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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 42 / 37 / 0 / 12 it is the complementary color CMYK 0 / 9 / 75 / 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 42 / 37 / 0 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 42 / 37 / 0 / 12: CMYK 38 / 36 / 0 / 14, CMYK 36 / 33 / 0 / 7, CMYK 34 / 31 / 0 / 0, CMYK 27 / 24 / 0 / 0 and CMYK 20 / 16 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 42 / 37 / 0 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 42 / 37 / 0 / 12: CMYK 42 / 37 / 0 / 12, CMYK 45 / 40 / 0 / 20, CMYK 48 / 44 / 0 / 27, CMYK 53 / 48 / 0 / 35 and CMYK 58 / 53 / 0 / 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 37 / 0 / 12

HEX #828DE0

RGB 130 141 224

HSL 232.98, 0.6%, 0.69%

LAB 60.94, 16.88, -43.55

 

Complementary color

CMYK 0 / 9 / 75 / 51

HEX #7D721F

RGB 125 114 31

HSL 52.98, 0.6%, 0.31%

LAB 47.62, -5.68, 44.88

 

CMYK 38 / 36 / 0 / 14

HEX #878DDB

RGB 135 141 219

HSL 235.71, 0.54%, 0.69%

LAB 61.06, 16.78, -40.55

 

CMYK 36 / 33 / 0 / 7

HEX #989FEE

RGB 152 159 238

HSL 235.12, 0.72%, 0.76%

LAB 67.76, 16.09, -40.47

 

CMYK 34 / 31 / 0 / 0

HEX #A9B1FF

RGB 169 177 255

HSL 234.42, 1%, 0.83%

LAB 74.25, 14.97, -39.48

 

CMYK 27 / 24 / 0 / 0

HEX #BAC3FF

RGB 186 195 255

HSL 232.17, 1%, 0.86%

LAB 80, 9.83, -30.49

 

CMYK 20 / 16 / 0 / 0

HEX #CBD5FF

RGB 203 213 255

HSL 228.46, 1%, 0.9%

LAB 85.76, 5.2, -21.6

 

CMYK 42 / 37 / 0 / 12

HEX #828DE0

RGB 130 141 224

HSL 232.98, 0.6%, 0.69%

LAB 60.94, 16.88, -43.55

 

CMYK 45 / 40 / 0 / 20

HEX #717BCD

RGB 113 123 205

HSL 233.48, 0.48%, 0.62%

LAB 54.12, 17.76, -43.72

 

CMYK 48 / 44 / 0 / 27

HEX #6069BA

RGB 96 105 186

HSL 234, 0.39%, 0.55%

LAB 47.15, 18.8, -43.95

 

CMYK 53 / 48 / 0 / 35

HEX #4F57A7

RGB 79 87 167

HSL 234.55, 0.36%, 0.48%

LAB 40.03, 20.06, -44.23

 

CMYK 58 / 53 / 0 / 42

HEX #3E4594

RGB 62 69 148

HSL 235.12, 0.41%, 0.41%

LAB 32.74, 21.62, -44.57

 

CMYK 42 / 37 / 0 / 12

HEX #828DE0

RGB 130 141 224

HSL 232.98, 0.6%, 0.69%

LAB 60.94, 16.88, -43.55

 

CMYK 41 / 43 / 0 / 13

HEX #8380DF

RGB 131 128 223

HSL 241.89, 0.6%, 0.69%

LAB 57.65, 24.49, -48.19

 

CMYK 34 / 43 / 0 / 13

HEX #9380DF

RGB 147 128 223

HSL 252, 0.6%, 0.69%

LAB 58.95, 28.63, -46.05

 

CMYK 27 / 43 / 0 / 13

HEX #A380DF

RGB 163 128 223

HSL 262.11, 0.6%, 0.69%

LAB 60.38, 33, -43.68

 

CMYK 20 / 43 / 0 / 13

HEX #B380DF

RGB 179 128 223

HSL 272.21, 0.6%, 0.69%

LAB 61.95, 37.52, -41.1

 

CMYK 42 / 37 / 0 / 12

HEX #828DE0

RGB 130 141 224

HSL 232.98, 0.6%, 0.69%

LAB 60.94, 16.88, -43.55

 

CMYK 40 / 35 / 0 / 92

HEX #0C0D14

RGB 12 13 20

HSL 232.5, 0.25%, 0.06%

LAB 3.76, 1.06, -3.81

 

CMYK 42 / 37 / 0 / 72

HEX #292D47

RGB 41 45 71

HSL 232, 0.27%, 0.22%

LAB 19.24, 5.96, -16.78

 

CMYK 42 / 37 / 0 / 52

HEX #474D7A

RGB 71 77 122

HSL 232.94, 0.26%, 0.38%

LAB 34.09, 9.98, -26.38

 

CMYK 42 / 37 / 0 / 32

HEX #646DAD

RGB 100 109 173

HSL 232.6, 0.31%, 0.54%

LAB 47.83, 13.4, -35.29

 

CMYK 42 / 37 / 0 / 12

HEX #828DE0

RGB 130 141 224

HSL 232.98, 0.6%, 0.69%

LAB 60.94, 16.88, -43.55

 

CMYK 0 / 43 / 3 / 13

HEX #DF80D9

RGB 223 128 217

HSL 303.79, 0.6%, 0.69%

LAB 66.62, 49.3, -30.12

 

CMYK 20 / 0 / 43 / 13

HEX #B3DF80

RGB 179 223 128

HSL 87.79, 0.6%, 0.69%

LAB 83.92, -30.13, 41.87

 

CMYK 42 / 37 / 0 / 12

HEX #828DE0

RGB 130 141 224

HSL 232.98, 0.6%, 0.69%

LAB 60.94, 16.88, -43.55

 

CMYK 0 / 43 / 37 / 13

HEX #DF808D

RGB 223 128 141

HSL 351.79, 0.6%, 0.69%

LAB 64.2, 38.02, 9.13

 

CMYK 37 / 0 / 43 / 13

HEX #8DDF80

RGB 141 223 128

HSL 111.79, 0.6%, 0.69%

LAB 81.84, -43.09, 38.79

 

CMYK 42 / 37 / 0 / 12

HEX #828DE0

RGB 130 141 224

HSL 232.98, 0.6%, 0.69%

LAB 60.94, 16.88, -43.55

 

CMYK 0 / 43 / 3 / 13

HEX #DF80D9

RGB 223 128 217

HSL 303.79, 0.6%, 0.69%

LAB 66.62, 49.3, -30.12

 

CMYK 0 / 6 / 43 / 13

HEX #DFD280

RGB 223 210 128

HSL 51.79, 0.6%, 0.69%

LAB 83.62, -6.83, 42.16

 

CMYK 43 / 0 / 40 / 13

HEX #80DF86

RGB 128 223 134

HSL 123.79, 0.6%, 0.69%

LAB 81.34, -46.14, 35.03

 

CMYK 42 / 37 / 0 / 12

HEX #828DE0

RGB 130 141 224

HSL 232.98, 0.6%, 0.69%

LAB 60.94, 16.88, -43.55

 

CMYK 0 / 43 / 16 / 13

HEX #DF80BC

RGB 223 128 188

HSL 322.11, 0.6%, 0.69%

LAB 65.56, 44.48, -15.51

 

CMYK 0 / 6 / 43 / 13

HEX #DFD280

RGB 223 210 128

HSL 51.79, 0.6%, 0.69%

LAB 83.62, -6.83, 42.16

 

CMYK 43 / 0 / 27 / 13

HEX #80DFA3

RGB 128 223 163

HSL 142.11, 0.6%, 0.69%

LAB 81.84, -41.2, 20.8

 

Description

Color code: CMYK 42 / 37 / 0 / 12 | qconv.com Color code: CMYK 42 / 37 / 0 / 12 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 141 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 141 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 37 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 37% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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