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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 45 / 0 / 75 / 4 it is the complementary color CMYK 38 / 95 / 0 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 45 / 0 / 75 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 45 / 0 / 75 / 4: CMYK 43 / 0 / 77 / 4, CMYK 38 / 0 / 71 / 0, CMYK 32 / 0 / 63 / 0, CMYK 25 / 0 / 56 / 0 and CMYK 18 / 0 / 48 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 45 / 0 / 75 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 45 / 0 / 75 / 4: CMYK 45 / 0 / 75 / 4, CMYK 48 / 0 / 81 / 11, CMYK 52 / 0 / 89 / 18, CMYK 56 / 0 / 98 / 25 and CMYK 61 / 0 / 100 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 75 / 4

HEX #87F53D

RGB 135 245 61

HSL 95.87, 0.9%, 0.6%

LAB 87.38, -60.34, 73.18

 

Complementary color

CMYK 38 / 95 / 0 / 24

HEX #780AC2

RGB 120 10 194

HSL 275.87, 0.9%, 0.4%

LAB 34.2, 68.56, -69.45

 

CMYK 43 / 0 / 77 / 4

HEX #8CF538

RGB 140 245 56

HSL 93.33, 0.9%, 0.59%

LAB 87.57, -59.08, 74.93

 

CMYK 38 / 0 / 71 / 0

HEX #9DFF4B

RGB 157 255 75

HSL 92.67, 1%, 0.65%

LAB 91.32, -56.47, 72.77

 

CMYK 32 / 0 / 63 / 0

HEX #AEFF5E

RGB 174 255 94

HSL 90.19, 1%, 0.68%

LAB 92.28, -49.46, 66.93

 

CMYK 25 / 0 / 56 / 0

HEX #BFFF71

RGB 191 255 113

HSL 87.04, 1%, 0.72%

LAB 93.36, -41.92, 60.43

 

CMYK 18 / 0 / 48 / 0

HEX #D0FF84

RGB 208 255 132

HSL 82.93, 1%, 0.76%

LAB 94.57, -33.96, 53.54

 

CMYK 45 / 0 / 75 / 4

HEX #87F53D

RGB 135 245 61

HSL 95.87, 0.9%, 0.6%

LAB 87.38, -60.34, 73.18

 

CMYK 48 / 0 / 81 / 11

HEX #76E32A

RGB 118 227 42

HSL 95.35, 0.77%, 0.53%

LAB 81.27, -59.66, 72.6

 

CMYK 52 / 0 / 89 / 18

HEX #65D117

RGB 101 209 23

HSL 94.84, 0.8%, 0.45%

LAB 75.1, -58.69, 71.03

 

CMYK 56 / 0 / 98 / 25

HEX #54BF04

RGB 84 191 4

HSL 94.33, 0.96%, 0.38%

LAB 68.86, -57.37, 68.16

 

CMYK 61 / 0 / 100 / 32

HEX #43AD00

RGB 67 173 0

HSL 96.76, 1%, 0.34%

LAB 62.58, -55.55, 63.43

 

CMYK 45 / 0 / 75 / 4

HEX #87F53D

RGB 135 245 61

HSL 95.87, 0.9%, 0.6%

LAB 87.38, -60.34, 73.18

 

CMYK 56 / 0 / 75 / 4

HEX #6BF43D

RGB 107 244 61

HSL 104.92, 0.89%, 0.6%

LAB 86.09, -67.68, 71.58

 

CMYK 69 / 0 / 75 / 4

HEX #4CF43D

RGB 76 244 61

HSL 115.08, 0.89%, 0.6%

LAB 85.29, -74.25, 70.53

 

CMYK 75 / 0 / 69 / 4

HEX #3DF44C

RGB 61 244 76

HSL 124.92, 0.89%, 0.6%

LAB 85.11, -75.45, 65.08

 

CMYK 75 / 0 / 56 / 4

HEX #3DF46B

RGB 61 244 107

HSL 135.08, 0.89%, 0.6%

LAB 85.38, -72.13, 52.57

 

CMYK 45 / 0 / 75 / 4

HEX #87F53D

RGB 135 245 61

HSL 95.87, 0.9%, 0.6%

LAB 87.38, -60.34, 73.18

 

CMYK 44 / 0 / 76 / 84

HEX #17290A

RGB 23 41 10

HSL 94.84, 0.61%, 0.1%

LAB 14.34, -14.33, 16.59

 

CMYK 45 / 0 / 75 / 64

HEX #335C17

RGB 51 92 23

HSL 95.65, 0.6%, 0.23%

LAB 34.84, -27.56, 33.57

 

CMYK 45 / 0 / 75 / 44

HEX #4F8F24

RGB 79 143 36

HSL 95.89, 0.6%, 0.35%

LAB 53.42, -39.23, 47.59

 

CMYK 45 / 0 / 75 / 24

HEX #6BC230

RGB 107 194 48

HSL 95.75, 0.6%, 0.47%

LAB 70.82, -50.1, 60.91

 

CMYK 45 / 0 / 75 / 4

HEX #87F53D

RGB 135 245 61

HSL 95.87, 0.9%, 0.6%

LAB 87.38, -60.34, 73.18

 

CMYK 75 / 0 / 16 / 4

HEX #3DF4CD

RGB 61 244 205

HSL 167.21, 0.89%, 0.6%

LAB 87.05, -53.62, 5.96

 

CMYK 0 / 75 / 14 / 4

HEX #F43DD3

RGB 244 61 211

HSL 310.82, 0.89%, 0.6%

LAB 59.23, 81.34, -38.02

 

CMYK 45 / 0 / 75 / 4

HEX #87F53D

RGB 135 245 61

HSL 95.87, 0.9%, 0.6%

LAB 87.38, -60.34, 73.18

 

CMYK 75 / 44 / 0 / 4

HEX #3D89F4

RGB 61 137 244

HSL 215.08, 0.89%, 0.6%

LAB 57.48, 12.78, -60.36

 

CMYK 0 / 75 / 44 / 4

HEX #F43D89

RGB 244 61 137

HSL 335.08, 0.89%, 0.6%

LAB 56.46, 72.96, 0.73

 

CMYK 45 / 0 / 75 / 4

HEX #87F53D

RGB 135 245 61

HSL 95.87, 0.9%, 0.6%

LAB 87.38, -60.34, 73.18

 

CMYK 75 / 0 / 16 / 4

HEX #3DF4CD

RGB 61 244 205

HSL 167.21, 0.89%, 0.6%

LAB 87.05, -53.62, 5.96

 

CMYK 31 / 75 / 0 / 4

HEX #A83DF4

RGB 168 61 244

HSL 275.08, 0.89%, 0.6%

LAB 49.73, 72.12, -72.47

 

CMYK 0 / 75 / 59 / 4

HEX #F43D64

RGB 244 61 100

HSL 347.21, 0.89%, 0.6%

LAB 55.57, 70.13, 21.47

 

CMYK 45 / 0 / 75 / 4

HEX #87F53D

RGB 135 245 61

HSL 95.87, 0.9%, 0.6%

LAB 87.38, -60.34, 73.18

 

CMYK 75 / 6 / 0 / 4

HEX #3DE5F4

RGB 61 229 244

HSL 184.92, 0.89%, 0.6%

LAB 83.74, -36.56, -19.43

 

CMYK 31 / 75 / 0 / 4

HEX #A83DF4

RGB 168 61 244

HSL 275.08, 0.89%, 0.6%

LAB 49.73, 72.12, -72.47

 

CMYK 0 / 69 / 75 / 4

HEX #F44C3D

RGB 244 76 61

HSL 4.92, 0.89%, 0.6%

LAB 56.82, 63.1, 45.27

 

Description

Color code: CMYK 45 / 0 / 75 / 4 | qconv.com Color code: CMYK 45 / 0 / 75 / 4 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 245 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 245 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 75 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 75% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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