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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 43 / 7 / 0 / 31 it is the complementary color CMYK 0 / 41 / 49 / 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 43 / 7 / 0 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 43 / 7 / 0 / 31: CMYK 39 / 4 / 0 / 33, CMYK 36 / 4 / 0 / 25, CMYK 33 / 4 / 0 / 18, CMYK 32 / 4 / 0 / 11 and CMYK 30 / 4 / 0 / 3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 43 / 7 / 0 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 43 / 7 / 0 / 31: CMYK 43 / 7 / 0 / 31, CMYK 47 / 7 / 0 / 38, CMYK 52 / 7 / 0 / 46, CMYK 59 / 8 / 0 / 53 and CMYK 68 / 8 / 0 / 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 7 / 0 / 31

HEX #64A4B0

RGB 100 164 176

HSL 189.47, 0.32%, 0.54%

LAB 63.67, -17.3, -12.64

 

Complementary color

CMYK 0 / 41 / 49 / 39

HEX #9B5B4F

RGB 155 91 79

HSL 9.47, 0.32%, 0.46%

LAB 45.66, 24.9, 18.19

 

CMYK 39 / 4 / 0 / 33

HEX #69A4AB

RGB 105 164 171

HSL 186.36, 0.28%, 0.54%

LAB 63.75, -17.3, -9.7

 

CMYK 36 / 4 / 0 / 25

HEX #7AB6BE

RGB 122 182 190

HSL 187.06, 0.34%, 0.61%

LAB 70.39, -17.28, -10.23

 

CMYK 33 / 4 / 0 / 18

HEX #8BC8D1

RGB 139 200 209

HSL 187.71, 0.43%, 0.68%

LAB 76.92, -17.25, -10.73

 

CMYK 32 / 4 / 0 / 11

HEX #9CDAE4

RGB 156 218 228

HSL 188.33, 0.57%, 0.75%

LAB 83.34, -17.22, -11.23

 

CMYK 30 / 4 / 0 / 3

HEX #ADECF7

RGB 173 236 247

HSL 188.92, 0.82%, 0.82%

LAB 89.67, -17.18, -11.71

 

CMYK 43 / 7 / 0 / 31

HEX #64A4B0

RGB 100 164 176

HSL 189.47, 0.32%, 0.54%

LAB 63.67, -17.3, -12.64

 

CMYK 47 / 7 / 0 / 38

HEX #53929D

RGB 83 146 157

HSL 188.92, 0.31%, 0.47%

LAB 56.91, -17.21, -12.13

 

CMYK 52 / 7 / 0 / 46

HEX #42808A

RGB 66 128 138

HSL 188.33, 0.35%, 0.4%

LAB 50.02, -17.06, -11.57

 

CMYK 59 / 8 / 0 / 53

HEX #316E77

RGB 49 110 119

HSL 187.71, 0.42%, 0.33%

LAB 42.97, -16.78, -10.97

 

CMYK 68 / 8 / 0 / 61

HEX #205C64

RGB 32 92 100

HSL 187.06, 0.52%, 0.26%

LAB 35.76, -16.3, -10.29

 

CMYK 43 / 7 / 0 / 31

HEX #64A4B0

RGB 100 164 176

HSL 189.47, 0.32%, 0.54%

LAB 63.67, -17.3, -12.64

 

CMYK 43 / 14 / 0 / 31

HEX #6497AF

RGB 100 151 175

HSL 199.2, 0.32%, 0.54%

LAB 59.83, -10.57, -17.88

 

CMYK 43 / 21 / 0 / 31

HEX #648AAF

RGB 100 138 175

HSL 209.6, 0.32%, 0.54%

LAB 56.07, -3.27, -23.63

 

CMYK 43 / 28 / 0 / 31

HEX #647EAF

RGB 100 126 175

HSL 219.2, 0.32%, 0.54%

LAB 52.65, 3.73, -28.92

 

CMYK 43 / 35 / 0 / 31

HEX #6471AF

RGB 100 113 175

HSL 229.6, 0.32%, 0.54%

LAB 49.03, 11.55, -34.58

 

CMYK 43 / 7 / 0 / 31

HEX #64A4B0

RGB 100 164 176

HSL 189.47, 0.32%, 0.54%

LAB 63.67, -17.3, -12.64

 

CMYK 43 / 7 / 0 / 11

HEX #81D4E3

RGB 129 212 227

HSL 189.18, 0.64%, 0.7%

LAB 80.35, -21.42, -15.31

 

CMYK 43 / 9 / 0 / 91

HEX #0D1517

RGB 13 21 23

HSL 192, 0.28%, 0.07%

LAB 6.18, -2.5, -2.39

 

CMYK 43 / 7 / 0 / 71

HEX #2A454A

RGB 42 69 74

HSL 189.38, 0.28%, 0.23%

LAB 27.42, -8.71, -6.26

 

CMYK 43 / 7 / 0 / 51

HEX #47747D

RGB 71 116 125

HSL 190, 0.28%, 0.38%

LAB 46.06, -12.91, -9.82

 

CMYK 43 / 7 / 0 / 31

HEX #64A4B0

RGB 100 164 176

HSL 189.47, 0.32%, 0.54%

LAB 63.67, -17.3, -12.64

 

CMYK 28 / 43 / 0 / 31

HEX #7E64AF

RGB 126 100 175

HSL 260.8, 0.32%, 0.54%

LAB 47.81, 26.75, -36.34

 

CMYK 0 / 11 / 43 / 31

HEX #AF9C64

RGB 175 156 100

HSL 44.8, 0.32%, 0.54%

LAB 64.81, -0.97, 31.84

 

CMYK 43 / 7 / 0 / 31

HEX #64A4B0

RGB 100 164 176

HSL 189.47, 0.32%, 0.54%

LAB 63.67, -17.3, -12.64

 

CMYK 0 / 43 / 7 / 31

HEX #AF64A3

RGB 175 100 163

HSL 309.6, 0.32%, 0.54%

LAB 52.81, 39.42, -21.13

 

CMYK 7 / 0 / 43 / 31

HEX #A3AF64

RGB 163 175 100

HSL 69.6, 0.32%, 0.54%

LAB 69.02, -15.97, 36.96

 

CMYK 43 / 7 / 0 / 31

HEX #64A4B0

RGB 100 164 176

HSL 189.47, 0.32%, 0.54%

LAB 63.67, -17.3, -12.64

 

CMYK 28 / 43 / 0 / 31

HEX #7E64AF

RGB 126 100 175

HSL 260.8, 0.32%, 0.54%

LAB 47.81, 26.75, -36.34

 

CMYK 0 / 37 / 43 / 31

HEX #AF6F64

RGB 175 111 100

HSL 8.8, 0.32%, 0.54%

LAB 53.39, 24.09, 16.72

 

CMYK 15 / 0 / 43 / 31

HEX #94AF64

RGB 148 175 100

HSL 81.6, 0.32%, 0.54%

LAB 67.93, -21.93, 35.36

 

CMYK 43 / 7 / 0 / 31

HEX #64A4B0

RGB 100 164 176

HSL 189.47, 0.32%, 0.54%

LAB 63.67, -17.3, -12.64

 

CMYK 15 / 43 / 0 / 31

HEX #9464AF

RGB 148 100 175

HSL 278.4, 0.32%, 0.54%

LAB 50.1, 33.31, -32.58

 

CMYK 0 / 37 / 43 / 31

HEX #AF6F64

RGB 175 111 100

HSL 8.8, 0.32%, 0.54%

LAB 53.39, 24.09, 16.72

 

CMYK 28 / 0 / 43 / 31

HEX #7EAF64

RGB 126 175 100

HSL 99.2, 0.32%, 0.54%

LAB 66.53, -30.19, 33.3

 

Description

Color code: CMYK 43 / 7 / 0 / 31 | qconv.com Color code: CMYK 43 / 7 / 0 / 31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 164 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 164 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 7 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 7% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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