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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 42 / 25 / 0 / 28 it is the complementary color CMYK 0 / 21 / 52 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 42 / 25 / 0 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 42 / 25 / 0 / 28: CMYK 38 / 23 / 0 / 30, CMYK 35 / 21 / 0 / 22, CMYK 33 / 20 / 0 / 15, CMYK 31 / 19 / 0 / 7 and CMYK 30 / 18 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 42 / 25 / 0 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 42 / 25 / 0 / 28: CMYK 42 / 25 / 0 / 28, CMYK 46 / 27 / 0 / 35, CMYK 51 / 30 / 0 / 43, CMYK 57 / 34 / 0 / 50 and CMYK 65 / 39 / 0 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 25 / 0 / 28

HEX #6A8AB8

RGB 106 138 184

HSL 215.38, 0.35%, 0.57%

LAB 56.78, 0.91, -27.64

 

Complementary color

CMYK 0 / 21 / 52 / 42

HEX #957547

RGB 149 117 71

HSL 35.38, 0.35%, 0.43%

LAB 51.34, 6.59, 30

 

CMYK 38 / 23 / 0 / 30

HEX #6F8AB3

RGB 111 138 179

HSL 216.18, 0.31%, 0.57%

LAB 56.89, 0.88, -24.6

 

CMYK 35 / 21 / 0 / 22

HEX #809CC6

RGB 128 156 198

HSL 216, 0.38%, 0.64%

LAB 63.71, 0.55, -24.75

 

CMYK 33 / 20 / 0 / 15

HEX #91AED9

RGB 145 174 217

HSL 215.83, 0.49%, 0.71%

LAB 70.39, 0.26, -24.93

 

CMYK 31 / 19 / 0 / 7

HEX #A2C0EC

RGB 162 192 236

HSL 215.68, 0.66%, 0.78%

LAB 76.94, 0, -25.13

 

CMYK 30 / 18 / 0 / 0

HEX #B3D2FF

RGB 179 210 255

HSL 215.53, 1%, 0.85%

LAB 83.39, -0.23, -25.35

 

CMYK 42 / 25 / 0 / 28

HEX #6A8AB8

RGB 106 138 184

HSL 215.38, 0.35%, 0.57%

LAB 56.78, 0.91, -27.64

 

CMYK 46 / 27 / 0 / 35

HEX #5978A5

RGB 89 120 165

HSL 215.53, 0.3%, 0.5%

LAB 49.83, 1.41, -27.56

 

CMYK 51 / 30 / 0 / 43

HEX #486692

RGB 72 102 146

HSL 215.68, 0.34%, 0.43%

LAB 42.7, 2.03, -27.52

 

CMYK 57 / 34 / 0 / 50

HEX #37547F

RGB 55 84 127

HSL 215.83, 0.4%, 0.36%

LAB 35.37, 2.84, -27.54

 

CMYK 65 / 39 / 0 / 58

HEX #26426C

RGB 38 66 108

HSL 216, 0.48%, 0.29%

LAB 27.82, 3.97, -27.6

 

CMYK 42 / 25 / 0 / 28

HEX #6A8AB8

RGB 106 138 184

HSL 215.38, 0.35%, 0.57%

LAB 56.78, 0.91, -27.64

 

CMYK 42 / 31 / 0 / 28

HEX #6A7EB7

RGB 106 126 183

HSL 224.42, 0.35%, 0.57%

LAB 53.39, 7.68, -32.34

 

CMYK 42 / 38 / 0 / 28

HEX #6A71B7

RGB 106 113 183

HSL 234.55, 0.35%, 0.57%

LAB 49.85, 15.51, -37.89

 

CMYK 38 / 42 / 0 / 28

HEX #716AB7

RGB 113 106 183

HSL 245.45, 0.35%, 0.57%

LAB 48.56, 21.64, -39.89

 

CMYK 31 / 42 / 0 / 28

HEX #7E6AB7

RGB 126 106 183

HSL 255.58, 0.35%, 0.57%

LAB 49.69, 25.25, -38.03

 

CMYK 42 / 25 / 0 / 28

HEX #6A8AB8

RGB 106 138 184

HSL 215.38, 0.35%, 0.57%

LAB 56.78, 0.91, -27.64

 

CMYK 43 / 25 / 0 / 8

HEX #87B0EB

RGB 135 176 235

HSL 215.4, 0.71%, 0.73%

LAB 71.01, 1.25, -33.86

 

CMYK 42 / 26 / 0 / 88

HEX #12171F

RGB 18 23 31

HSL 216.92, 0.27%, 0.1%

LAB 7.59, 0.18, -6.36

 

CMYK 43 / 24 / 0 / 68

HEX #2F3E52

RGB 47 62 82

HSL 214.29, 0.27%, 0.25%

LAB 25.74, -0.14, -14.01

 

CMYK 42 / 25 / 0 / 48

HEX #4D6485

RGB 77 100 133

HSL 215.36, 0.27%, 0.41%

LAB 41.82, 0.56, -21.05

 

CMYK 42 / 25 / 0 / 28

HEX #6A8AB8

RGB 106 138 184

HSL 215.38, 0.35%, 0.57%

LAB 56.78, 0.91, -27.64

 

CMYK 9 / 42 / 0 / 28

HEX #A76AB7

RGB 167 106 183

HSL 287.53, 0.35%, 0.57%

LAB 53.97, 37.48, -31.02

 

CMYK 8 / 0 / 42 / 28

HEX #A9B76A

RGB 169 183 106

HSL 70.91, 0.35%, 0.57%

LAB 71.79, -16.97, 37.46

 

CMYK 42 / 25 / 0 / 28

HEX #6A8AB8

RGB 106 138 184

HSL 215.38, 0.35%, 0.57%

LAB 56.78, 0.91, -27.64

 

CMYK 0 / 42 / 25 / 28

HEX #B76A8A

RGB 183 106 138

HSL 335.06, 0.35%, 0.57%

LAB 54.25, 34.85, -4.2

 

CMYK 25 / 0 / 42 / 28

HEX #8AB76A

RGB 138 183 106

HSL 95.06, 0.35%, 0.57%

LAB 69.69, -28.86, 34.37

 

CMYK 42 / 25 / 0 / 28

HEX #6A8AB8

RGB 106 138 184

HSL 215.38, 0.35%, 0.57%

LAB 56.78, 0.91, -27.64

 

CMYK 9 / 42 / 0 / 28

HEX #A76AB7

RGB 167 106 183

HSL 287.53, 0.35%, 0.57%

LAB 53.97, 37.48, -31.02

 

CMYK 0 / 17 / 42 / 28

HEX #B7976A

RGB 183 151 106

HSL 35.06, 0.35%, 0.57%

LAB 64.36, 5.76, 28.17

 

CMYK 33 / 0 / 42 / 28

HEX #7BB76A

RGB 123 183 106

HSL 106.75, 0.35%, 0.57%

LAB 68.84, -34.16, 33.1

 

CMYK 42 / 25 / 0 / 28

HEX #6A8AB8

RGB 106 138 184

HSL 215.38, 0.35%, 0.57%

LAB 56.78, 0.91, -27.64

 

CMYK 0 / 42 / 3 / 28

HEX #B76AB1

RGB 183 106 177

HSL 304.68, 0.35%, 0.57%

LAB 55.63, 41.29, -24.83

 

CMYK 0 / 17 / 42 / 28

HEX #B7976A

RGB 183 151 106

HSL 35.06, 0.35%, 0.57%

LAB 64.36, 5.76, 28.17

 

CMYK 42 / 0 / 38 / 28

HEX #6AB771

RGB 106 183 113

HSL 125.45, 0.35%, 0.57%

LAB 68.11, -38.57, 28.34

 

Description

Color code: CMYK 42 / 25 / 0 / 28 | qconv.com Color code: CMYK 42 / 25 / 0 / 28 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 138 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 138 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 25 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 25% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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