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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 43 / 56 / 0 / 51 it is the complementary color CMYK 8 / 0 / 35 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 43 / 56 / 0 / 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 43 / 56 / 0 / 51: CMYK 37 / 54 / 0 / 53, CMYK 33 / 47 / 0 / 45, CMYK 30 / 42 / 0 / 38, CMYK 28 / 38 / 0 / 31 and CMYK 27 / 35 / 0 / 23

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 43 / 56 / 0 / 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 43 / 56 / 0 / 51: CMYK 43 / 56 / 0 / 51, CMYK 49 / 65 / 0 / 58, CMYK 57 / 78 / 0 / 66, CMYK 71 / 99 / 0 / 73 and CMYK 94 / 100 / 0 / 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 56 / 0 / 51

HEX #47377D

RGB 71 55 125

HSL 253.71, 0.39%, 0.35%

LAB 28.25, 25.28, -37.52

 

Complementary color

CMYK 8 / 0 / 35 / 22

HEX #B8C882

RGB 184 200 130

HSL 73.71, 0.39%, 0.65%

LAB 77.94, -16.81, 33.25

 

CMYK 37 / 54 / 0 / 53

HEX #4C3778

RGB 76 55 120

HSL 259.38, 0.37%, 0.34%

LAB 28.45, 25.12, -34.04

 

CMYK 33 / 47 / 0 / 45

HEX #5D498B

RGB 93 73 139

HSL 258.18, 0.31%, 0.42%

LAB 35.9, 24, -33.87

 

CMYK 30 / 42 / 0 / 38

HEX #6E5B9E

RGB 110 91 158

HSL 257.01, 0.27%, 0.49%

LAB 43.16, 23.03, -33.75

 

CMYK 28 / 38 / 0 / 31

HEX #7F6DB1

RGB 127 109 177

HSL 255.88, 0.3%, 0.56%

LAB 50.24, 22.19, -33.67

 

CMYK 27 / 35 / 0 / 23

HEX #907FC4

RGB 144 127 196

HSL 254.78, 0.37%, 0.63%

LAB 57.17, 21.45, -33.65

 

CMYK 43 / 56 / 0 / 51

HEX #47377D

RGB 71 55 125

HSL 253.71, 0.39%, 0.35%

LAB 28.25, 25.28, -37.52

 

CMYK 49 / 65 / 0 / 58

HEX #36256A

RGB 54 37 106

HSL 254.78, 0.48%, 0.28%

LAB 20.63, 26.74, -37.77

 

CMYK 57 / 78 / 0 / 66

HEX #251357

RGB 37 19 87

HSL 255.88, 0.64%, 0.21%

LAB 12.9, 28.27, -37.84

 

CMYK 71 / 99 / 0 / 73

HEX #140144

RGB 20 1 68

HSL 257.01, 0.97%, 0.14%

LAB 5.31, 29.02, -37.24

 

CMYK 94 / 100 / 0 / 81

HEX #030031

RGB 3 0 49

HSL 243.67, 1%, 0.1%

LAB 2.18, 14.86, -28.53

 

CMYK 43 / 56 / 0 / 51

HEX #47377D

RGB 71 55 125

HSL 253.71, 0.39%, 0.35%

LAB 28.25, 25.28, -37.52

 

CMYK 35 / 56 / 0 / 51

HEX #51367C

RGB 81 54 124

HSL 263.14, 0.39%, 0.35%

LAB 29.01, 28.26, -35.62

 

CMYK 26 / 56 / 0 / 51

HEX #5C367C

RGB 92 54 124

HSL 272.57, 0.39%, 0.35%

LAB 30.32, 31.31, -33.45

 

CMYK 16 / 56 / 0 / 51

HEX #68367C

RGB 104 54 124

HSL 282.86, 0.39%, 0.35%

LAB 31.89, 34.75, -30.86

 

CMYK 7 / 56 / 0 / 51

HEX #73367C

RGB 115 54 124

HSL 292.29, 0.39%, 0.35%

LAB 33.43, 37.96, -28.33

 

CMYK 43 / 56 / 0 / 51

HEX #47377D

RGB 71 55 125

HSL 253.71, 0.39%, 0.35%

LAB 28.25, 25.28, -37.52

 

CMYK 43 / 56 / 0 / 31

HEX #644DB0

RGB 100 77 176

HSL 253.94, 0.39%, 0.5%

LAB 39.83, 33.94, -49.78

 

CMYK 43 / 56 / 0 / 11

HEX #8164E3

RGB 129 100 227

HSL 253.7, 0.69%, 0.64%

LAB 51.07, 41.52, -60.96

 

CMYK 43 / 57 / 0 / 91

HEX #0D0A17

RGB 13 10 23

HSL 253.85, 0.39%, 0.06%

LAB 3.29, 3.39, -6.6

 

CMYK 43 / 55 / 0 / 71

HEX #2A214A

RGB 42 33 74

HSL 253.17, 0.38%, 0.21%

LAB 15.87, 15.83, -24.14

 

CMYK 43 / 56 / 0 / 51

HEX #47377D

RGB 71 55 125

HSL 253.71, 0.39%, 0.35%

LAB 28.25, 25.28, -37.52

 

CMYK 0 / 56 / 23 / 51

HEX #7C365F

RGB 124 54 95

HSL 324.86, 0.39%, 0.35%

LAB 33.46, 35.53, -9.83

 

CMYK 46 / 0 / 56 / 51

HEX #437C36

RGB 67 124 54

HSL 108.86, 0.39%, 0.35%

LAB 46.81, -33.22, 32.11

 

CMYK 43 / 56 / 0 / 51

HEX #47377D

RGB 71 55 125

HSL 253.71, 0.39%, 0.35%

LAB 28.25, 25.28, -37.52

 

CMYK 0 / 44 / 56 / 51

HEX #7C4536

RGB 124 69 54

HSL 12.86, 0.39%, 0.35%

LAB 35.61, 21.98, 19.3

 

CMYK 56 / 0 / 44 / 51

HEX #367C45

RGB 54 124 69

HSL 132.86, 0.39%, 0.35%

LAB 46.48, -34.85, 23.51

 

CMYK 43 / 56 / 0 / 51

HEX #47377D

RGB 71 55 125

HSL 253.71, 0.39%, 0.35%

LAB 28.25, 25.28, -37.52

 

CMYK 0 / 56 / 23 / 51

HEX #7C365F

RGB 124 54 95

HSL 324.86, 0.39%, 0.35%

LAB 33.46, 35.53, -9.83

 

CMYK 13 / 0 / 56 / 51

HEX #6C7C36

RGB 108 124 54

HSL 73.71, 0.39%, 0.35%

LAB 49.34, -17.21, 35.71

 

CMYK 56 / 0 / 33 / 51

HEX #367C53

RGB 54 124 83

HSL 144.86, 0.39%, 0.35%

LAB 46.74, -32.14, 15.9

 

CMYK 43 / 56 / 0 / 51

HEX #47377D

RGB 71 55 125

HSL 253.71, 0.39%, 0.35%

LAB 28.25, 25.28, -37.52

 

CMYK 0 / 56 / 40 / 51

HEX #7C364A

RGB 124 54 74

HSL 342.86, 0.39%, 0.35%

LAB 32.74, 32.59, 2.65

 

CMYK 13 / 0 / 56 / 51

HEX #6C7C36

RGB 108 124 54

HSL 73.71, 0.39%, 0.35%

LAB 49.34, -17.21, 35.71

 

CMYK 56 / 0 / 16 / 51

HEX #367C68

RGB 54 124 104

HSL 162.86, 0.39%, 0.35%

LAB 47.23, -27.23, 4.3

 

Description

Color code: CMYK 43 / 56 / 0 / 51 | qconv.com Color code: CMYK 43 / 56 / 0 / 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 55 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 55 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 56 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 56% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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