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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 44 / 27 / 0 / 56 it is the complementary color CMYK 0 / 10 / 26 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 44 / 27 / 0 / 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 44 / 27 / 0 / 56: CMYK 36 / 23 / 0 / 58, CMYK 33 / 21 / 0 / 51, CMYK 30 / 19 / 0 / 43, CMYK 27 / 17 / 0 / 36 and CMYK 26 / 16 / 0 / 28

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 44 / 27 / 0 / 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 44 / 27 / 0 / 56: CMYK 44 / 27 / 0 / 56, CMYK 51 / 31 / 0 / 64, CMYK 61 / 38 / 0 / 71, CMYK 78 / 49 / 0 / 78 and CMYK 100 / 72 / 0 / 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 27 / 0 / 56

HEX #3F5270

RGB 63 82 112

HSL 216.73, 0.28%, 0.34%

LAB 34.52, 1.28, -19.53

 

Complementary color

CMYK 0 / 10 / 26 / 25

HEX #C0AD8F

RGB 192 173 143

HSL 36.73, 0.28%, 0.66%

LAB 71.61, 2.13, 17.93

 

CMYK 36 / 23 / 0 / 58

HEX #44526B

RGB 68 82 107

HSL 218.46, 0.22%, 0.34%

LAB 34.65, 1.3, -16.18

 

CMYK 33 / 21 / 0 / 51

HEX #55647E

RGB 85 100 126

HSL 218.05, 0.19%, 0.41%

LAB 42.08, 0.97, -16.37

 

CMYK 30 / 19 / 0 / 43

HEX #667691

RGB 102 118 145

HSL 217.67, 0.17%, 0.48%

LAB 49.28, 0.69, -16.61

 

CMYK 27 / 17 / 0 / 36

HEX #7788A4

RGB 119 136 164

HSL 217.33, 0.2%, 0.55%

LAB 56.3, 0.46, -16.87

 

CMYK 26 / 16 / 0 / 28

HEX #889AB7

RGB 136 154 183

HSL 217.02, 0.25%, 0.63%

LAB 63.15, 0.25, -17.15

 

CMYK 44 / 27 / 0 / 56

HEX #3F5270

RGB 63 82 112

HSL 216.73, 0.28%, 0.34%

LAB 34.52, 1.28, -19.53

 

CMYK 51 / 31 / 0 / 64

HEX #2E405D

RGB 46 64 93

HSL 217.02, 0.34%, 0.27%

LAB 26.84, 1.88, -19.47

 

CMYK 61 / 38 / 0 / 71

HEX #1D2E4A

RGB 29 46 74

HSL 217.33, 0.44%, 0.2%

LAB 18.84, 2.75, -19.5

 

CMYK 78 / 49 / 0 / 78

HEX #0C1C37

RGB 12 28 55

HSL 217.67, 0.64%, 0.13%

LAB 10.44, 4.25, -19.64

 

CMYK 100 / 72 / 0 / 86

HEX #000A24

RGB 0 10 36

HSL 223.33, 1%, 0.07%

LAB 3.11, 4.08, -17.16

 

CMYK 44 / 27 / 0 / 56

HEX #3F5270

RGB 63 82 112

HSL 216.73, 0.28%, 0.34%

LAB 34.52, 1.28, -19.53

 

CMYK 44 / 34 / 0 / 57

HEX #3E496E

RGB 62 73 110

HSL 226.25, 0.28%, 0.34%

LAB 31.61, 6.17, -22.8

 

CMYK 44 / 41 / 0 / 57

HEX #3E416E

RGB 62 65 110

HSL 236.25, 0.28%, 0.34%

LAB 29.24, 11.47, -26.53

 

CMYK 39 / 44 / 0 / 57

HEX #433E6E

RGB 67 62 110

HSL 246.25, 0.28%, 0.34%

LAB 28.81, 14.95, -27.18

 

CMYK 32 / 44 / 0 / 57

HEX #4B3E6E

RGB 75 62 110

HSL 256.25, 0.28%, 0.34%

LAB 29.58, 17.41, -25.91

 

CMYK 44 / 27 / 0 / 56

HEX #3F5270

RGB 63 82 112

HSL 216.73, 0.28%, 0.34%

LAB 34.52, 1.28, -19.53

 

CMYK 44 / 27 / 0 / 36

HEX #5C77A3

RGB 92 119 163

HSL 217.18, 0.28%, 0.5%

LAB 49.63, 2.2, -26.68

 

CMYK 44 / 27 / 0 / 16

HEX #789DD6

RGB 120 157 214

HSL 216.38, 0.53%, 0.65%

LAB 64.13, 2.23, -33.05

 

CMYK 40 / 30 / 0 / 96

HEX #06070A

RGB 6 7 10

HSL 225, 0.25%, 0.03%

LAB 1.92, 0.16, -1.23

 

CMYK 44 / 26 / 0 / 76

HEX #222D3D

RGB 34 45 61

HSL 215.56, 0.28%, 0.19%

LAB 18.16, 0.26, -11.65

 

CMYK 44 / 27 / 0 / 56

HEX #3F5270

RGB 63 82 112

HSL 216.73, 0.28%, 0.34%

LAB 34.52, 1.28, -19.53

 

CMYK 8 / 44 / 0 / 57

HEX #653E6E

RGB 101 62 110

HSL 288.75, 0.28%, 0.34%

LAB 32.56, 25.96, -21.03

 

CMYK 8 / 0 / 44 / 57

HEX #656E3E

RGB 101 110 62

HSL 71.25, 0.28%, 0.34%

LAB 44.61, -11.74, 25.59

 

CMYK 44 / 27 / 0 / 56

HEX #3F5270

RGB 63 82 112

HSL 216.73, 0.28%, 0.34%

LAB 34.52, 1.28, -19.53

 

CMYK 0 / 44 / 26 / 57

HEX #6E3E51

RGB 110 62 81

HSL 336.25, 0.28%, 0.34%

LAB 32.6, 23.68, -2.34

 

CMYK 26 / 0 / 44 / 57

HEX #516E3E

RGB 81 110 62

HSL 96.25, 0.28%, 0.34%

LAB 43.14, -20.13, 23.41

 

CMYK 44 / 27 / 0 / 56

HEX #3F5270

RGB 63 82 112

HSL 216.73, 0.28%, 0.34%

LAB 34.52, 1.28, -19.53

 

CMYK 8 / 44 / 0 / 57

HEX #653E6E

RGB 101 62 110

HSL 288.75, 0.28%, 0.34%

LAB 32.56, 25.96, -21.03

 

CMYK 0 / 17 / 44 / 57

HEX #6E5B3E

RGB 110 91 62

HSL 36.25, 0.28%, 0.34%

LAB 39.82, 3.35, 19.61

 

CMYK 35 / 0 / 44 / 57

HEX #486E3E

RGB 72 110 62

HSL 107.5, 0.28%, 0.34%

LAB 42.58, -23.6, 22.58

 

CMYK 44 / 27 / 0 / 56

HEX #3F5270

RGB 63 82 112

HSL 216.73, 0.28%, 0.34%

LAB 34.52, 1.28, -19.53

 

CMYK 0 / 44 / 4 / 57

HEX #6E3E6A

RGB 110 62 106

HSL 305, 0.28%, 0.34%

LAB 33.56, 28.2, -16.85

 

CMYK 0 / 17 / 44 / 57

HEX #6E5B3E

RGB 110 91 62

HSL 36.25, 0.28%, 0.34%

LAB 39.82, 3.35, 19.61

 

CMYK 44 / 0 / 39 / 57

HEX #3E6E43

RGB 62 110 67

HSL 126.25, 0.28%, 0.34%

LAB 42.13, -26.28, 19.02

 

Description

Color code: CMYK 44 / 27 / 0 / 56 | qconv.com Color code: CMYK 44 / 27 / 0 / 56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 82 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 82 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 27 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 27% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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