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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 41 / 5 / 0 / 30 it is the complementary color CMYK 0 / 43 / 49 / 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 41 / 5 / 0 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 41 / 5 / 0 / 30: CMYK 37 / 2 / 0 / 32, CMYK 34 / 3 / 0 / 24, CMYK 32 / 3 / 0 / 17, CMYK 30 / 3 / 0 / 9 and CMYK 29 / 3 / 0 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 41 / 5 / 0 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 41 / 5 / 0 / 30: CMYK 41 / 5 / 0 / 30, CMYK 45 / 5 / 0 / 37, CMYK 50 / 5 / 0 / 45, CMYK 56 / 5 / 0 / 52 and CMYK 64 / 5 / 0 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 5 / 0 / 30

HEX #69AAB3

RGB 105 170 179

HSL 187.3, 0.33%, 0.56%

LAB 65.75, -18.37, -11.17

 

Complementary color

CMYK 0 / 43 / 49 / 41

HEX #96554C

RGB 150 85 76

HSL 7.3, 0.33%, 0.44%

LAB 43.51, 25.92, 16.99

 

CMYK 37 / 2 / 0 / 32

HEX #6EAAAE

RGB 110 170 174

HSL 183.75, 0.28%, 0.56%

LAB 65.84, -18.32, -8.22

 

CMYK 34 / 3 / 0 / 24

HEX #7FBCC1

RGB 127 188 193

HSL 184.55, 0.35%, 0.63%

LAB 72.45, -18.27, -8.78

 

CMYK 32 / 3 / 0 / 17

HEX #90CED4

RGB 144 206 212

HSL 185.29, 0.44%, 0.7%

LAB 78.94, -18.22, -9.31

 

CMYK 30 / 3 / 0 / 9

HEX #A1E0E7

RGB 161 224 231

HSL 186, 0.59%, 0.77%

LAB 85.33, -18.16, -9.83

 

CMYK 29 / 3 / 0 / 2

HEX #B2F2FA

RGB 178 242 250

HSL 186.67, 0.88%, 0.84%

LAB 91.63, -18.11, -10.33

 

CMYK 41 / 5 / 0 / 30

HEX #69AAB3

RGB 105 170 179

HSL 187.3, 0.33%, 0.56%

LAB 65.75, -18.37, -11.17

 

CMYK 45 / 5 / 0 / 37

HEX #5898A0

RGB 88 152 160

HSL 186.67, 0.29%, 0.49%

LAB 59.04, -18.33, -10.62

 

CMYK 50 / 5 / 0 / 45

HEX #47868D

RGB 71 134 141

HSL 186, 0.33%, 0.42%

LAB 52.19, -18.24, -10.04

 

CMYK 56 / 5 / 0 / 52

HEX #36747A

RGB 54 116 122

HSL 185.29, 0.39%, 0.35%

LAB 45.19, -18.05, -9.41

 

CMYK 64 / 5 / 0 / 60

HEX #256267

RGB 37 98 103

HSL 184.55, 0.47%, 0.27%

LAB 38.04, -17.7, -8.69

 

CMYK 41 / 5 / 0 / 30

HEX #69AAB3

RGB 105 170 179

HSL 187.3, 0.33%, 0.56%

LAB 65.75, -18.37, -11.17

 

CMYK 41 / 12 / 0 / 30

HEX #699EB3

RGB 105 158 179

HSL 197.03, 0.33%, 0.56%

LAB 62.26, -11.98, -16.42

 

CMYK 41 / 18 / 0 / 30

HEX #6992B3

RGB 105 146 179

HSL 206.76, 0.33%, 0.56%

LAB 58.8, -5.34, -21.69

 

CMYK 41 / 25 / 0 / 30

HEX #6986B3

RGB 105 134 179

HSL 216.49, 0.33%, 0.56%

LAB 55.39, 1.54, -26.95

 

CMYK 41 / 32 / 0 / 30

HEX #6979B3

RGB 105 121 179

HSL 227.03, 0.33%, 0.56%

LAB 51.76, 9.23, -32.58

 

CMYK 41 / 5 / 0 / 30

HEX #69AAB3

RGB 105 170 179

HSL 187.3, 0.33%, 0.56%

LAB 65.75, -18.37, -11.17

 

CMYK 41 / 5 / 0 / 10

HEX #87DAE6

RGB 135 218 230

HSL 187.58, 0.66%, 0.72%

LAB 82.38, -22.2, -13.83

 

CMYK 42 / 4 / 0 / 90

HEX #0F191A

RGB 15 25 26

HSL 185.45, 0.27%, 0.08%

LAB 7.87, -3.98, -2.17

 

CMYK 42 / 5 / 0 / 70

HEX #2D494D

RGB 45 73 77

HSL 187.5, 0.26%, 0.24%

LAB 29.05, -9.33, -5.73

 

CMYK 41 / 5 / 0 / 50

HEX #4B7A80

RGB 75 122 128

HSL 186.79, 0.26%, 0.4%

LAB 48.23, -14.31, -8.33

 

CMYK 41 / 5 / 0 / 30

HEX #69AAB3

RGB 105 170 179

HSL 187.3, 0.33%, 0.56%

LAB 65.75, -18.37, -11.17

 

CMYK 28 / 41 / 0 / 30

HEX #8169B3

RGB 129 105 179

HSL 259.46, 0.33%, 0.56%

LAB 49.53, 25.67, -35.95

 

CMYK 0 / 12 / 41 / 30

HEX #B39E69

RGB 179 158 105

HSL 42.97, 0.33%, 0.56%

LAB 65.79, 0.16, 30.5

 

CMYK 41 / 5 / 0 / 30

HEX #69AAB3

RGB 105 170 179

HSL 187.3, 0.33%, 0.56%

LAB 65.75, -18.37, -11.17

 

CMYK 0 / 41 / 4 / 30

HEX #B369AB

RGB 179 105 171

HSL 306.49, 0.33%, 0.56%

LAB 54.69, 39.46, -22.86

 

CMYK 4 / 0 / 41 / 30

HEX #ABB369

RGB 171 179 105

HSL 66.49, 0.33%, 0.56%

LAB 70.81, -14.24, 36.78

 

CMYK 41 / 5 / 0 / 30

HEX #69AAB3

RGB 105 170 179

HSL 187.3, 0.33%, 0.56%

LAB 65.75, -18.37, -11.17

 

CMYK 28 / 41 / 0 / 30

HEX #8169B3

RGB 129 105 179

HSL 259.46, 0.33%, 0.56%

LAB 49.53, 25.67, -35.95

 

CMYK 0 / 36 / 41 / 30

HEX #B37269

RGB 179 114 105

HSL 7.3, 0.33%, 0.56%

LAB 54.7, 24.59, 15.69

 

CMYK 13 / 0 / 41 / 30

HEX #9CB369

RGB 156 179 105

HSL 78.65, 0.33%, 0.56%

LAB 69.7, -20.2, 35.14

 

CMYK 41 / 5 / 0 / 30

HEX #69AAB3

RGB 105 170 179

HSL 187.3, 0.33%, 0.56%

LAB 65.75, -18.37, -11.17

 

CMYK 16 / 41 / 0 / 30

HEX #9769B3

RGB 151 105 179

HSL 277.3, 0.33%, 0.56%

LAB 51.77, 32.27, -32.28

 

CMYK 0 / 36 / 41 / 30

HEX #B37269

RGB 179 114 105

HSL 7.3, 0.33%, 0.56%

LAB 54.7, 24.59, 15.69

 

CMYK 25 / 0 / 41 / 30

HEX #86B369

RGB 134 179 105

HSL 96.49, 0.33%, 0.56%

LAB 68.26, -28.53, 33.01

 

Description

Color code: CMYK 41 / 5 / 0 / 30 | qconv.com Color code: CMYK 41 / 5 / 0 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 170 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 170 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 5 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 5% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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