.49, 0.29%, 0.54%

LAB 57.55, 13.32, 19.46

 

CMYK 39 / 13 / 0 / 43

HEX #587E91

RGB 88 126 145

HSL 200, 0.24%, 0.46%

LAB 50.73, -8.19, -14.48

 

CMYK 36 / 12 / 0 / 36

HEX #6990A4

RGB 105 144 164

HSL 200.34, 0.24%, 0.53%

LAB 57.68, -8.3, -14.85

 

CMYK 33 / 11 / 0 / 28

HEX #7AA2B7

RGB 122 162 183

HSL 200.66, 0.3%, 0.6%

LAB 64.48, -8.4, -15.22

 

CMYK 31 / 11 / 0 / 21

HEX #8BB4CA

RGB 139 180 202

HSL 200.95, 0.37%, 0.67%

LAB 71.14, -8.47, -15.59

 

CMYK 29 / 10 / 0 / 13

HEX #9CC6DD

RGB 156 198 221

HSL 201.23, 0.49%, 0.74%

LAB 77.68, -8.55, -15.97

 

CMYK 45 / 16 / 0 / 41

HEX #537E96

RGB 83 126 150

HSL 201.49, 0.29%, 0.46%

LAB 50.64, -8.15, -17.57

 

CMYK 50 / 18 / 0 / 49

HEX #426C83

RGB 66 108 131

HSL 201.23, 0.33%, 0.39%

LAB 43.54, -7.87, -17.26

 

CMYK 56 / 20 / 0 / 56

HEX #315A70

RGB 49 90 112

HSL 200.95, 0.39%, 0.32%

LAB 36.24, -7.47, -16.94

 

CMYK 66 / 23 / 0 / 64

HEX #20485D

RGB 32 72 93

HSL 200.66, 0.49%, 0.25%

LAB 28.73, -6.84, -16.61

 

CMYK 80 / 27 / 0 / 71

HEX #0F364A

RGB 15 54 74

HSL 200.34, 0.66%, 0.17%

LAB 20.96, -5.77, -16.24

 

CMYK 45 / 16 / 0 / 41

HEX #537E96

RGB 83 126 150

HSL 201.49, 0.29%, 0.46%

LAB 50.64, -8.15, -17.57

 

CMYK 45 / 23 / 0 / 41

HEX #537497

RGB 83 116 151

HSL 210.88, 0.29%, 0.46%

LAB 47.71, -2.02, -22.67

 

CMYK 45 / 31 / 0 / 41

HEX #536897

RGB 83 104 151

HSL 221.47, 0.29%, 0.46%

LAB 44.2, 5.24, -28.11

 

CMYK 45 / 38 / 0 / 41

HEX #535D97

RGB 83 93 151

HSL 231.18, 0.29%, 0.46%

LAB 41.06, 12.11, -33.03

 

CMYK 44 / 45 / 0 / 41

HEX #545397

RGB 84 83 151

HSL 240.88, 0.29%, 0.46%

LAB 38.39, 18.73, -37.26

 

CMYK 45 / 16 / 0 / 41

HEX #537E96

RGB 83 126 150

HSL 201.49, 0.29%, 0.46%

LAB 50.64, -8.15, -17.57

 

CMYK 45 / 16 / 0 / 21

HEX #6FA9C9

RGB 111 169 201

HSL 201.33, 0.45%, 0.61%

LAB 66.5, -10.37, -22.23

 

CMYK 45 / 16 / 0 / 1

HEX #8BD4FC

RGB 139 212 252

HSL 201.24, 0.95%, 0.77%

LAB 81.62, -12.47, -26.65

 

CMYK 44 / 17 / 0 / 81

HEX #1B2830

RGB 27 40 48

HSL 202.86, 0.28%, 0.15%

LAB 15.3, -3.02, -7

 

CMYK 44 / 16 / 0 / 61

HEX #375363

RGB 55 83 99

HSL 201.82, 0.29%, 0.3%

LAB 33.77, -5.75, -12.58

 

CMYK 45 / 16 / 0 / 41

HEX #537E96

RGB 83 126 150

HSL 201.49, 0.29%, 0.46%

LAB 50.64, -8.15, -17.57

 

CMYK 21 / 45 / 0 / 41

HEX #785397

RGB 120 83 151

HSL 272.65, 0.29%, 0.46%

LAB 41.87, 29.07, -31.53

 

CMYK 0 / 3 / 45 / 41

HEX #979353

RGB 151 147 83

HSL 56.47, 0.29%, 0.46%

LAB 59.95, -8.06, 34.28

 

CMYK 45 / 16 / 0 / 41

HEX #537E96

RGB 83 126 150

HSL 201.49, 0.29%, 0.46%

LAB 50.64, -8.15, -17.57

 

CMYK 0 / 45 / 16 / 41

HEX #97537F

RGB 151 83 127

HSL 321.18, 0.29%, 0.46%

LAB 44.66, 34.38, -12.42

 

CMYK 16 / 0 / 45 / 41

HEX #7F9753

RGB 127 151 83

HSL 81.18, 0.29%, 0.46%

LAB 59.22, -20.15, 32.96

 

CMYK 45 / 16 / 0 / 41

HEX #537E96

RGB 83 126 150

HSL 201.49, 0.29%, 0.46%

LAB 50.64, -8.15, -17.57

 

CMYK 21 / 45 / 0 / 41

HEX #785397

RGB 120 83 151

HSL 272.65, 0.29%, 0.46%

LAB 41.87, 29.07, -31.53

 

CMYK 0 / 29 / 45 / 41

HEX #976B53

RGB 151 107 83

HSL 21.18, 0.29%, 0.46%

LAB 49.15, 14.47, 20.41

SW® 7705

CMYK 25 / 0 / 45 / 41

HEX #719753

RGB 113 151 83

HSL 93.53, 0.29%, 0.46%

LAB 58.29, -25.64, 31.59

 

CMYK 45 / 16 / 0 / 41

HEX #537E96

RGB 83 126 150

HSL 201.49, 0.29%, 0.46%

LAB 50.64, -8.15, -17.57

 

CMYK 7 / 45 / 0 / 41

HEX #8D5397

RGB 141 83 151

HSL 291.18, 0.29%, 0.46%

LAB 44.35, 35.58, -27.46

 

CMYK 0 / 29 / 45 / 41

HEX #976B53

RGB 151 107 83

HSL 21.18, 0.29%, 0.46%

LAB 49.15, 14.47, 20.41

SW® 7705

CMYK 38 / 0 / 45 / 41

HEX #5D9753

RGB 93 151 83

HSL 111.18, 0.29%, 0.46%

LAB 57.16, -32.84, 29.92

 

Description

Color code: CMYK 45 / 16 / 0 / 41 | qconv.com Color code: CMYK 45 / 16 / 0 / 41 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 126 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 126 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 16 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 16% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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