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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 45 / 0 / 49 / 24 it is the complementary color CMYK 5 / 61 / 0 / 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 45 / 0 / 49 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 45 / 0 / 49 / 24: CMYK 42 / 0 / 52 / 24, CMYK 39 / 0 / 47 / 17, CMYK 37 / 0 / 43 / 10, CMYK 34 / 0 / 39 / 3 and CMYK 29 / 0 / 33 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 45 / 0 / 49 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 45 / 0 / 49 / 24: CMYK 45 / 0 / 49 / 24, CMYK 49 / 0 / 55 / 31, CMYK 54 / 0 / 61 / 38, CMYK 60 / 0 / 70 / 45 and CMYK 68 / 0 / 81 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 49 / 24

HEX #6BC263

RGB 107 194 99

HSL 114.95, 0.44%, 0.57%

LAB 71.29, -45.12, 39.58

 

Complementary color

CMYK 5 / 61 / 0 / 39

HEX #943D9C

RGB 148 61 156

HSL 294.95, 0.44%, 0.43%

LAB 41.27, 49.96, -35.23

 

CMYK 42 / 0 / 52 / 24

HEX #70C25E

RGB 112 194 94

HSL 109.2, 0.45%, 0.56%

LAB 71.44, -44.24, 42.27

 

CMYK 39 / 0 / 47 / 17

HEX #81D471

RGB 129 212 113

HSL 110.3, 0.54%, 0.64%

LAB 77.84, -44.15, 41.04

 

CMYK 37 / 0 / 43 / 10

HEX #92E684

RGB 146 230 132

HSL 111.43, 0.66%, 0.71%

LAB 84.16, -44, 39.83

 

CMYK 34 / 0 / 39 / 3

HEX #A3F897

RGB 163 248 151

HSL 112.58, 0.87%, 0.78%

LAB 90.39, -43.82, 38.65

 

CMYK 29 / 0 / 33 / 0

HEX #B4FFAA

RGB 180 255 170

HSL 112.94, 1%, 0.83%

LAB 93.51, -38.75, 33.47

 

CMYK 45 / 0 / 49 / 24

HEX #6BC263

RGB 107 194 99

HSL 114.95, 0.44%, 0.57%

LAB 71.29, -45.12, 39.58

 

CMYK 49 / 0 / 55 / 31

HEX #5AB050

RGB 90 176 80

HSL 113.75, 0.38%, 0.5%

LAB 64.81, -45.12, 40.85

 

CMYK 54 / 0 / 61 / 38

HEX #499E3D

RGB 73 158 61

HSL 112.58, 0.44%, 0.43%

LAB 58.23, -44.95, 42.05

 

CMYK 60 / 0 / 70 / 45

HEX #388C2A

RGB 56 140 42

HSL 111.43, 0.54%, 0.36%

LAB 51.57, -44.47, 43

 

CMYK 68 / 0 / 81 / 52

HEX #277A17

RGB 39 122 23

HSL 110.3, 0.68%, 0.28%

LAB 44.82, -43.48, 43.31

 

CMYK 45 / 0 / 49 / 24

HEX #6BC263

RGB 107 194 99

HSL 114.95, 0.44%, 0.57%

LAB 71.29, -45.12, 39.58

 

CMYK 50 / 0 / 47 / 24

HEX #61C167

RGB 97 193 103

HSL 123.75, 0.44%, 0.57%

LAB 70.64, -47, 36.68

 

CMYK 50 / 0 / 38 / 24

HEX #61C177

RGB 97 193 119

HSL 133.75, 0.44%, 0.57%

LAB 70.88, -44.47, 28.78

 

CMYK 50 / 0 / 30 / 24

HEX #61C187

RGB 97 193 135

HSL 143.75, 0.44%, 0.57%

LAB 71.17, -41.56, 20.7

 

CMYK 50 / 0 / 22 / 24

HEX #61C197

RGB 97 193 151

HSL 153.75, 0.44%, 0.57%

LAB 71.5, -38.29, 12.56

 

CMYK 45 / 0 / 49 / 24

HEX #6BC263

RGB 107 194 99

HSL 114.95, 0.44%, 0.57%

LAB 71.29, -45.12, 39.58

 

CMYK 45 / 0 / 49 / 4

HEX #87F57D

RGB 135 245 125

HSL 115, 0.86%, 0.73%

LAB 87.94, -54.46, 47.85

 

CMYK 44 / 0 / 49 / 84

HEX #172915

RGB 23 41 21

HSL 114, 0.32%, 0.12%

LAB 14.52, -12.56, 10.83

 

CMYK 45 / 0 / 49 / 64

HEX #335C2F

RGB 51 92 47

HSL 114.67, 0.32%, 0.27%

LAB 35.13, -24.61, 21.44

 

CMYK 45 / 0 / 49 / 44

HEX #4F8F49

RGB 79 143 73

HSL 114.86, 0.32%, 0.42%

LAB 53.8, -35.25, 30.85

 

CMYK 45 / 0 / 49 / 24

HEX #6BC263

RGB 107 194 99

HSL 114.95, 0.44%, 0.57%

LAB 71.29, -45.12, 39.58

 

CMYK 50 / 5 / 0 / 24

HEX #61B7C1

RGB 97 183 193

HSL 186.25, 0.44%, 0.57%

LAB 69.65, -23.22, -13.1

 

CMYK 0 / 50 / 25 / 24

HEX #C16191

RGB 193 97 145

HSL 330, 0.44%, 0.57%

LAB 53.95, 44.04, -8.61

 

CMYK 45 / 0 / 49 / 24

HEX #6BC263

RGB 107 194 99

HSL 114.95, 0.44%, 0.57%

LAB 71.29, -45.12, 39.58

 

CMYK 50 / 45 / 0 / 24

HEX #616AC1

RGB 97 106 193

HSL 234.38, 0.44%, 0.57%

LAB 47.88, 20.61, -46.83

 

CMYK 0 / 50 / 45 / 24

HEX #C1616A

RGB 193 97 106

HSL 354.38, 0.44%, 0.57%

LAB 52.87, 39.24, 12.86

 

CMYK 45 / 0 / 49 / 24

HEX #6BC263

RGB 107 194 99

HSL 114.95, 0.44%, 0.57%

LAB 71.29, -45.12, 39.58

 

CMYK 50 / 5 / 0 / 24

HEX #61B7C1

RGB 97 183 193

HSL 186.25, 0.44%, 0.57%

LAB 69.65, -23.22, -13.1

 

CMYK 5 / 50 / 0 / 24

HEX #B761C1

RGB 183 97 193

HSL 293.75, 0.44%, 0.57%

LAB 54.52, 48.98, -35.77

 

CMYK 0 / 45 / 50 / 24

HEX #C16A61

RGB 193 106 97

HSL 5.63, 0.44%, 0.57%

LAB 54.56, 33.63, 20.45

 

CMYK 45 / 0 / 49 / 24

HEX #6BC263

RGB 107 194 99

HSL 114.95, 0.44%, 0.57%

LAB 71.29, -45.12, 39.58

 

CMYK 50 / 20 / 0 / 24

HEX #619AC1

RGB 97 154 193

HSL 204.38, 0.44%, 0.57%

LAB 61.22, -7.82, -25.92

 

CMYK 5 / 50 / 0 / 24

HEX #B761C1

RGB 183 97 193

HSL 293.75, 0.44%, 0.57%

LAB 54.52, 48.98, -35.77

 

CMYK 0 / 30 / 50 / 24

HEX #C18761

RGB 193 135 97

HSL 23.75, 0.44%, 0.57%

LAB 61.25, 17.81, 29.25

 

Description

Color code: CMYK 45 / 0 / 49 / 24 | qconv.com Color code: CMYK 45 / 0 / 49 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 194 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 194 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 49 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 49% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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