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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 44 / 92 / 0 / 19 it is the complementary color CMYK 42 / 0 / 80 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 44 / 92 / 0 / 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 44 / 92 / 0 / 19: CMYK 40 / 92 / 0 / 21, CMYK 38 / 84 / 0 / 13, CMYK 35 / 78 / 0 / 6, CMYK 33 / 72 / 0 / 0 and CMYK 26 / 65 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 44 / 92 / 0 / 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 44 / 92 / 0 / 19: CMYK 44 / 92 / 0 / 19, CMYK 47 / 100 / 0 / 26, CMYK 51 / 100 / 0 / 34, CMYK 57 / 100 / 0 / 41 and CMYK 63 / 100 / 0 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 92 / 0 / 19

HEX #7411CF

RGB 116 17 207

HSL 271.26, 0.85%, 0.44%

LAB 35.24, 69.77, -75.36

 

Complementary color

CMYK 42 / 0 / 80 / 7

HEX #8BEE30

RGB 139 238 48

HSL 91.26, 0.85%, 0.56%

LAB 85.43, -57.1, 75.15

 

CMYK 40 / 92 / 0 / 21

HEX #7911CA

RGB 121 17 202

HSL 273.73, 0.84%, 0.43%

LAB 35.46, 69.24, -72.06

 

CMYK 38 / 84 / 0 / 13

HEX #8A23DD

RGB 138 35 221

HSL 273.23, 0.73%, 0.5%

LAB 40.94, 71.19, -73.96

 

CMYK 35 / 78 / 0 / 6

HEX #9B35F0

RGB 155 53 240

HSL 272.73, 0.86%, 0.57%

LAB 46.72, 72.04, -75.21

 

CMYK 33 / 72 / 0 / 0

HEX #AC47FF

RGB 172 71 255

HSL 272.93, 1%, 0.64%

LAB 52.39, 71.32, -74.25

 

CMYK 26 / 65 / 0 / 0

HEX #BD59FF

RGB 189 89 255

HSL 276.14, 1%, 0.67%

LAB 57.25, 66.92, -66.29

 

CMYK 44 / 92 / 0 / 19

HEX #7411CF

RGB 116 17 207

HSL 271.26, 0.85%, 0.44%

LAB 35.24, 69.77, -75.36

 

CMYK 47 / 100 / 0 / 26

HEX #6300BC

RGB 99 0 188

HSL 271.6, 1%, 0.37%

LAB 30.12, 66.67, -72.75

 

CMYK 51 / 100 / 0 / 34

HEX #5200A9

RGB 82 0 169

HSL 269.11, 1%, 0.33%

LAB 25.74, 61.08, -68.69

 

CMYK 57 / 100 / 0 / 41

HEX #410096

RGB 65 0 150

HSL 266, 1%, 0.29%

LAB 21.3, 55.41, -64.5

 

CMYK 63 / 100 / 0 / 49

HEX #300083

RGB 48 0 131

HSL 261.98, 1%, 0.26%

LAB 16.83, 49.7, -60.09

 

CMYK 44 / 92 / 0 / 19

HEX #7411CF

RGB 116 17 207

HSL 271.26, 0.85%, 0.44%

LAB 35.24, 69.77, -75.36

 

CMYK 29 / 92 / 0 / 19

HEX #9310CF

RGB 147 16 207

HSL 281.15, 0.86%, 0.44%

LAB 39.71, 73.59, -67.85

 

CMYK 14 / 92 / 0 / 19

HEX #B210CF

RGB 178 16 207

HSL 290.89, 0.86%, 0.44%

LAB 44.72, 77.99, -59.49

 

CMYK 0 / 92 / 1 / 19

HEX #CF10CC

RGB 207 16 204

HSL 300.94, 0.86%, 0.44%

LAB 49.49, 82.19, -49.82

 

CMYK 0 / 92 / 17 / 19

HEX #CF10AC

RGB 207 16 172

HSL 310.99, 0.86%, 0.44%

LAB 47.77, 77.83, -33.86

 

CMYK 44 / 92 / 0 / 19

HEX #7411CF

RGB 116 17 207

HSL 271.26, 0.85%, 0.44%

LAB 35.24, 69.77, -75.36

 

CMYK 33 / 100 / 0 / 99

HEX #020003

RGB 2 0 3

HSL 280, 1%, 0.01%

LAB 0.18, 0.94, -0.95

 

CMYK 44 / 93 / 0 / 79

HEX #1E0436

RGB 30 4 54

HSL 271.2, 0.86%, 0.11%

LAB 5.68, 24.39, -26.48

 

CMYK 44 / 91 / 0 / 59

HEX #3B0969

RGB 59 9 105

HSL 271.25, 0.84%, 0.22%

LAB 16.23, 41.3, -44.27

 

CMYK 44 / 92 / 0 / 39

HEX #570D9C

RGB 87 13 156

HSL 271.05, 0.85%, 0.33%

LAB 25.91, 56.01, -60.49

 

CMYK 44 / 92 / 0 / 19

HEX #7411CF

RGB 116 17 207

HSL 271.26, 0.85%, 0.44%

LAB 35.24, 69.77, -75.36

 

CMYK 0 / 92 / 66 / 19

HEX #CF1046

RGB 207 16 70

HSL 343.04, 0.86%, 0.44%

LAB 44.34, 68.67, 23.59

 

CMYK 92 / 0 / 81 / 19

HEX #10CF27

RGB 16 207 39

HSL 127.23, 0.86%, 0.44%

LAB 72.81, -71.73, 64.81

 

CMYK 44 / 92 / 0 / 19

HEX #7411CF

RGB 116 17 207

HSL 271.26, 0.85%, 0.44%

LAB 35.24, 69.77, -75.36

 

CMYK 0 / 44 / 92 / 19

HEX #CF7310

RGB 207 115 16

HSL 31.1, 0.86%, 0.44%

LAB 57.62, 30.34, 61.92

 

CMYK 92 / 0 / 44 / 19

HEX #10CF73

RGB 16 207 115

HSL 151.1, 0.86%, 0.44%

LAB 73.53, -62.91, 33.98

 

CMYK 44 / 92 / 0 / 19

HEX #7411CF

RGB 116 17 207

HSL 271.26, 0.85%, 0.44%

LAB 35.24, 69.77, -75.36

 

CMYK 0 / 92 / 66 / 19

HEX #CF1046

RGB 207 16 70

HSL 343.04, 0.86%, 0.44%

LAB 44.34, 68.67, 23.59

 

CMYK 47 / 0 / 92 / 19

HEX #6DCF10

RGB 109 207 16

HSL 90.79, 0.86%, 0.44%

LAB 74.77, -55.76, 71.96

 

CMYK 92 / 0 / 26 / 19

HEX #10CF99

RGB 16 207 153

HSL 163.04, 0.86%, 0.44%

LAB 74.21, -55.06, 15.07

 

CMYK 44 / 92 / 0 / 19

HEX #7411CF

RGB 116 17 207

HSL 271.26, 0.85%, 0.44%

LAB 35.24, 69.77, -75.36

 

CMYK 0 / 90 / 92 / 19

HEX #CF1410

RGB 207 20 16

HSL 1.26, 0.86%, 0.44%

LAB 43.95, 66.49, 52.6

 

CMYK 47 / 0 / 92 / 19

HEX #6DCF10

RGB 109 207 16

HSL 90.79, 0.86%, 0.44%

LAB 74.77, -55.76, 71.96

 

CMYK 92 / 1 / 0 / 19

HEX #10CCCF

RGB 16 204 207

HSL 180.94, 0.86%, 0.44%

LAB 74.7, -39.28, -13.32

 

Description

Color code: CMYK 44 / 92 / 0 / 19 | qconv.com Color code: CMYK 44 / 92 / 0 / 19 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 17 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 17 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 92 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 92% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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