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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 42 / 39 / 0 / 48 it is the complementary color CMYK 0 / 2 / 31 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 42 / 39 / 0 / 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 42 / 39 / 0 / 48: CMYK 36 / 37 / 0 / 50, CMYK 33 / 33 / 0 / 42, CMYK 30 / 30 / 0 / 35, CMYK 28 / 27 / 0 / 27 and CMYK 26 / 25 / 0 / 20

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 42 / 39 / 0 / 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 42 / 39 / 0 / 48: CMYK 42 / 39 / 0 / 48, CMYK 47 / 45 / 0 / 55, CMYK 55 / 53 / 0 / 63, CMYK 66 / 64 / 0 / 70 and CMYK 84 / 84 / 0 / 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 39 / 0 / 48

HEX #4D5185

RGB 77 81 133

HSL 235.71, 0.27%, 0.41%

LAB 36.28, 12.53, -29.69

 

Complementary color

CMYK 0 / 2 / 31 / 30

HEX #B2AE7A

RGB 178 174 122

HSL 55.71, 0.27%, 0.59%

LAB 70.28, -6.76, 27.27

 

CMYK 36 / 37 / 0 / 50

HEX #525180

RGB 82 81 128

HSL 241.28, 0.22%, 0.41%

LAB 36.44, 12.5, -26.35

 

CMYK 33 / 33 / 0 / 42

HEX #636393

RGB 99 99 147

HSL 240, 0.2%, 0.48%

LAB 43.77, 11.79, -26.3

 

CMYK 30 / 30 / 0 / 35

HEX #7475A6

RGB 116 117 166

HSL 238.8, 0.22%, 0.55%

LAB 50.91, 11.2, -26.32

 

CMYK 28 / 27 / 0 / 27

HEX #8587B9

RGB 133 135 185

HSL 237.69, 0.27%, 0.62%

LAB 57.86, 10.69, -26.39

 

CMYK 26 / 25 / 0 / 20

HEX #9699CC

RGB 150 153 204

HSL 236.67, 0.35%, 0.69%

LAB 64.66, 10.24, -26.5

 

CMYK 42 / 39 / 0 / 48

HEX #4D5185

RGB 77 81 133

HSL 235.71, 0.27%, 0.41%

LAB 36.28, 12.53, -29.69

 

CMYK 47 / 45 / 0 / 55

HEX #3C3F72

RGB 60 63 114

HSL 236.67, 0.31%, 0.34%

LAB 28.72, 13.55, -29.89

 

CMYK 55 / 53 / 0 / 63

HEX #2B2D5F

RGB 43 45 95

HSL 237.69, 0.38%, 0.27%

LAB 20.89, 14.91, -30.21

 

CMYK 66 / 64 / 0 / 70

HEX #1A1B4C

RGB 26 27 76

HSL 238.8, 0.49%, 0.2%

LAB 12.77, 16.8, -30.6

 

CMYK 84 / 84 / 0 / 78

HEX #090939

RGB 9 9 57

HSL 240, 0.73%, 0.13%

LAB 4.96, 17.33, -29.94

 

CMYK 42 / 39 / 0 / 48

HEX #4D5185

RGB 77 81 133

HSL 235.71, 0.27%, 0.41%

LAB 36.28, 12.53, -29.69

 

CMYK 39 / 42 / 0 / 48

HEX #514C84

RGB 81 76 132

HSL 245.36, 0.27%, 0.41%

LAB 35.17, 16.6, -30.8

 

CMYK 32 / 42 / 0 / 48

HEX #5A4C84

RGB 90 76 132

HSL 255, 0.27%, 0.41%

LAB 36, 19.27, -29.44

 

CMYK 25 / 42 / 0 / 48

HEX #634C84

RGB 99 76 132

HSL 264.64, 0.27%, 0.41%

LAB 36.91, 22.05, -27.95

 

CMYK 17 / 42 / 0 / 48

HEX #6D4C84

RGB 109 76 132

HSL 275.36, 0.27%, 0.41%

LAB 38, 25.24, -26.17

 

CMYK 42 / 39 / 0 / 48

HEX #4D5185

RGB 77 81 133

HSL 235.71, 0.27%, 0.41%

LAB 36.28, 12.53, -29.69

 

CMYK 42 / 39 / 0 / 28

HEX #6B70B8

RGB 107 112 184

HSL 236.1, 0.35%, 0.57%

LAB 49.71, 16.68, -38.69

 

CMYK 42 / 39 / 0 / 8

HEX #888FEB

RGB 136 143 235

HSL 235.76, 0.71%, 0.73%

LAB 62.4, 20.34, -47.31

 

CMYK 42 / 39 / 0 / 88

HEX #12131F

RGB 18 19 31

HSL 235.38, 0.27%, 0.1%

LAB 6.26, 2.9, -8.38

 

CMYK 43 / 39 / 0 / 68

HEX #2F3252

RGB 47 50 82

HSL 234.86, 0.27%, 0.25%

LAB 21.93, 8.03, -19.94

 

CMYK 42 / 39 / 0 / 48

HEX #4D5185

RGB 77 81 133

HSL 235.71, 0.27%, 0.41%

LAB 36.28, 12.53, -29.69

 

CMYK 0 / 42 / 5 / 48

HEX #844C7E

RGB 132 76 126

HSL 306.43, 0.27%, 0.41%

LAB 40.54, 31.59, -18.32

 

CMYK 22 / 0 / 42 / 48

HEX #67844C

RGB 103 132 76

HSL 91.07, 0.27%, 0.41%

LAB 51.73, -20.86, 26.9

 

CMYK 42 / 39 / 0 / 48

HEX #4D5185

RGB 77 81 133

HSL 235.71, 0.27%, 0.41%

LAB 36.28, 12.53, -29.69

 

CMYK 0 / 42 / 39 / 48

HEX #844C51

RGB 132 76 81

HSL 354.64, 0.27%, 0.41%

LAB 39.02, 24.29, 7.32

 

CMYK 39 / 0 / 42 / 48

HEX #51844C

RGB 81 132 76

HSL 114.64, 0.27%, 0.41%

LAB 50.42, -29.02, 24.95

 

CMYK 42 / 39 / 0 / 48

HEX #4D5185

RGB 77 81 133

HSL 235.71, 0.27%, 0.41%

LAB 36.28, 12.53, -29.69

 

CMYK 0 / 42 / 5 / 48

HEX #844C7E

RGB 132 76 126

HSL 306.43, 0.27%, 0.41%

LAB 40.54, 31.59, -18.32

 

CMYK 0 / 3 / 42 / 48

HEX #84804C

RGB 132 128 76

HSL 55.71, 0.27%, 0.41%

LAB 52.8, -6.59, 28.73

 

CMYK 42 / 0 / 38 / 48

HEX #4C8452

RGB 76 132 82

HSL 126.43, 0.27%, 0.41%

LAB 50.27, -29.67, 21.37

 

CMYK 42 / 39 / 0 / 48

HEX #4D5185

RGB 77 81 133

HSL 235.71, 0.27%, 0.41%

LAB 36.28, 12.53, -29.69

 

CMYK 0 / 42 / 17 / 48

HEX #844C6D

RGB 132 76 109

HSL 324.64, 0.27%, 0.41%

LAB 39.88, 28.5, -8.85

 

CMYK 0 / 3 / 42 / 48

HEX #84804C

RGB 132 128 76

HSL 55.71, 0.27%, 0.41%

LAB 52.8, -6.59, 28.73

 

CMYK 42 / 0 / 25 / 48

HEX #4C8463

RGB 76 132 99

HSL 144.64, 0.27%, 0.41%

LAB 50.62, -26.37, 12.14

 

Description

Color code: CMYK 42 / 39 / 0 / 48 | qconv.com Color code: CMYK 42 / 39 / 0 / 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 81 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 81 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 39 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 39% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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